Just Quilty Stuff · Quilt Play · Quilt Stories · villa rosa designs

Welcome to the 2026 Quilting Olympics!

Happy Thursday to you!

In last week’s blog post, I proposed a companion Quilting Olympics to go with the recent 2026 Winter Olympics in Milan Cortina. I was hoping some of you might weigh in about possible events, but sadly, no one did. I get it, people are busy. So this week, I’m going to share some fun ideas for Quilting Olympics events. Who knows? Maybe this post will inspire your quilting guild or your next quilt retreat.

So………..Welcome to the Quilting Olympics, proudly inspired by the winter games in 2026 Winter Olympics hosted in Milan and Cortina d’Ampezzo.

But instead of skis and skates… we bring rotary cutters and seam rippers. I had SEW much fun creating this Quilting Olympics post for you. I utilized AI tools for the images as well as my very overdeveloped imagination for the story you are about to read.

After all –

“Imagination is more important than knowledge. Knowledge is limited. Imagination encircles the world.”
— Albert Einstein

Opening Ceremony for the 2026 Quilting Olympics

🏅 The Lighting of the Iron

“And here we are, ladies and gentlemen, quilters of all nations, gathered for this historic moment…”

The stadium lights dim. The crowd quiets. Thousands of rotary cutters glint softly in the night.

From the far end of the arena, she appears.

A master of her craft. A legend of the long arm. Draped in a jacket of brilliant patchwork, each piece representing generations of makers before her. The crowd rises to its feet.

She approaches the ceremonial cauldron — not a flame, not a torch — but the most sacred symbol of quilting excellence.

The Iron.

Set reverently to Cotton.

A hush falls over the crowd.

With steady hands and the confidence of someone who has conquered both bias curves and bobbin tension, she raises the glowing iron. A warm golden light flickers from its sole plate.

She touches it gently to the waiting pedestal.

And in a radiant burst of steam and sparkle…

The Quilting Olympics are officially underway.

Cheers erupt. Patchwork flags wave. Someone in the upper stands shouts, “Press it open!”

The flame glows steady and true, symbolizing:

Precision.
Patience.
Perseverance.
And perfectly matched points.

Above the arena, thread trails shimmer like starlight.

The games have begun.

A woman in a colorful patchwork jacket uses an iron to ignite a flame from a quilted trophy at the Quilting Olympics, with an excited crowd in the background.

The Official Quilting Olympic Oath

All competitors stand if you are able, rotary cutters raised (safely locked, of course) and repeat after me:

“I solemnly swear
to measure twice,
to cut once,
to maintain a quarter inch seam allowance,
to press with dignity,
to respect the bias,
and to finish at least one UFO before starting three more.”

Thunderous applause. Someone wipes away a tear with a fat quarter.

On to the Games!

Quilting Olympics Events

🧊 1. Fabric Figure Skating (Inspired by Figure Skating)

Competitors must create the most graceful curved piecing block under time pressure. They must also wear some kind of costume with a sewing theme. Competitors must present their completed block to the judges in their own unique pose.

Scoring:

  • Costume
  • Flow and elegance
  • Seam smoothness
  • No puckers allowed
  • Unique pose
  • Dramatic flourish points for bias control

Bonus if they finish without swearing.

A figure skater in a blue dress performs gracefully on a patterned ice surface, holding a colorful fan. In the background, judges display score cards with numbers 9.5, 10.0, and 9.8, alongside a trophy and sewing supplies.

“And we begin tonight with Fabric Figure Skating…”

Under a wash of golden light, the first competitor glides into position — costume shimmering with stitched embellishments and a waistline cinched in thread spools.

The clock begins.

She commits to the curve immediately — bold choice.

The fabric arcs beneath her hands like a satin ribbon in motion. The bias is unforgiving terrain, but she navigates it with steady control.

The judges are watching for:

  • Clean seam transitions
  • Smooth curvature
  • Zero puckers
  • And of course… costume cohesion

She pivots, presents her block overhead in a dramatic finishing pose —

And yes… no audible swearing.

That may earn her bonus points.

The judges confer.

Scorecards rise.

9.5
10.0
9.8

The crowd erupts.

A near flawless opening performance in Fabric Figure Skating.


🎿 2. Cross-Stitch Country Skiing (Inspired by Cross Country Skiing)

A long endurance event.

Participants chain piece 200 same-size squares without:

  • Losing focus
  • Switching seam allowance
  • Running out of bobbin thread mid run
  • Skis are optional

Bonus for maintaining a perfect quarter inch seam throughout (which will of course be measured).

An illustration of the Quilting Olympics featuring Cross-Stitch Country Skiing. A female skier with a medal is using a sewing machine on skis, while snow falls around her. She is focused on sewing a colorful quilt as other competitors ski behind her. Scoring signs for Flow, Seam Allowance, and Bobbin Health are visible in the foreground.

Official:
“Incredible performance today. Two hundred identical units. Not a single seam drift. How are you feeling?”

Gold Medalist:
“Focused. Pressed. Centered. I really trusted my quarter inch today.”

Official:
“There was a tense moment around unit 112. The crowd thought you might check your bobbin.”

Gold Medalist:
“I considered it. But I’ve trained for this. Fresh bobbin before the start. Proper tension check. You don’t gamble at this level.”

Official:
“Your chain piecing rhythm was remarkable. Almost meditative.”

Gold Medalist:
“It’s all about cadence. Needle down. Feed steady. Don’t rush the corners. Let the machine glide.”

Official:
“And how did you maintain consistency over 200 units?”

Gold Medalist (smiles knowingly):
“Seam guide tape. Good lighting. And no scrolling on my phone between runs.”

Official:
“Wise strategy.”

Reporter from the Quilter’s Gazette:
“What would you say to young quilters dreaming of competing one day?”

Gold Medalist:
“Practice your quarter inch. Respect your bobbin. And never, ever underestimate the power of pressing.”

The crowd erupts.

A smiling athlete wearing a medal is being interviewed by an official after winning gold in cross-stitch country skiing at the Quilting Olympics, with a cheering crowd in the background.


🛷 3. Stash Biathlon (Inspired by Biathlon)

Two events combined:

  1. Speed cutting fat quarters into accurate strips
  2. Precision piecing tiny flying geese

Penalty laps for every point chopped off.

A contestant competing in a craft competition called 'Stash Biathlon', focusing intently on cutting fabric with a rotary cutter. The setting features bright stadium lights and a scoreboard displaying cut accuracy, point integrity, and time remaining, all at a score of 6.00. In the background, another competitor is seen at a table.

Midway through the speed cutting round…

The arena was silent except for the rhythmic glide of rotary blades.

Our leading competitor, known for his flawless quarter inch precision, leaned in for what should have been a routine final strip cut.

But then—

A flicker.

A shimmer.

The ruler shifted.

Barely.

Half a thread’s width.

The front row saw it. The back row felt it.

The strip separated cleanly… but something was off.

The judges conferred.

One lifted the strip.
Measured.

6.52 inches.

The crowd gasped.

The regulation width?
6.50 inches.

A murmur rolled through the stadium like a wave of unsquared half square triangles.

Was it pressure?
Was it overconfidence?
Was it a rogue mat bump?

The competitor froze.

Slowly… calmly… he requested a re measure.

A bold move.

The strip was aligned again. Squared carefully. Measured from a different mark.

6.50 inches.

The first measurement had caught the selvage ripple.

The arena erupted.

Cleared.

The competitor nodded once. Composed. Refocused.

He adjusted his stance. Anchored the ruler more firmly.

No further slips.

The judges later released a statement:

“Precision is not perfection. It is discipline under scrutiny.”


🧗 4. Free Motion Moguls (Inspired by Freestyle Skiing)

Free motion quilting a queen sized quilt.

Judged on:

  • Smooth curves
  • Confidence
  • Thread tension control
  • Artistic flair

Automatic disqualification for:

  • Eyelash thread nests
  • Sudden tension tantrums
A young woman with a medal sews intricate patterns on a quilt using a sewing machine, while judges observe her work in a competitive setting. An inset shows a close-up of tangled thread on the quilt.

“And we are midway through the run…”

Under a single golden spotlight, she moves with precision. Feathers arc across the quilt top like snowfall in perfect formation. Pebbles stack. Echo lines glide.

The crowd is breathless.

The judges lean forward.

Her control is extraordinary. The stitch length steady. The movement fluid.

Then—

A flicker.

The machine hesitates for half a heartbeat.

The audience barely notices.

But the camera does.

The broadcast screen shifts to the underside.

There it is.

A thread nest.

Not catastrophic. Not dramatic. Just enough.

The commentators lower their voices.

“That is tension inconsistency on the underside.”
“Under Free Motion Moguls regulations, visible nesting constitutes structural instability.”
“She has continued without stopping to correct.”

The spotlight tightens.

She knows.

You can see it in her eyes. The split second recognition. The calculation.

Stop and lose momentum?
Continue and risk penalty?

She continues.

Her top stitching remains flawless. Elegant. Commanding.

But the underside tells another story.

The judges rise.

The head judge adjusts his glasses.

The Quilting Official steps forward. Clipboard in hand. Expression steady.

A red flag is raised.

The arena falls silent.

The announcement echoes:

“Under Section 4, Paragraph 3 of the Free Motion Moguls Code:
Competitors must maintain tension integrity on both the top and underside of the quilt during the entirety of their run.”

A pause.

“This performance is hereby disqualified.”

Gasps ripple through the stands.

She closes her eyes for a moment. Breathes.

Then nods.

Grace under pressure.

She removes her medal. Places it gently on the table.

The crowd begins to clap. Slowly. Then louder.

Because though the rules were firm, her artistry was undeniable.


🥌 5. Curling the Binding (Inspired by Curling)

Teams compete to attach binding with:

  • Perfect corners
  • Even width
  • Zero ripples

Bonus for hand stitched finishes that look machine perfect.

A group of six people working together to bind quilts at a sporting event, with a banner reading 'CURLING THE BINDING' in the background. They are using sewing tools and colorful threads, showcasing teamwork and craftsmanship.

The arena is electric.

Team Blue and Team Red are locked in a dead heat. Corners sharp. Stitching steady. The crowd is leaning so far forward they’re practically measuring seam width from the stands.

Then—

A murmur begins in Section 12.

A spectator points.

On Team Red’s table… something glints.

A tiny metal clip.

The commentators freeze.

“Is that… a binding clip?”
“Are clips regulation compliant under Section 2, Article 7?”

The judges rise.

Team Blue pauses, eyes narrowing.

The camera zooms in.

Yes. A small binding clip is visible near the corner.

Gasps ripple across the arena.

Under Quilting Olympics guidelines, mechanical advantage devices must be declared before the round.

The head judge approaches.

The Quilting Official flips through the rule book. Pages turn. Tension builds.

Team Red’s anchor, an older woman with silver hair and steady hands, calmly explains:

“It’s not securing the corner. It’s holding excess thread from tangling while we hand stitch. We removed it before turning the miter.”

The clip is examined.

The stitches are inspected.

The corner is measured.

Perfect 45 degrees.

Even width.

No ripples.

The judges deliberate.

Silence.

Then—

The announcement echoes:

“After review, the binding clip was not used to alter corner formation. No violation occurred.”

The crowd erupts.

Team Blue nods respectfully.

Team Red resumes stitching, unflustered.

The silver haired quilter smiles gently and says, “We don’t cheat. We press.”

And just like that, the almost scandal dissolves into applause.


Racers must press and trim HSTs while navigating:

  • Bias stretch
  • Trim accuracy
  • Consistent size

Fastest accurate finisher wins. Crooked blocks disqualified.

Three individuals competing in a quilting contest at a snowboarding event, surrounded by colorful flags and an audience. One participant is in a wheelchair, using a sewing machine, while the others are cutting fabric.

“Where bias meets bravery.”

The arena hums with anticipation.

Three competitors at their stations. Pressing mats aligned. Rulers poised. Trim piles already forming like tiny drifts of fabric snow.

The whistle blows.

And they’re off.

Pairs of triangles are pressed open in swift, confident motions. Steam rises. Fingers test the seam. Is it flat? Is it true? Did the bias stretch betray them?

Lane One presses aggressively — bold, fast.
Lane Two trims with surgical precision.
Lane Three — steady. Calm. Methodical.

The first slalom gate: Bias Stretch.

One HST ripples slightly at the edge.

The commentator whispers, “Watch that diagonal. Bias is unpredictable terrain.”

A quick press. A gentle reposition. Recovery.

Next gate: Trim Accuracy.

Rulers align on the 45° seam.
Corners trimmed.
Dog ears removed with quiet efficiency.

The camera zooms in.

3½ inches exactly.

No wobble.

No over trim.

The crowd applauds the restraint.

Final gate: Consistent Size.

Stacks are measured.

One competitor’s pile shows a slight variation — a whisper of 1/16 inch off.

The judges raise an eyebrow.

But then we see it — the wheelchair competitor, unwavering. Each block squared. Each seam pressed. Each measurement precise.

Her rhythm never broke.

Her corners meet like they were meant to.

No rushing. No panic. Just control.

The final stack is placed forward.

The judges measure.

Again.

And again.

Uniform.

Exact.

The announcement rings through the arena:

“Fastest accurate finisher… with zero crooked blocks… Gold Medal to Lane Three!”

The crowd rises.

Not for spectacle.

For excellence.

Because in this event, speed alone is not victory.

Accuracy is.

And crooked blocks?

Disqualified without hesitation.

The arena grows quiet.

Not tense this time. Not electric.

Just reverent.

The competitors stand together beneath the banner. No rivalry now. Only shared understanding of what it took to reach this moment.

The Gold Medalist sits steady at center podium. Hands calm. Expression luminous.

The Quilting Official steps forward.

“Accuracy under pressure. Precision without compromise. And consistency that never faltered.”

The medal rests against her chest.

The crowd rises — not because they are told to — but because they want to.

In the Slalom, bias may stretch. Corners may tempt. Speed may deceive.

But steady hands win.

And today, the steady hands belonged to her.

An awards ceremony featuring three competitors on a snowy podium for the Half Square Snowboard Slalom. The first-place winner, an elderly woman in a wheelchair, is receiving a gold medal and flowers, while the second-place man applauds her. The third-place woman, wearing a green jacket, smiles and claps. All are surrounded by a cheering crowd.

⛸ 7. Synchronized Sewing (Inspired by Synchronized Skating)

Teams of four must:

  • Piece identical blocks
  • Press identically
  • Align points in perfect harmony

Judges watch for teamwork and identical stitch length.

A synchronized sewing competition featuring female contestants working on sewing machines, with a cheering audience holding colorful signs in the background. The scene is set in a decorated arena under a sign that reads 'Synchronized Sewing'.

“3 machines. 1 rhythm.”

The arena lights glow steady and warm.

Two teams of 3 take their places at identical stations. Machines aligned. Mats squared. Fabric stacks matched exactly.

No rushing. No grand gestures.

Just quiet focus.

The whistle sounds.

And 6 hands move in unison.

Pieces are fed beneath presser feet at the same cadence.
Foot pedals hum in synchronized rhythm.
Needles rise and fall like a well rehearsed chorus.

From above, the pattern begins to take shape.

Identical blocks form, stitch by stitch.

The first seam is pressed.

All 3 irons lift together.
Steam rises in a shared exhale.

The judges lean forward — not searching for error, but for harmony.

Stitch length: consistent.
Seam allowance: precise.
Body posture: aligned.

A corner turn.

3 machines pivot at the exact same moment.

The audience murmurs softly at the symmetry.

Now comes the test.

Point alignment.

Blocks are placed side by side.

Do the intersections meet?

They do.

Across both teams, the blocks are nearly mirror images. The only difference is color placement — intentional, coordinated, elegant.

This is not about speed.

This is about trust.

About glancing up at your teammate and knowing they are sewing at the same pace. Pressing the same direction. Listening to the same invisible metronome.

The final stitches are sewn.

6 hands lift away at once.

Silence.

The blocks are carried forward and placed beneath the judges’ eyes.

Measured.

Compared.

Stacked.

Perfect harmony.

The arena rises in applause — not for spectacle, but for teamwork executed with grace.

Because in Synchronized Sewing, excellence is shared.

And tonight, both teams delivered a performance stitched together in perfect time.


🏔 8. Alpine Appliqué (Inspired by Alpine Skiing)

Fast downhill challenge:

Competitors must appliqué intricate shapes onto a background before time runs out.

Scoring includes:

  • Smooth edges
  • Invisible stitches
  • No frayed drama
Three competitors crafting intricate quilts at a competition, with a timer counting down in the background and judges observing. The scene captures a snowy atmosphere and showcases the detailed designs each artist is working on.

“Smooth edges. Steady hands. No unraveling under pressure.”

The countdown clock glows above the arena.

0:49 … 0:48 … 0:47 …

Three competitors lean in, eyes narrowed in concentration.

This is the downhill.

No room for hesitation.

Intricate shapes are already positioned on their backgrounds — petals, birds, mountain ridges. The first stitches anchor the edge.

Invisible.

Tiny.

Precise.

The first gate: Smooth Edges.

Needles glide along tight curves. Fingers pivot fabric gently to avoid puckers. One competitor navigates a sharp inward point — the appliqué equivalent of a hairpin turn.

Clean.

No folding. No bulk.

The second gate: Invisible Stitches.

The judges lean forward.

Are those stitches visible?

They squint.

They tilt their heads.

Nothing.

The thread disappears into the fabric like fresh snowfall over a seam line.

Final stretch: No Frayed Drama.

A competitor trims a tiny seam allowance. Close. Very close.

The crowd holds its breath.

Will it fray?

She secures the edge with three nearly imperceptible stitches.

Time ticks down.

0:05
0:04
0:03

Needles lift.

Hands fall still.

The appliqué blocks are carried forward.

Edges smooth as silk.
Stitches nearly invisible.
Backgrounds unwarped.

The head judge smiles.

“In Alpine Appliqué, speed tempts you to rush. But mastery means staying calm all the way down the mountain.”

And tonight… no one unraveled.


🎯 9. The Seam Ripper Redemption Round

For athletes who confidently stitched the wrong sides together.

Points awarded for:

  • Grace under pressure
  • Clean rip
  • Reassembly accuracy
A colorful quilting competition scene featuring four male contestants focused on their crafting at tables, while a panel of judges observes them in a vibrant audience. The event is titled 'The Seam Ripper Redemption Round.'

“It’s not about the mistake. It’s about the recovery.”

The arena is quieter for this one.

No countdown clock. No downhill rush.

Just four confident competitors… who confidently stitched the wrong sides together.

The judges nod knowingly.

This is a test of character.

The whistle sounds.

Seam rippers slide beneath stitches with careful precision.

First category: Grace Under Pressure.

No sighing dramatically.
No blaming the pattern.
No muttering about seam allowances.

Just a steady breath… and a clean start.

One competitor pauses, smiles faintly, and says, “Ah. There it is.”

The crowd chuckles softly.

Second category: Clean Rip.

Threads are lifted — not yanked.

Fabric is supported — not stretched.

No gouges. No accidental holes. No shredded seam allowances.

The judges lean in.

One competitor removes an entire seam in one smooth motion.

The audience applauds.

Final category: Reassembly Accuracy.

Pieces are repositioned.

Right sides together — this time intentionally.

Stitch lines are sewn again.

Pressed.

Aligned.

Measured.

Points meet.

Corners sit square.

The block is held up.

Perfect.

The commentator’s voice warms:

“In quilting, perfection isn’t never making mistakes. It’s knowing how to fix them beautifully.”

A medal is awarded to each competitor.

We interrupt this presentation to bring you…….

🚨 BREAKING NEWS

Free Motion Moguls Disqualification Overturned

In a stunning development late this afternoon, Olympic Officials have overturned the disqualification of the Free Motion Moguls competitor following a formal machine inspection.

After the controversial tension irregularity that led to her removal from competition, the long arm machine was secured and transported to the Technical Integrity Pavilion for examination.

What they discovered changed everything.

A subtle but critical internal component had shifted during transit to the Quilting Olympics Arena.

The result?

Intermittent underside tension instability — beyond the quilter’s control.

The bird’s nest.

The hesitation.

The flaw.

Not hers.

The Head Technical Official addressed the press:

“Upon inspection, we determined the tension assembly had sustained minor damage during shipping. The malfunction directly contributed to the underside inconsistency observed during the performance.”

The arena fell silent as the ruling was delivered.

“Under Section 7, Article 2: Equipment failure not caused by the competitor warrants reinstatement.”

And then —

The announcement echoed:

“The Free Motion Moguls competitor is officially reinstated and will be offered the opportunity to repeat her run.”

The crowd erupted.

She stepped forward — not triumphant, not indignant — just calm.

The Quilting Official met her at center stage.

A handshake.

A nod.

A second chance.

The commentator’s voice carried through the arena:

“In quilting, as in life, sometimes the tension isn’t yours to carry.”

Tomorrow night, she will return to the spotlight.

And this time?

The machine will be ready.

A woman in a blue suit shakes hands with a female athlete wearing a colorful sports jacket and a medal, in front of a cheering crowd and a banner that reads 'OFFICIAL REVIEW COMPLETE REINSTATEMENT GRANTED.'

🏅 The Quilting Olympics Closing Ceremony

The arena dims one final time.

Not in suspense.

In warmth.

The competitors re-enter — not in lanes, not in rivalry — but together.

Fabric Figure Skaters glide in first, curved blocks held high. Their costumes shimmer under golden light.

Cross-Stitch Country Skiers follow, stacks of perfectly identical units carried like trophies of endurance.

Stash Biathlon competitors stride confidently, flying geese aligned in flawless formation.

Curling the Binding teams walk side by side — corners crisp, rivalry replaced with laughter.

Half Square Slalom medalists roll and step forward together, uniform blocks stacked in perfect symmetry.

The Seam Ripper Redemption crew enter last among the event finalists, seam rippers held aloft like tiny swords of humility.

And then —

The Free Motion Moguls competitor steps into the light.

The crowd rises instantly.

No scandal now. No tension. Only respect.

Behind her, the repaired long arm glows softly.

A festive indoor event with participants celebrating, including ice skaters waving flags and teams carrying colorful wrapped items.

🎪 The Parade of Quilts

Each event’s finished masterpiece is displayed around the arena, forming a giant circle of color and craftsmanship.

The judges stand.

The Quilting Official steps forward, cardigan flawless, clipboard retired.

“Over these Games, we have witnessed precision under pressure, grace in correction, and artistry stitched into every seam.”

A pause.

“We have seen bias controlled, corners conquered, and tension tested.”

The crowd chuckles knowingly.

“And we have been reminded that in quilting — as in life — perfection is not the absence of mistakes, but the courage to mend them.”

A speaker addresses an audience at the Quilting Olympics, with a circular display of quilts in the background.

🔥 The Extinguishing of the Iron

The ceremonial iron glows at center stage.

Steam curls upward like a final flourish.

The Quilting Official presses the steam button gently.

A soft hiss.

The glow fades — not extinguished forever, just resting until the next Games.

A woman in a suit operates a steaming iron on an ironing board, with a crowd in the background and a sign that reads 'Quilting Olympics'.

🎉 The Fabric Confetti Finale

From above, tiny squares of fabric drift down.

Pink. Teal. Blue. Black. Florals and solids alike.

Someone in the stands calls out, “Save those for a scrap quilt!”

Laughter ripples through the arena.

An aerial view of a crowd in an arena celebrating the Quilting Olympics, with colorful confetti falling and a speech bubble saying 'Save those for a scrap quilt!'

🏆 Final Honor

One final award is presented:

The Golden Thimble for Spirit of the Games

Not for highest score.

Not for flawless execution.

But for integrity, inclusivity, creativity, and joy.

And tonight… it belongs to everyone who stitched, pressed, ripped, mended, and tried again.

A group of smiling participants holding a trophy shaped like a thimble, celebrating the Quilting Olympics and the Spirit of the Games, with confetti falling around them.

As the lights fade, the banner above the arena glows softly:

Until the next Quilting Olympics —
Keep your seams straight and your spirits brighter still.

I hope you enjoyed this VRD presentation of the Quilting Olympics. Now we will return to our scheduled programming.

Always,

Tricia @ VRD

Just Quilty Stuff · Rose Cards · villa rosa designs

NEW February VRD Rose Card Quilt Patterns and Some Super Fun Quilting Jokes Just for You!

Happy Thursday to you!

I trust you are surviving this weird and wacky winter. Hopefully, your quilting space has become your happy place and you’ve gotten extra sewing in while the weather did whatever it wanted to outside.

After shocking temperatures as low as -15 degrees F – that’s without the windchill – we’re having a little warm up this week here in good ol’ PA. Tuesday was actually around 50 degrees. And SUN! I felt like throwing on my swimsuit and frolicking through the sprinkler. Sigh….I resisted the urge – too much snow and I didn’t relish freezing my toes (or anything else). Wednesday was a balmy 29 degrees. We even have some bare patches in the yard now, and yes – there really is grass under all that snow. I was beginning to wonder.

Did you know??? Today is the Thursday after the first Friday of February. You know what that means don’t you? NEW PATTERNS!

Woohoo!

Where’s the marching band? Huh. Maybe they found the sprinkler?

Oh well, we’ll just have to make do with the confetti and balloons.

Colorful balloons in various shades hanging from the ceiling, with confetti scattered throughout the scene, creating a festive atmosphere.

Here’s the set of 5 patterns for February!

A collage showcasing five quilt patterns for February 2026 from Villa Rosa Designs, including 'Ballerina,' 'Diamond Alleyway,' 'Caramels,' 'Maureen,' and 'Storyteller,' with a promotion indicating all five cards are available for $8.95.

Get your print pattern set HERE.

Ballerina is Pat’s latest pattern. It’s a great pattern for your favorite theme fabric along with a few coordinates. It finishes at 45″ x 54″.

Diamond Alleyway is Molly’s new design for February. It is fat quarter friendly and finishes at 42″ x 53″. You can find a kit for Diamond Alleyway in Kaffe (the same as the pattern front) HERE or in Robert Kaufman Songbird HERE.

Maureen is Running Doe’s newest pattern. It’s also fat quarter friendly and finishes at a generous 56″ x 84″. You can find a kit for Maureen featuring the same fat quarters as the sample quilt HERE.

Caramels is Heidi’s latest design for February. It uses a novelty fabric or panel squares along with some coordinates and finishes at 48″ x 60″. You can find a kit for Caramels with the Mountain Splendor fabrics (the same fabrics you see on the pattern front) HERE.

Storyteller is a new 36″ panel pattern by yours truly. It finishes at 59″ x 66″ or 67″ x 74″ with the addition of an outer border. You can find a kit for Storyteller featuring Charlie Harper Montevede Habitat HERE.

But wait……….we’re not done yet!

Here is February’s new table runner pattern, Heart Strings, by yours truly. Heart Strings uses fat eighths and finishes at 16″ x 60″.

A quilted table runner titled 'Heart Strings' featuring a design of purple and white fabrics, hanging on a clothesline against a light background.

Get your digital pattern HERE or print pattern HERE

And this is Good Luck, my second pattern in this year’s new Seasonal Pillow series. It finishes at 18″ x 18″.

A decorative pillow featuring a green and white good luck pattern, resting on a bright green couch with a small dog sitting beside it.

Get your digital pattern HERE or print pattern HERE.

I’m really excited about this new seasonal series because pillows are an easy way to add a little seasonal quilt touch to your space each and every month. At the end of 2026, you could have an entire year of fun quilted patchwork pillows to enjoy for years to come.

What a super fun idea! 3 Aunts Quilt Shop (Molly and Heidi) are offering Pillow kits each month as a BOM. You can find kit options for Happy Hearts (January’s pillow pattern) HERE and kit options for Good Luck HERE.

What are you waiting for? The ice to freeze? (PSST – can you name the movie this quote is from?)

Time to get quilting. YEAH!

How about some quilty fun now?

I was trying to think up something to add to today’s post with the new patterns and decided on some quilty humor. One of our VRD blog readers, Susan, inspired me to share some rib-tickling quilty jokes with you. These are for you, Susan!

Please enjoy this selection of jokes, puns, tongue twisters, and more. Get your giggle on!

Because her stash was getting out of hand and she needed to take it to the next level

_______________________________________________________

I’m measured in quarters, yet I’m not a coin.
I’m bundled and tempting, a fabric siren.
“I’ll take just one,” is what you’ll say…
Then I bring friends home anyway.

What am I?

_______________________________________________________

Who’s there?
Bobbin who?

______________________________________________________

Six sleek scrappy stars slant slightly sideways.

______________________________________________________

______________________________________________________

Because they always follow the pattern. Unless they don’t. Then it’s improv.

______________________________________________________

I’m a block with a name that sounds like a bird,
Yet feathers aren’t needed, and that’s not absurd.
I travel in flocks, pointy and neat,
But one flipped triangle ruins the beat.

What am I?

______________________________________________________

It had too much tension.

______________________________________________________

A quilter walked into a quilt shop.
The shop owner said, “Looking for anything in particular?”
She replied, “No.”
That’s when things got expensive.

_______________________________________________________

A snowflake… because no two excuses for buying fabric are ever the same.

_______________________________________________________

Precise pink patchwork pieces perfectly placed (say this 3x really fast)

_______________________________________________________

I’m a pattern you can’t always see,
But I make the quilt feel extra “me.”
Loops or lines, I’m stitched with care,
Across the top and everywhere.

What am I?

_______________________________________________________

She/he owns enough fabric to insulate a small village and calls it “just a few projects.”

_______________________________________________________

_______________________________________________________

A quilter walked into a bar.
The bartender said, “What’ll it be?”
She replied, “Just something light. I’m trying to cut back.”
The bartender nodded and handed her a charm pack.

_______________________________________________________

Sassy seamstresses sew six sleek straight seams (say this 3x really fast)

_______________________________________________________

Who’s there?
Sew who?

_______________________________________________________

A quilter walked into a fabric store and gasped, “I have nothing to match this at home.”
Somewhere in her stash, 47 perfectly coordinating prints fainted.

_______________________________________________________

Who’s there?
Snow who?

_______________________________________________________

Scrappy squares stitched swiftly, slightly skewed (say this 3x really fast)

_______________________________________________________

She said, “I’m already snowed under with UFOs.”

_______________________________________________________

_______________________________________________________

A quilter walked into a quilt shop and picked up a bundle.
“This is perfect,” she said.
“For what?” asked the clerk.
“For someday.”

_______________________________________________________

_______________________________________________________

I’m a friend with numbers and lines,
Quilters trust me all the time.
I help make seams straight and true,
But don’t get too close when the blade comes through.

What am I?

_______________________________________________________

Turquoise triangles twirl through tidy tops (say this 3x really fast)

_______________________________________________________

Who’s there?
Thread who?

________________________________________________________

A quilter walked into a quilt shop “just to browse.”
She emerged three hours later with a pattern, six coordinating prints, and a new life plan.

________________________________________________________

Fat quarters flutter from fabric filled folders (say this 3x really fast)

________________________________________________________

________________________________________________________

(PSST…..In case you’re wondering, these jokes and sillies were created by me with the assistance of AI.)

Well, that’s it for me today. I don’t want to miss a moment of the Milan Cortina Olympics.

Stay tuned next week for an Olympics-inspired post…or maybe 2.

Take care and get your quilting on!

Always,

Tricia @ VRD

Just Quilty Stuff · Rose Cards · villa rosa designs

Why Simple Quilt Patterns Are Never Boring (And Why They’re Often the Most Beautiful)

Happy Thursday to you!

Have you ever looked at a quilt pattern and said to yourself, “That is just too simple.” Then either kept walking or scrolled right past to find a different pattern? Yeah, we’ve probably all done this at one time or another.

If you read the title of this post, then you already know I’m going to talk about why simple quilt patterns are for everyone from the beginner up to the expert. Let’s bust that “too simple” myth today!

Some thoughts right up front –

Simple does not mean basic, boring, or not as good.

Simple gives the fabric, colors, blocks, etc. room to breathe.

In this crazy hectic world, simple quilt patterns can give over-stressed and overbooked quilters some much needed calm and relaxation.

I am not suggesting that we totally give up complex patterns, instead I am saying that there is beauty in simplicity, too.

Whenever I think about simplicity, I remember a song from my junior high chorus days called “Tis a Gift to be Simple,” which happens to be a lovely Shaker song written by Elder Joseph Brackett in 1848. You can hear the song HERE. The funny thing is, a million years later (well, maybe not quite that many years LOL!), I still remember that song. You may be wondering why I’m diving down this rabbit hole, but I promise there really is a connection – “Tis a Gift to be Simple” reminds me that simplicity is beautiful and can be quite memorable, too.


Have you ever fallen in love with a large print fabric and just had to have it? Of course you have. Me too. Then you chop it up into little squares and triangles and it just doesn’t look the same anymore. And perhaps you set that project aside, forgeting all about it and why you purchased that gorgeous to-die-for large print fabric in the first place.

This is one example where a simple quilt pattern becomes your best friend because it allows that big bold fabric room to just be. To just breathe – that simple quilt pattern quietly provides a space where you can still enjoy what attracted you to the fabric to begin with.

Let’s take a look at some quilts that demonstrate this idea.

Here is Angel Face. The wonderful fun bold print used in the large squares would really lose A LOT if you chopped it up – you’d have all kinds of bits and pieces of facial details and hair (ewwww! – a nose here and an eyeball there). The fabric wouldn’t make much sense anymore and chopping it up wouldn’t do this fun fabric justice at all. The alternating pink and black frames provide a barrier around the large print squares to keep them from blending into each other. Can you see how the understated repetitive design really compliments the large print fabric without being boring?

A colorful quilt titled 'Angel Face' featuring artistic fabric squares depicting various hairstyles, framed with pink and black borders. The design includes a floral motif at the bottom with branding 'Villa Rosa Designs'.

Get the digital pattern HERE or the print pattern HERE

Next let’s take a look at Newsflash. Notice how each large print rectangle is identical in size and framed in black. The fun unexpected twist is the 2 vertical columns of off-white squares and black rectangles which give the quilt a definite old film feel. What a clever way to contain a variety of large prints in the same design! This pattern is exciting and far from boring, yet it is repetitive and quite simple to make.

A colorful quilt design featuring a variety of patterns in shades of orange, black, gray, and white, with a decorative border and the title 'Newsflash' at the top. Includes a rose image in the corner and branding for 'Villa Rosa Designs' at the bottom.

Get the digital pattern HERE or the print pattern HERE

What do you see when you look at Pacific Grove, below?

I see Pacific Grove is another great use of a large print fabric. The large horizontal and vertical rectangles/squares give you plenty of opportunity to enjoy the print itself and the teal sashing provides space between the squares/rectangles so the large print fabric isn’t overwhelming. In addition to breathing room, the teal tonal also provides a great space for fancy quilting which would otherwise be lost in the very busy large print. The wide blue-green border then provides a nice frame around everything.

A colorful quilt design titled 'Pacific Grove' by Villa Rosa Designs featuring a central panel of butterfly patterns surrounded by smaller butterfly blocks, set against a teal background.

Get the digital pattern HERE or the print pattern HERE

After taking a look at these 3 VRD Rose Card patterns, I think you will agree that simple quilt patterns DO make the fabric the star of the show. Plus, you still get to enjoy the fabric you fell in love with in a finished quilt. Additionally, a beautiful finished quilt doesn’t need to take a lifetime to make.


Now let’s shift our thoughts to repetition. If you’re already familiar with VRD patterns, then you’ve probably already noticed that we often employ a single quilt block or shape and repeat it to create an overall design. There are several reasons for doing this, including the physical space on the back of a 4″ x 6″ card to actually write a pattern, but also because repetition creates balance and harmony.

Heidi’s brand new January pattern, Star Anise, is a great example of repeating a single block to create a completely balanced interesting finished quilt. Definitely NOT boring! In fact, the red and blue shapes provide a lot of movement behind the stars. Heidi chose tonals for the red and blue so they recede while the busy-printed stars seem to float on top. Then the 2 borders contain everything. This is a well-thought out quilt pattern featuring a relatively simple repeated single quilt block and 2 borders. This design is so NOT boring!

A quilt design titled 'Star Anise' featuring a pattern of stars in red, blue, and cream colors, created by Heidi Cook for Villa Rosa Designs.

Get the digital pattern HERE or the print pattern HERE

Now let’s take a look at About Face. First, the framed stacked blocks repeat throughout the quilt. Alternating the color of the frames really adds a lot of interest and excitement to this pattern. Then of course, there’s the fabric, which is equally exciting. I love how the stacked squares look different in each block depending on the combination of fabric used. And, of course, the framed stacked block is super simple to make. What a marvelous pattern for big bold colors and fabrics!

Colorful quilt design titled 'About Face' by Villa Rosa Designs featuring a pattern of squares and rectangles in various colors and textures on a framed background.

Get the digital pattern HERE or the print pattern HERE

Here’s Throwback. What do you see?

Here’s what I see: with Throwback, the single Courthouse Step block repeats throughout the quilt. That repetition manages the bold fabrics and colors without the need for any frames or borders. Why does it work? The simple block itself is very rigid so it keeps the fabrics organized and under control. And this pattern is far from being boring, even if it’s only a single repeated block.

A colorful quilt featuring a geometric pattern of yellow, pink, blue, and brown shapes displayed against a white brick wall, with the text 'THROWBACK' above and 'Running Doe Quilts for Villa Rosa Designs' below.

Get the digital pattern HERE or the print pattern HERE

We’ve explored how simple quilt designs work well with large and busy fabrics and how repeating simple blocks in a quilt pattern is anything but boring. What might look “too simple” at first glance often becomes “just right” when we take the time to examine what makes that simple pattern really work.


Up above, in Pacific Grove, I mentioned how the open space not only gave the very busy large print fabric room to breathe it also allows for the quilting to shine. If you want your quilting to be the main event in your quilt, you need to carefully consider batting, thread color and choice, as well as the quilting design and its size. Please note that really busy prints tend to hide quilting, but you can still see the texture that quilting gives the quilt.

Let’s take a look at the really quick and fun pattern, Baby Goose. The large succulent fabric is the main event here. The horizontal band of Flying Geese blocks breaks up the large print into smaller bites for our eyes. Can you see the machine quilting on this quilt? The thread colors blend more with the fabrics than stand out so mostly, what you are seeing is texture. What if you wanted the quilting to be the star of Baby Goose? I would probably choose a smaller print fabric or at least a less busy one as well as a strongly contrasting thread color so that it stood out. I might also choose a thicker batting or even layer 2 batts in order to give the quilting more definition.

A colorful quilt titled 'Baby Goose' displayed outdoors, featuring a pattern of cacti and vibrant geometric shapes in blue, yellow, orange, and red. The quilt is positioned against a grassy field and cloudy sky.

Get the digital pattern HERE or the print pattern HERE

Check out Kate Griffin’s Color Block pattern! It’s a simple pattern with a lot of room to showcase your quilting. Kate used an overall geometric design in a subtle contrasting color – do you see how it pops on the solid fabrics? If you look closely at the quilting, you can easily make out the shapes, yet with the overall quilting pattern it provides a tremendous amount of texture. In this quilt, the simple design, the fabrics, and the quilting all compliment each other.

A colorful quilt design featuring various rectangular blocks in vibrant colors, with a prominent gray rectangle in the center. The design is framed with the text 'Color Block' at the top and includes the names 'Kate Griffin' and 'Villa Rosa Designs' at the bottom.

Get the digital pattern HERE or the print pattern HERE

Sooo, what are your thoughts on Lollipop, below?

Here’s what I see – a simple repeating/alternating Nine Patch block with lots of open space to allow the quilting to shine. Want to quilt feathers? Yep, this pattern can handle that. Want to use bold fabrics in the Nine Patches? Go for it! Use a funky binding to tie everything together? Absolutely! This pattern can handle just about any fabrics you throw at it all while giving space for the simple blocks to breathe and providing the perfect canvas for your quilting.

A colorful quilt titled 'Lollipop' featuring a playful pattern of squares and rectangles, displayed outdoors against a green backdrop. The quilt is bordered with vibrant colors and includes the names 'Tricia Lynn Maloney' and 'Orphan Quilt Designs' at the bottom.

Get the digital pattern HERE or the print pattern HERE

Albert Einstein once said:

Everything should be made as simple as possible, but not simpler.

This quote really resonates with me as it truly describes my personal design aesthetic. Funny that Al Einstein and I would agree on something, especially as it applies to quilting. I like my designs simple, but they are not simplistic or basic. Sure, once in a while I feel the need to tackle something challenging, but simple quilts are my go-to designs – the ones I turn to time and time again. Simple is hardworking and reliable. Simple is the way I roll.


Simple quilt designs are also great for beginners. I can’t tell you how often I have suggested Villa Rosa Rose Card patterns to new quilters. I’ve even personally used VRD patterns to teach both new and experienced quilters.

I have found that simple patterns set quilters up for a more pleasant experience as well as more success and satisfaction.
Simple quilts have fewer seams which equals less stressful piecing.
Simple quilts are often easier to enlarge or reduce by adding/subtracting rows and/or borders without struggling with tough math to figure it all out.

Simple quilt patterns often employ clear easy-to-understand instructions, too, which helps new quilters gain confidence in their abilities. For experienced quilters, clean straightforward instructions are a breath of fresh air in our complicated busy lives.

With easy-to-read instructions, simple repeating quilt blocks, and space for fabrics and blocks to breathe, it’s no wonder that simple quilts are more forgiving than complex designs with intersecting seams, set-in seams, complicated piecing, tiny pieces, etc.

Yay! Let’s hear it for simple quilts!


What are your favorite go-to patterns? The ones you turn to when there’s a new baby, a birthday, a wedding, a holiday? I bet most of you have at least one pattern you’ve made over and over – that pattern that has stood the test of time. And I wouldn’t be surprised if your go-to pattern is a simple one. One that you can make up quickley, yet looks different depending on the fabrics and other choices you make as your create.

It’s the simple quilts we turn to for comfort.

They are often the ones that get used, washed, and loved. Every day.

The ones the grand kids drag around until the quilts are frayed and worn. Maybe it’s the quilt your great grandmother made for your grandpa as a young man – a simple 4 Patch quilt with leftover fabrics from household sewing.

Maybe it’s the sweet little baby quilt that’s now tattered and torn but has been passed down for a hundred years.

Trends and colors may come and go, but simple quilts are always in style. Always will be. Always.

See you next week – same place, same time.

Until then –

Always,

Tricia @ VRD

Just Quilty Stuff · Quilt Play · villa rosa designs

A Quilter’s Song for Christmas

I hope Santa came and filled your stockings with loads of quilty goodies last night. And no lumps of coal.

I thought I’d keep things simple today as I’m sure you don’t have time for a lengthy blog post today of all days.

So, please enjoy!

A Quilters’ Song for Christmas

Feel free to sing along with me (sung to the 12 Days of Christmas)…..

PSST…. I wrote the lyrics myself (and had SEW MUCH fun doing that), so if you share, please include Tricia @ Villa Rosa Designs 2025 as the composer. Thanks.

On the first day of Christmas, Santa gave to me – a brand new sewing machine!

A bright pink sewing machine on a light pink background.
Image generated by WordPress AI

On the second day of Christmas, Santa gave to me – 2 yards of fabric and a brand new sewing machine.

Close-up of red and green fabric with Christmas-themed patterns, including snowflakes and flowers.
Image generated by WordPress AI

On the third day of Christmas, Santa gave to me – 3 thread spools, 2 yards of fabric, and a brand new sewing machine.

Three spools of thread in vibrant colors: red, multicolored blue and pink, and yellow, displayed on a wooden surface.
Image generated by WordPress AI

On the 4th day of Christmas, Santa gave to me – 4 Jelly Rolls, 3 thread spools, 2 yards of fabric, and a brand new sewing machine.

Four rolls of Jelly Rolls, featuring festive red and green fabric patterns, tied with white ribbons.
Images from Amazon

On the 5th day of Christmas, Santa gave to me – 5 new quilt books, 4 Jelly Rolls, 3 thread spools, 2 yards of fabric, and a brand new sewing machine.

A stack of quilting books with the top book titled 'Quiltmaker's 1000 Blocks', showcasing various quilt block designs on its cover.

Image from moi

On the 6th day of Christmas, Santa gave to me – 6 diff’rent Charm packs, 5 new quilt books, 4 Jelly Rolls, 3 thread spools, 2 yards of fabric, and a brand new sewing machine.

A collection of charm square packs featuring various themes for children's quilting, including food, superheroes, animals, and princesses, all labeled with their unique counts.
Image from Etsy

On the 7th day of Christmas, Santa gave to me – 7 rotary cutters, 6 diff’rent Charm Packs, 5 new quilt books, 4 Jelly Rolls, 3 thread spools, 2 yards of fabric, and a brand new sewing machine.

A collection of rotary cutters with orange handles and black accents, arranged in a row on a white background.
Image from Amazon

On the 8th day of Christmas, Santa gave to me – 8 fa-at quarters, 7 rotary cutters, 6 diff’rent Charm packs, 5 new quilt books, 4 Jelly Rolls, 3 thread spools, 2 yards of fabric, and a brand new sewing machine.

A variety of fabric pieces featuring sports themes, including soccer, baseball, basketball, and football patterns, arranged in a fan shape.
Image from Amazon

On the 9th day of Christmas, Santa gave to me – 9 king size quilt kits, 8 fa-at quarters, 7 rotary cutters, 6 diff’rent Charm packs, 5 new quilt books, 4 Jelly Rolls, 3 thread spools, 2 yards of fabrics, and a brand new sewing machine.

A collection of assorted quilting fabrics, including rolls, packs, and a quilt pattern book, arranged in a visually appealing layout.
Images from Etsy

On the 10th day of Christmas, Santa gave to me – 10 pairs of scissors, 9 king size quilt kits, 8 fa-at quarters, 7 rotary cutters, 6 diff’rent Charm packs, 5 more quilt books, 4 Jelly Rolls, 3 thread spools, 2 yards of fabrics, and a brand new sewing machine.

A collection of green scissors arranged in a pattern, showcasing their design and features.
Image from Amazon

On the 11th day of Christmas, Santa gave to me – 11 fabric markers, 10 pairs of scissors, 9 king size quilt kits, 8 fa-at quarters, 7 rotary cutters, 6 diff’rent Charm packs, 5 more quilt books, 4 Jelly Rolls, 3 thread spools, 2 yards of fabric, and a brand new sewing machine.

A set of colorful fabric markers arranged in a row, featuring various vibrant colors including brown, green, yellow, red, pink, and blue.
Image from Amazon

On the 12th day of Christmas, Santa gave to me – 12 yards of backing, 11 fabric markers, 10 pairs of scissors, 9 king size quilt kits, 8 fa-at quarters, 7 rotary cutters, 6 diff’rent Charm packs, 5 more quilt books, 4 Jelly Rolls, 3 thread spools, 2 yards of fabric, and a brand new sewing machine!

A stack of fabric bolts with various colors and patterns, labeled 'Light', 'Medium', 'Bright', 'Royal', 'Denim', and 'Navy' on the left, and a selection of swirled pattern fabrics in different colors on the right.
Images from Etsy
Just Quilty Stuff · Quilting Partners · Rose Cards · villa rosa designs

NEW December VRD Rose Card Patterns, Rose City Sewing Grand Opening, and Holiday Gift Idea #4

Happy Thursday to you!

As I begin writing today’s post, I am sitting in the waiting area at my local Safelite getting a new windshield in my little red Jeep Compass, Sassy. This is her Christmas present (as well as for me). Luckily for me, Safelite has free wifi as well as TV tables so customers can work while they wait.

A snowy winter scene with a parking lot covered in snow and slush. In the background, trees are bare, and snow is falling gently from the gray sky.
This photo shows what it looks like right outside right now.

Welcome to Pennsylvania in winter – except, well, it isn’t really winter. Not yet, anyway. Huh. Mother Nature, what are you up to now?

It’s a really really ugly day today – we are getting a winter storm right now here in NW Pennsylvania. If I hadn’t had a couple important appointments, I would have happily stayed home today. The roads were pretty horrible on my way into town, slushy and slippery. It’s a very wet snow/slush mix because the temperatures are right around freezing. We may also get freezing rain. Then we’re going to get lake-effect snow on top of all of this as the temperatures drop.

Sadly, I didn’t see one snow plow on my way and several of the roads hadn’t been plowed (including in town). I was lucky if there was a little salt down the middle of the road. I drove really really slow today and I still managed to slide through an intersection. YIKES! But I’m here and Sassy is getting her new windshield. Hoefully the roads will be in better condition when I head home later.

Enough about winter weather, let’s talk NEW PATTERNS!

Anyone know what today is???? It’s the Thursday after the first Friday of the month and that means………NEW PATTERNS! YAY!

Graphic showcasing five new quilt patterns for December 2025, including Autumn Leaves, Feline Friends, Fruit Cake, Caledonia, and Lending, with captions and designer names.

Get the set of 5 Print Patterns HERE

We have a nice cross-section of new patterns this month – something for everyone!

Melissa has 2 fun new patterns this month – Autumn Leaves and Feline Friends. Yay! We’ve even got kits for you.

A vibrant quilt featuring a variety of stylized leaf patterns in multiple colors set against a white background, showcasing autumn-inspired designs.

Autumn Leaves VRD kit in Madison One fabric HERE

A patchwork quilt featuring a design with cat shapes in black, gold, and white fabrics, arranged in a repeated pattern.

Feline Friends 3 Aunts kit in Klimt fabric HERE

Heidi has a fun holiday pattern for you called Fruitcake.

Ahhh! I’m smiling right now, remembering the yearly fruitcake my Great Aunt Jule would send my family for Christmas when I was a kid. It was the one in the tin and I don’t remember if we ever actually ate it because it looked kind of scary and weird. LOL!

You can find Fruitcake kits featuring Australian prints (like the pattern cover quilt) over at 3 Aunts HERE.

Pat designed another fun and fast quilt called Caledonia, featuring Tim Holtz Palette fabrics. You can find a kit with the same fabrics you see on the pattern cover at 3 Aunts HERE.

Rachelle also has a new pattern for you this month called Lending. And of course, there’s a kit for you, too.

Colorful quilt featuring a patchwork design with blue, green, black, and grey fabric squares arranged in a grid pattern against a light pink background.

You can find the Lending VRD kit in Simply Primitive fabrics HERE.

But wait – there’s MORE!

We have 2 – yes that’s 2 – NEW Table Runners this month! Yippee!!

Heidi created this super fun and speedy runner that couldn’t be more festive – she calls it Heidi’s Ho Hos.

A holiday-themed table runner with 'HO HO HO' in red and green letters on a white quilted background, bordered with a candy cane-like striped pattern.

You can find the Digital Pattern HERE or the Print Pattern HERE.

There’s a 3 Aunts kit for Heidi’s Ho Hos featuring the same fabrics you see on the pattern front HERE.

And the second runner, Jingle, is by yours truly. I’m thinking Jingle would look great in any color combination. Right now, of course, I’m thinking of make a wintery blue and white one next. Hmmm….I wonder why. LOL!

A quilted table runner titled 'Jingle' featuring red, green, and patterned fabric, displayed outside in a snowy forest setting.

You can find the Digital Pattern HERE or the Print Pattern HERE

Speaking of different color combinations for Jingle, we have a VRD Jingle kit available featuring America fabric HERE. PSST! Maybe you can get a head start on 2026 and the 250th anniversary of the United States.

A vertical quilt runner featuring a pattern of alternating blue and red quilt blocks on a white background.

Seasonal and holiday table runners make such great gifts! Especially for that someone on your list who has everything and needs nothing – you know exactly who I’m talking about, we all have one. And guess what??? You still have enough time to make a runner or 2 before the big day – they are VRD patterns, after all.

Now that we’ve seen all of the new December patterns, I’ve got some great news to share.

Congratulations to Catherine and Pat and everyone at Rose City Sewing!!!

Graphic promoting the grand opening of Rose City Sewing with a sewing machine, a stylized deer, and roses, including event details: December 12-13, 10 AM - 4 PM, at 3401 GE Drive.

Our VRD designer and quilting partner, Catherine of Running Doe Quilts, announced that the new Rose City Sewing shop in Tyler, Texas will have its grand opening this weekend on December 12th and 13th. Rose City Sewing will also be the new Texas home of VRD. If you’re in the area, stop by and say hello – Pat will be there, too. Just tell ’em Tricia sent you!

I’m really enjoying searching for super cool Holiday Gift Ideas with a quilting theme. Whether it’s something for your quilting bestie, something you add to your Holiday Wish List, or something you even buy for yourself, it’s always fun to get some fresh ideas. And I’m happy to help.

This week’s suggestion is something we can do that’s quilty when we can’t get to our sewing machines – quilty puzzle books! Here are some puzzle books I’ve enjoyed, I’ve gifted, or I’ve received as a gift.

Quilt Games Volume 1

Quilt Games Volume 2

The Quilter’s Puzzle Book Volume 1

The Quilters Puzzle Book Volume 2

Happy Quilter Variety Puzzles Volume 2

Happy Quilter Variety Puzzles Volume 3

Well, that’s it for me today. Stay warm and safe. And enjoy all the moments leading up to the Holidays.

See you next week!

Always,

Tricia @ VRD

Free Quilt Blocks and Patterns · Just Quilty Stuff · Rose Cards · Tutorials · villa rosa designs

A Christmas Gift For You – A Little Holiday Quilt Pattern and Tutorial to Bring You Joy and Holiday Gift Idea #3

And Happy December!

A snowy forest scene featuring tall evergreen trees, with the word 'December' prominently displayed in the center.

Huh! I’m still trying to wrap my head around the fact that all of a sudden it’s December. Sew much to do and sew little time……

Don’t get me wrong, I’m really excited about December starting. My quilty cuz, Kim (Hey You!), and I both purchased Quilty Christmas Advent Boxes last year in 2024, but we were both a bit disappointed so we decided to create boxes for each other this year instead of hunting around to find another one we liked. What fun!

It’s been a blast picking out fun things for Kim. Of course, I panicked at the end of November because I wasn’t ready yet! LOL! But in a flurry of wrapping paper and covered in tape, I got all 25 items wrapped up and they all fit inside the box.

We met a a local restaurant on Saturday and exchanged our boxes. Kim’s box for me was a fun surprise – the goodies in the box were all stacked up (and wrapped in Christmas sloth paper) – they didn’t fit inside the box and were sticking out all over. Joy oh joy! She didn’t even bother with a lid. Oh my! What fun December is going to be – enjoying a little Christmas every day – both the giving and the receiving as well as the sharing.

In addition to Kim’s box, I also created a box for each of my parents. I had to hustle to get all of their goodies (that’s 50 gifts) wrapped in 1 day on December 1st before dinner so we could start our December tradition on the right day. Wow! I was so tired after all of the wrapping that I didn’t put numbers on everything like I should have. Oh well, Mom and Dad will just have to reach in and pull one out to open each day until Christmas Day instead of having to hunt through their boxes every day for the right number package. And by the way, everything fit nice and neat inside their boxes and the lids closed perfectly. Just sayin’, Kim…. LOL!!!

When I was trying to decide what to do this week on the blog, I had a brilliant idea – why not create a special little holiday quilt for you, our readers and VRD friends? Without you, there would be no VRD. We appreciate you each and every day. Thank you for loving VRD as much as we do.

I decided to call the little quilt I created for you, Quilt Joy. It is a happy little thing and I am looking forward to quilting and binding it. I already have someone as the recipient.

So, let’s make a quilt together!

Quilt Joy Little Quilt Tutorial

Colorful patchwork quilt design featuring a grid pattern in red, green, and white.
Quilt Joy, a little quilt by Tricia Maloney, finishes at 24″ x 24″

Quilt Joy Free Pattern Download

The first thing we need is our fabric, of course! For this little sweetie, I’m using a 5″ charm pack from my stash. Because I’ll need some more red, I’m adding a 2.5″ charm stack, too. And a background fabric. I’m going to make my little Quilt Joy in traditional red, green, and white, but you can make yours in any color combination or even really scrappy.

If you celebrate Hanukkah or Kwanza, you can totally use special colors for your celebrations.

I think I’ll make a blue, white, and silver one for January – but that’s getting a little ahead of myself, isn’t it?

A stack of fabric pieces including a charm pack with holiday patterns and a white fabric, placed on a green cutting mat.

Cutting doesn’t take much time at all! I promise. I cut my 5″ charm squares into 4 – 2.5″ squares. Zip Zap Zoop – done!

Now let’s make some Nine Patch blocks. Easy peasy.

A collection of red and white quilt blocks arranged on a crafting surface, showcasing various patterns and textures.

In one of my Nine Patch blocks, I added a green square in the center. This block will be in the center of my quilt.

Two completed Nine Patch quilt blocks featuring a mix of red and white fabrics, with one block incorporating a green Christmas tree print.

Okay, now let’s sew 3 blocks together with sashing in between the blocks. We need to make 3 rows.

Three rows of Nine Patch quilt blocks in red and white fabrics, featuring holiday patterns.

Next we need to use 3 sashing strips along with 2 green accent squares to make a sashing row. Make 2 rows.

Two strips of white fabric with green checkered patches sewn in the middle, resting on a light-colored fabric background.

Now we are going to sew the sashing rows between the block rows. Isn’t this looking sew sew cute???? I am just loving this little cutie!

A quilt block featuring a festive red and white nine-patch design with various Christmas-themed fabrics and green accent squares.

Add a border strip to each side of the quilt.

A patchwork quilt block featuring a grid pattern in red and white fabric, with various Christmas-themed prints and patterns.

Now sew a green accent square to each end of the 2 remaining borders. Then sew to the top and bottom of the quilt.

A patchwork quilt featuring red and white squares in a Nine Patch pattern, with seasonal holiday-themed fabrics.

Isn’t it just too adorable for words???? And in the classic traditional of Villa Rosa Designs, you can put the quilt top together in a few hours, including the cutting.

Here’s Quilt Joy for our friends who celebrate Hanukkah:

A colorful quilt design featuring a grid pattern with alternating squares in shades of blue, yellow, and white.

And here’s Quilt Joy for our friends who celebrate Kwanza:

A colorful quilt pattern featuring red and green squares arranged in a checkerboard design, set against a black background with a red border.

Happy Happy December to You!

For the past few weeks, I’ve shared a fun gift idea at the end of the blog for you. My Holiday Pick this week – #3 – is hot off the press – literally!

A colorful collage showcasing 12 seasonal snack mat designs by Villa Rosa Designs, featuring various patterns and motifs suitable for different occasions throughout the year.

Get yours HERE

Many of you have been waiting for the collection of all 12 Seasonal Snack Mats from 2024/2025 to be released as a set and it is finally here – just in time for the Holidays! YAY! I am SEW excited!!!

Please note that at this time, it is only available as a print collection; however, each Snack Mat pattern is available individually as a digital pattern as well as a print pattern. Don’t forget – shipping is always free on patterns at VRD.

I hope you enjoy each and every day of December this year. Please take a few moments every day to enjoy the season.

See you right here next week for more VRD fun in December.

Always,

Tricia @ VRD

2025 Let's Design a Quit Together Series · Just Quilty Stuff · Quilt Play · Quilting Partners · Tutorials · villa rosa designs

A Sneak Peek, Our Shoofly Challenge, and Let’s Design a Quilt: Playing with the Sawtooth Star Block

Happy Thursday to you!

The forecast for today is sum-sum-summertime with a strong chance of quilting! SEW much to do today, so let’s get started.

Before we jump into this week’s Quilt Design adventure, though, I want to share a fun SNEAK PEEK with you from our friends over at QT Fabrics. You might recall that VRD has been working closely with QT to pair their new fabric collections with our patterns. Here is our latest collaboration:

Image featuring the logos of QT Fabrics and Villa Rosa Designs, highlighting their collaboration for Fall 2025 collections.

You can check out the catalog HERE.

These upcoming fabric collections are being shown to quilt shops right now and will ship in late 2025/early 2026. If you see something you like — ask for the collection (and VRD patterns, of course) at you local quilt shop.

As part of my Quilt Design series last week, I offered up a challenge to you – see what you could do with the Churn Dash block.

First, I want to thank those of you who shared your ideas, creations, blocks, and quilts.

And the winner is………………………..

Lisa from KY

Lisa won with her charming Churn Dash quilt, below, featuring multiple sizes of her Churn Dash blocks with the added fun of novelty farm panels and prints inside each block. Way to go, Lisa!

A colorful quilt featuring various farm animal-themed blocks framed with bold borders in different colors, displayed against a brick wall.

Folks were really inspired by last week’s Courthouse Steps block quilt design party and suggested we stay in the Log Cabin zone. Thank you for those suggestions, but I want to keep addressing different kinds of blocks to maximize your inspiration when it comes to designing quilts. There are entire books written about Log Cabin blocks and quilts and a few blog posts just can’t do the topic justice, I am afraid.

In lieu of more Log Cabin blocks, here is a short list of Log Cabin books for you to explore. I tried to choose a variety to show you here on the blog, but believe me – there are tons more out there just waiting to inspire your next Log Cabin quilt.

A colorful quilt featuring curvy log cabin blocks and a floral border, showcased outdoors in a natural setting.
Find it HERE
Book cover titled 'Log Cabin Improv: Quilts with a Twist on Tradition' by Mary M. Hogan, featuring a colorful patchwork quilt design made of various Log Cabin blocks.
Find it HERE
Cover of the book 'Extraordinary Log Cabin Quilts' by Judy Martin, featuring colorful quilt designs including traditional log cabin patterns.
Find it HERE
Cover of the book '101 Log Cabin Blocks' featuring various log cabin quilt block designs and patterns.
Get it HERE
Cover of the book 'Creative Log Cabin Quilts' displaying a quilt with various Log Cabin block designs in a garden setting with flowers and a wooden fence.
Find it HERE

After enjoying your Log Cabin comments and quilt photos, it occurred to me that I have not done a Star block yet……..so today’s the day!

I chose an oldie, but a goodie for today – the Sawtooth Star.

Sawtooth Star is known by many names and has a lot of different variations. Apparently, it first appeared in print in the 1880’s or 1890’s in popular publications such as Farm and Fireside Magazine as well as in the Ladies Art Company catalog in 1895. The Sawtooth Star block was block # 5. Like most quilt blocks, however; Sawtooth Star blocks were probably being made long before they ever appeared in print.

Here is our classic 2 color Sawtooth Star block.

A simple quilt block design featuring a red Sawtooth Star pattern with a solid center and white background.

So, let’s make a quilt. Here are 20 blocks set side by side. This makes a lovely classic 2 color quilt, but of course we’re not going to stop there.

A quilt layout featuring a repeating pattern of red Sawtooth Star blocks interspersed with white squares.

Here it is with sashing in between the blocks. Again, super classic. I do like how the sashing gives the stars room to breathe, plus this layout would be a lot easier due to not having to match up all those points. Win, win….

A quilt design featuring multiple Sawtooth Star blocks in red and white, arranged in a grid pattern.

Let’s go back to our block and tweak it a little bit, shall we? Let’s change the solid center block into an Hourglass.

A quilt block design featuring a Sawtooth Star pattern in vibrant red and white colors, arranged in a grid layout.

Here are the blocks set side to side. I find it interesting that I’m not seeing the stars so much now, but rather, all the triangles seem to jump out at me now. And I see “V” shapes, too. Huh.

A quilt layout featuring red Sawtooth Star blocks arranged in a grid, alternating with white squares.

Let’s tweak the block again by adding Half Square Triangles (HSTs) in the 4 corners.

Quilt block pattern featuring a red and white Sawtooth Star design.

Okay, now let’s set the blocks side by side in a quilt. Wow! There is so much more movement – almost to the point of being distracting. Really cool, though.

Quilt pattern featuring a repeating design of red and white Sawtooth Star blocks arranged in a grid layout.

Let’s add a 3rd color to the blocks now.

Classic Sawtooth Star quilt block design featuring red, blue, and white fabric triangles arranged in a star pattern.

Here is the same layout as above, but with the added 3rd color. It looks totally different and not as dizzying.

Quilt design featuring a pattern of Sawtooth Star blocks in red, white, and blue colors arranged in a grid layout.

What if we add sashing again? Cool – we now have a Shoofly block where the sashing square meets the blue HSTs – this adds a lot of interest to the design. Liking this, but not quite there yet. Let’s keep tweaking.

A quilt design featuring a classic Sawtooth Star block layout in red and blue, arranged in a grid with white spaces between the blocks.

I think the blocks look a bit heavy, so I’m going to lighten them up a bit by changing the inner blue triangles back to white. Yep, liking this one more.

A quilt design featuring multiple Sawtooth Star blocks arranged in a grid pattern. The stars are colored in red and white with blue squares in between, creating a striking contrast against the white background.

I’d call this a finished design, so let’s add some fabric. Here it is featuring fabrics from QT Fabrics’ American Tapestry collection.

A quilt design featuring a repetitive pattern of Sawtooth Star blocks in red and navy, with a neutral background and small star accents.

It’s a bit too vertical for me, though, so let me make one more tweak by alternating the direction of the blocks. Yes, I think that does it. This one’s a wrap!

A quilt featuring a repeating Sawtooth Star block design in red and white, with dark blue star-patterned corner pieces and a light beige background.

But wait – I’m not done yet. I’m having way too much fun to stop now. Let’s go back to our block and tweak it a bit more by adding blue triangles on the sides only.

Illustration of a Sawtooth Star quilt block featuring red and blue triangular segments arranged around a central white square.

Here’s our updated block set side to side in a quilt. You totally lose the star block, don’t you? I like the horizontal repetition of the triangles, too.

A quilt design featuring a pattern of interlocking red, blue, and white triangles arranged in a grid layout, with a central diamond shape in white.

Let’s add fabric! Here it is using the QT fabrics from American Tapestry again. Love it, yet……

Quilt featuring a repeated pattern of red, white, and blue fabrics arranged in a geometric design with star motifs.

One more tweak……let’s rotate every other block. Yup, that’s the one. Finished. Great movement – I can’t even see the stars now, can you?

A colorful quilt featuring a Sawtooth Star design with red, white, and blue fabrics embellished with stars, arranged in a grid pattern.

Do you remember where we started? A classic 2 color Sawtooth Star.

A graphic illustration of a classic Sawtooth Star quilt block, featuring a central square in red surrounded by triangular points in red against a white background.

YAY! This has been another fun quilt design adventure! Sew glad you came along.

If you’ve missed any posts in our Quilt Design Series so far, you can catch up below:

Playing with Nine Patch Blocks

Playing with the Spool Block

Playing with the Courthouse Steps Block

Stay tuned for next week when we explore another block in our Let’s Design a Quilt series. Any thoughts on another great block to explore?

See you next time!

Until then –

Always,

Tricia @ VRD

2025 Let's Design a Quit Together Series · Just Quilty Stuff · Quilt Play · Tips and Tricks

Let’s Design a Quilt: Playing with the Courthouse Steps Block

Happy Thursday to you!

Are you ready to play with another quilt block? Yippee! Me too. This really is SEW much fun for me to do and I think it’s also helping me to think more “outside the box.” I’ve definitely noticed more designs popping into my head lately. 🙂

If you’ve missed our Quilt Design Series so far, you can catch up:

Playing with Nine Patch Blocks

Playing with the Spool Block

I was a little disappointed that no one was brave enough to suggest a quilt block in the comments on last week’s blog post. Please consider letting me know what your favorite block is or another block suggestion to design with as I’m planning to do this mini series on designing for a few more weeks. Do you really want me to have all the fun of picking out all the blocks?

So I asked my quilty pal, Mary Lee (Hey Mary Lee!) for a block suggestion. She thought for a few seconds and then suggested either Churn Dash or Courthouse Steps. I thought both were good options. Churn Dash (image 1, below) is another Nine Patch variation while Courthouse Steps (image 2, below) is a variation of a traditional Log Cabin block. Because we’ve already done 2 Nine Patch blocks, I zoomed in on her Courthouse Steps suggestion and immediately began to wonder what we could do with it.

A digital illustration of a Courthouse Steps quilt block design featuring a central square surrounded by rectangles and triangles in a light teal color.
Image 1 – Churn Dash block, also known as Hole in the Barn Door and Monkey Wrench
A quilt block design featuring a central pink square with gray and white rectangles surrounding it, arranged to create a geometric pattern.
Image 2 – Courthouse Steps block

Since I’m going to focus on the Courthouse Steps block today, I’m assigning all of you readers “homework” — see what you can do with the Churn Dash block (image 1, above).

You can share your “homework” on our Facebook Page, in the comments (although I’m not sure if you can upload images), or you can email them to me at tricia@villarosadesigns.com.

I’d love to share your ideas on next week’s blog or upcoming posts if we have a big response. I hope you will take a little time and play – er, I mean design a quilt – along with me. Hand drawn, EQ, or Adobe images are great, please use a .jpg or .pdf format atat no more than 300 dpi.

Who knows????? There might even be a prize or 2…. US and International friends can play along, so go get started – right after you finish reading this post, that is.

Let’s learn a bit about the Courthouse Steps block. As I mentioned earlier, it’s a variation of a Log Cabin block. According to Barbara Brackman in the Encyclopedia of Pieced Quilt Patterns, it was originally called White House Steps and appeared in print circa 1890 in the first Ladies’ Art Company catalog, which included 272 patterns. White House Steps was block #221. Of course, that doesn’t mean the block just suddenly appeared in the 1890’s. rather, that was the first known version in print. Quilters may have been making the block much sooner than the 1890’s.

A Courthouse Steps quilt block design featuring a central pink square surrounded by alternating gray rectangles.
White House Steps block
A graphic representation of the Courthouse Steps quilt block, featuring a central pink square surrounded by alternating gray and white rectangles.
Courthouse Steps block

The Courthouse Steps block we are familiar with today uses color a bit differently than the White House Steps version, above. Interestingly enough, “Courthouse Steps” isn’t even mentioned in Barbara Brackman’s book. I wonder if it’s a regional term used for the block? Does anyone know this block by another name? Just curious. I did find the block in Electric Quilt 8 software (which is based on Barbara Brackman’s book), but it is considered a foundation pieced block and does not include any historical information.

Doing a quick Internet search, I discovered a post on Suzy Quilts about Courthouse Steps blocks with a touch of history and wonderful examples of Gee’s Bend quilts. Check it out HERE.

Alright! Ready to get designing???

So, here’s our block again. Take a good look at it – what do you see? A central square with rectangles radiating from the center square both horizontally and vertically. That’s it! Simple, but very effective, very geometric, and very graphic.

Illustration of a Courthouse Steps quilt block design featuring a central pink square surrounded by gray and white rectangles.
Courthouse Steps block

Let’s put the blocks side by side with all of the blocks going the same direction. Okay, this is fun. And it would make an awesome scrappy quilt, wouldn’t it?

A digital mockup of a Courthouse Steps quilt block design featuring pink squares, grey and white rectangles arranged in a geometric pattern.

Let’s turn the blocks sideways and see if we get something different. Pretty much the same thing, just different direction.

Pattern design of the Courthouse Steps quilt block featuring alternating shades of gray, pink centers, and white accents in a geometric layout.

Let’s alternate every other block next. Huh. Better. Definitely more movement in this one, wouldn’t you agree? I almost detect a bit of a curvy look happening, which is interesting with a square block.

A quilt design featuring alternating Courthouse Steps blocks in shades of gray, pink, and white arranged in a grid pattern.

Now I think I’d like to see what happens when I group the blocks in 4’s. That’s interesting.

A digital quilt design featuring multiple Courthouse Steps blocks arranged in a grid pattern with a mix of gray, white, and pink colors.

Let’s add fabric to see what happens, shall we? I’m using Lori Holt’s warm and homey Riley Blake collection, Autumn. I can almost smell the apple pie…..

A patchwork quilt featuring a Courthouse Steps block design with a variety of colorful fabrics arranged in a grid layout.

I want to tweak the blocks one more time. In this example, I turned alternating rows which then gave me an interesting boxed effect in rows 2 and 4.

A colorful quilt design featuring the Courthouse Steps block, showcasing a mix of fabrics in varying patterns and colors arranged in a geometric layout.

Whoah! Stop the bus! Here was the basic idea behind my VRD Rose Card pattern, Boxed In (hence the name), although it’s not totally the same. I wasn’t even thinking about any of our VRD patterns when playing with Courthouse Steps, but – there it is. LOL!

A quilt design titled 'Boxed In' by Tricia Lynn Maloney, showcasing a colorful patchwork pattern with various fabrics arranged in geometric blocks on a table.

Get your digital pattern HERE or your print pattern HERE

Okay, let’s go back to our Courthouse Steps block and tweak it a little bit by changing the width of some of the rectangles. I left the side rectangles the same, but I made the top and bottom rectangles narrower.

Diagram of the Courthouse Steps quilt block design featuring a central pink square surrounded by gray rectangles.

Let’s use the first setting from above to see how the blocks plays in a design. I really think this looks pretty cool and it reminds me of paper lanterns.

A digital representation of a Courthouse Steps quilt block design featuring a central pink square surrounded by white and gray rectangles, arranged in a grid layout.

Let’s tweak the color a little bit. Again, I’m using a couple prints from Lori Holt’s Autumn collection. WOW! What a mod yet classic 2 color quilt! Love it!

A digital quilt design featuring a Courthouse Steps block layout in brown and turquoise colors, arranged in a grid pattern, with a light grid background.

Cool! Check out this block arrangement! It’s the same layout as our previous 2nd design, above.

A quilt design featuring a Courthouse Steps block pattern in brown and light blue color scheme.

Hmmm. I just don’t feel that’s it totally complete yet, so let’s add another fabric to see what happens. In this example, I’m using some lovely Hoffman 1895 Watercolors batiks. Love it!

A quilt design featuring a central pink pattern framed by dark and light gray rectangles, creating a geometric composition.

Just….one….more….tweak. As you can see, designing a quilt can get kind of addicting. Yup. But, I think you’ll agree with me that this is the final design. I changed the block directions a bit, changed the black centers to grey, changed the black background to a light grey and added more fabrics from Hoffman.

I think it’s perfect now.

A digital quilt design showcasing alternating blocks of the Courthouse Steps pattern in shades of pink and gray, framed by light blue fabric strips.

There’s not much else I can say………except I’m very satisfied with this final design. Seriously. Sometimes it takes just one more try to get where you want to. And I’m not just talking about quilt design, you know.

What would you do to tweak the Courthouse Steps block to create your own design?

Don’t forget to do your homework for next Thursday! I’ll see what I can find in the prize department while you play with the Churn Dash quilt block to see what you can come up with.

Ta! Ta!

Until next time –

Always,

Tricia @ VRD

Just Quilty Stuff · Quilt Play · Quilt Stories

Same Pattern, Different Looks – A Quilt Guild Block of the Month (BOM)

Happy Thursday to you!

In a few days, it will be officially summer! This got me thinking about a music lyric: “Summertime and the living is easy” and I decided to find out a little bit about it. So here I go down the rabbit hole for a few minutes. LOL! I discovered the lyric is from the song Summertime from the opera Porgy and Bess by Gershwin which debuted in 1935. It was originally sung by Abbie Mitchel.

I can hear the song in my head, but I’m not sure who sang the version I am most familiar with because apparently, tons of artists have sung it over the years. Yikes! Here is a wonderful version by Ella Fitzgerald and Louis Armstrong. Enjoy!

Here’s to a little “Summertime and the living is easy” for all of us.

I was planning to do a fun summer tutorial for this week, but I have been using my sewing time to work on new July VRD patterns for you instead.

Let’s talk about Block of the Month (BOM) projects, instead.

Have you ever participated in a BOM? Have you finished them? The reason I ask is that over the years, I’ve not only participated, but I’ve organized BOMs and I must admit I haven’t finished all of them.

Let me tell you about the current BOM I am participating in at my quilt guild, Free Spirit. Our program coordinator, Lauren (a retired quilt shop owner), organized a new BOM for our guild earlier this year. Lauren was inspired by The Civil War Diary Quilt by Rosemary Youngs and The Farmer’s Wife Homestead Medallion book by Laurie Aaron Hird.

Cover of 'The Civil War Diary Quilt' book by Rosemary Youngs, featuring quilt block patterns and an illustration of a woman in historical dress.
Cover of The Farmer's Wife Homestead Medallion Quilt book, featuring a colorful quilt design with intricate patterns and texts related to pioneer woman stories.

Each month, Lauren selects a block from each book. One block is easy and the second block is more advanced. We have the option to make one block each month or both of them.

My favorite part of the BOM is that at our meeting, when Lauren presents the 2 new block each month, someone reads the letter that accompanies each block aloud to the group. As a former children’s librarian, I really LOVE that concept – story time for adults! YAY! Last month, I was the guest reader, which was so lovely as I hadn’t read aloud for a long time. Sure, we all know kiddos enjoy being read too, but so do adults. Maybe you’ll incorporate this idea into one your guild programs.

Each month we bring our completed blocks to the guild meeting and put them up on the wall so everyone can see each other’s blocks. I am always very excited to see everyone’s blocks side by side. It’s really interesting to see how people interpret a block pattern in their own unique way using their own fabrics.

So I thought we’d do the same thing on the blog today. It can be quite inspiring as well as a learning experience to see different people’s versions of the same pattern. I’m going to share with you my blocks, Robin’s blocks, and Mary Lee’s blocks. BIG shout out to Robin and Mary Lee, my quilty pals, who were okay with sharing their blocks with you.

Block 1: Simple Blessings from The Civil War Diary Quilt (Easy)

Block 2: Sun Rays Quilt from The Farmer’s Wife Homestead Medallion (Advanced)

Block 3: Bitter Enemy from The Civil War Diary Quilt (Easy)

Block 4: Star in the Window from The Farmer’s Wife Homestead Medallion (Advanced)

Block 5: Yankee Papers from The Civil War Diary Quilt (Easy)

Block 6: Church from The Farmer’s Wife Homestead Medallion (Advanced)

Unfortunately as of posting, Mary Lee hadn’t made her 7 and 8 blocks yet.

And here’s where things start to get interesting – look what happens with Robin’s and my blocks. Up until now, we were all following the block instructions, but things change with block 7. Robin continues to create her blocks following the instructions, but I begin adapting the blocks so that they blend better with my other blocks.

Block 7: Puss in the Corner from The Farmer’s Wife Homestead Medallion (Easy)

Block 8: Southern Flags and Patriotism from The Civil War Diary Quilt (Advanced)

Let’s take a look at each person’s group of blocks so far. Now you’ll be able to not only see the color scheme, but also the theme.

Mary Lee is using her stash of Daiwabo fabrics for her blocks to create a classy understated elegance. (Daiwabo fabrics are Japanese taupes.) Although each block has its own group of fabrics, the fabrics are repeated in more than one block for a lovely cohesion.

A collection of six quilt blocks displayed on a fabric background, featuring various designs and colors in muted tones.

Robin is using a great collection of Civil War fat quarters for her blocks to create a traditional 19th century look. I just love how she uses the lighter busy prints as backgrounds, don’t you?

A collection of nine quilt blocks arranged in a grid, featuring various patterns and colors, including stars, stripes, and geometric shapes.

Me, I’m using a big bag of blue and cream scraps with some additional fat quarters to add variety for my blocks. It definitely has a Modern Farmhouse feel going on, I think.

Nine quilt blocks arranged on a fabric background, featuring a variety of blue and cream patterns in traditional quilting designs.

We have 2 more months of blocks in order to complete the set of 12 BOM blocks for the guild. Then it will be time to figure out how we want to lay them out and complete them because how we finish the blocks is completely up to each of us. I have a pretty good idea right now as to what I want to do, but that could change based on the upcoming blocks. I think completed quilt tops using our BOM blocks will be a post coming down the road so you can see how our projects turned out.

I hope you have a lazy crazy living easy summer!

That’s it for me this week, see you next time!

Always,

Tricia @ VRD

Curated Rose Card Pattern Lists · Just Quilty Stuff · Rose Cards · villa rosa designs

What Can You Do with 2.5″ Mini Charm Packs?

Happy Thursday to you!

Here we are at the end of May following Memorial Day and the “unofficial” beginning of summer and I’m still waiting for spring to stick around for more than a couple of days in row here in NW PA. We actually did have 2 nice dry days in the 60s/70s but now we’re back to cold and rain again. It’s been a real challenge to get the lawn mowed and keep it that way, not too mention getting my small gardens shipshape all while dodging rainstorms and cold temps. Most likely, at the rate we’re going, summer will just land suddenly with hot weather out of nowhere. Sometime in December. 2035. I personally prefer a gradual build up to summers and winters, however; Mother Nature sure has her own agenda these days.

I thought it would be fun to talk about magical 2.5″ squares today. If you read last week’s post about my shop hop around Chicago with Pat following the H&H Show, you may have noticed I bought quite a few 2.5″ Mini Charm Packs (see my photo below). And you might have wondered what the heck I was going to do with all of that eye candy besides tucking them away or dropping them into a canning jar on a shelf to look sew adorable.

A collection of colorful fabric squares and charm packs arranged on a surface, showcasing various floral and geometric patterns.
Here’s a recap from last week’s post showing my goodies from our Chicago shop hop. Note the pile of Mini Charm packs.

I suspect you know all about 5″ Charm packs and how much fun they are (whether you actually use them or you just collect them), so let’s start there and backtrack our way back to 2.5″ Mini Charm Packs.

Three mini charm packs displayed on a light gray background, featuring colorful fabric designs and packaging.

Moda Fabrics is responsible for gifting us with the 5″ Charm Pack, which contains on average 40-42 5″ squares of fabric from a single collection. Thank you Moda! Of course, many fabric companies also offer 5″ square packs and each company calls their 5″ pack by a different name because “charm packs” are synonymous with Moda, even though as quilters, we use the term “charm packs” to describe pretty much any 5″ pack manufactured by any fabric company. Yep, it’s all a little’s a bit confusing.

Hey! Here’s a fun little tidbit perfect for Jeopardy – Moda coined the phrase “Charm Pack” as a nod to Charm Quilts of the past. A true Charm Quilt was said to contain no duplicate fabrics and quilters often exchanged squares of fabric with other quilters to have enough unique pieces to make their quilts. You can find an interesting historical article by Barbara Brackman HERE about Charm Quilts.

Are you wondering why I started out with 5″ square packs? It’s quite simple really, and includes a bit of math! Yay! MATH!

What is a 2.5″ square, but exactly 1/4 of a 5″ square. That means if you cut a 5″ square through the middle both vertically and horizontally, you get 4 – 2.5″ squares. There, I said it – math! (If you know much about me, you probably already know how much I love quilt math.)

It’s not completely clear who actually came up with the 2.5″ square pack idea, as several companies have been producing them for a long time, but Moda certainly comes to mind. I think all of the 2.5″ Mini Charm Packs I bought recently were from Moda. If Moda didn’t invent the whole 2.5″ idea, they are certainly the most well-known manufacturer of the 2.5″ Mini Charm Pack. Moda really was on the forefront of the development of precuts way back when with their Charm Packs, Jelly Rolls, Layer Cakes, Turnovers, Dessert Rolls, and more exploded onto the quilt scene.

Now that you know a little bit of background, let’s sashay our way back to those delightful 2.5″ squares.

So, you might be wondering what I do with with my 2.5″ Mini Charm Packs besides hoard them.

Here are some of my favorites:

  1. EPP Hexies – of course! 2.5″ squares are perfect for using the English Paper Piecing technique to make hexies which I then use to make a variety of small projects (I make small projects because I just don’t think I have enough patience to make a classic
  2. Pin cushions
  3. Doll quilts
  4. Table runners
  5. Snack mats
  6. Bags

As you can see, I do lots of different things with them. Maybe you do, too. If you love 2.5″ squares, please share what you like to use yours for in the comments. 🙂

If you haven’t tried EPP and you are interested in learning more, please check out the class offerings at your local quilt shop or look up some tutorials online.

But Wait – there’s MORE!

VRD even has some Rose Card patterns featuring 2.5″ squares! Did you ever doubt that for a second??? LOL!

A quilted table runner featuring colorful fabric squares and a prominent design with the word 'Amen,' created by Molly Cook for Villa Rosa Designs.

Digital or Print pattern

A rolled quilt titled 'Blueberry Cobbler' featuring a patchwork design in blue and cream colors, displayed on a wooden surface.

Digital or Print pattern

A colorful quilt titled 'Color Box' featuring various patchwork squares on a dark background, displayed outdoors.
Digital or Print pattern

A vibrant pink snack mat featuring a heart design, displayed on a wooden surface, with the title 'Dear Heart Snack Mat' prominently displayed at the top.
Digital or Print pattern

A quilted table runner featuring a modern design with various colored squares, set against a natural backdrop of grass and trees, with a prominent orange border and leaf motif.

Digital or Print pattern

A colorful quilt titled 'Lollipop' featuring a playful geometric design, displayed against a natural background.
Digital or Print pattern

A quilted wall hanging titled 'Nana's Aprons' featuring three colorful apron designs made from various fabric squares, displayed against a blue background.
Digital or Print pattern

A colorful quilt design titled 'Piccadilly' by Tamara Cook for Villa Rosa Designs, featuring a pattern of black, white, and pink squares in a checkerboard layout.
Digital or Print pattern

A vibrant quilted table runner titled 'Sugarplum,' featuring a mix of red, green, and pink 2.5" squares adorned with holiday-themed patterns, placed on a snowy background.
Digital or Print pattern

Cover of a quilt pattern titled 'Turkish Delight' by Heidi Cook for Villa Rosa Designs, featuring colorful 2.5 inch squares arranged in rows, surrounded by floral accents.
Digital or Print pattern

I hope you enjoyed this list of fun 2.5″ square Rose Card patterns. Remember, VRD doesn’t charge shipping for patterns, so anytime is a good time to add a few more patterns to your collection. And don’t forget to join our Facebook Group and show off your VRD quilts and be inspired by the projects of others. Hope to see you there!

Have a great week.

Until next Thursday –

Always,

Tricia @VRD