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Meet My Sewing Room Team: What Quilters and Olympians Have in Common

Happy Thursday to you!

Warning: I am still in Olympic mode. Besides, the 2026 Milan Cortina Paralympic Winter Games being March 6th and run through March 15th. I really hope the major TV networks will carry the Paralympics (not just on streaming or cable channels) because I really want to watch these incredible athletes get to represent their countries in their respective sports. Honestly, it doesn’t really matter who places 1st. Every one of these athletes is already a winner for overcoming innumerable obstacles just to be there. And we all need to show up and cheer.

You can find more information about the Paralympic Winter Games in Milan Cortina HERE.

A vibrant illustration welcoming viewers to the 2026 Milan Cortina Paralympic Winter Games, featuring athletes in adaptive winter sports like sled hockey and snowboarding against a snowy mountain backdrop.

Speaking of the Olympics – did you get a chance to enjoy my fun (and slightly silly) Quilting Olympics post last week? If not, you can find it HERE.

While I was thinking about the Games, it occurred to me that there are actually quite a few similarities between the Olympics and quilting. Have you ever considered that, too?

Athletes spend tremendous amounts of time and energy perfecting their sport. They refine their techniques, build skills, and train for years for the chance to represent their countries at the Olympics. Their goal is to become the very best version of themselves.

Don’t we do something similar as quilters – just without a stadium full of screaming fans?

It takes discipline and dedication to become the best quilters we can be. Practice, practice, practice. Mistakes that turn into learning opportunities, and those learning opportunities strengthen our skills.

And as our skills grow, so does the beauty of what we create.

Of course, Olympians don’t succeed alone. Behind every skater, skier, and snowboarder stands a whole team of coaches, trainers, technicians, and supporters helping them perform at their very best.

And when I looked around my studio the other day, it suddenly struck me – I have a team, too.

Meet My Sewing Room Team

Allow me to introduce Team Sewing Room — my loyal crew that helps me train, practice, and occasionally recover from minor stitching disasters.

🔥 The Coach: My Iron

Keeps everything disciplined and sharp. Accepts no excuses. Although sometimes my iron can be the toughest coach – the results are totally worth it. Constantly reminds me that good results require proper pressing. Not ironing. Pressing. (There is a difference, and the iron knows it.)

A blue and black Rowenta steam iron positioned on a gray surface.

🧵 The Veteran: My Sewing Machine

Reliable, hardworking, and always ready to go. Occasionally a little dramatic when the bobbin tension isn’t quite right. But when everything is running smoothly, there’s nothing more satisfying than the steady hum of stitches marching perfectly across a quilt top. This is the team member who puts in the most miles. Always the first one to show up and the last one to leave.

A Janome Horizon sewing machine featuring a sleek design, a digital control panel, and a clear sewing area with a ruler at the front.

🧵 The Team Captain: My Thread

Strong, steady, and always working behind the scenes. The ultimate team player who quietly holds everything together. Thread doesn’t demand attention. It doesn’t make a lot of noise. But without it, nothing happens. Every seam, every block, every quilt relies on those tiny strands doing their job stitch by stitch. When the tension is just right, thread performs beautifully. When it isn’t… well, let’s just say the whole team knows about it pretty quickly.

Four spools of thread in shades of dark blue, purple, teal, and light blue, placed on a gray fabric surface.

📏 The Technician: My Favorite Ruler

Accuracy expert. The quiet perfectionist of the group. When precision matters, this team member steps in. Always measuring, always checking, always making sure those seams line up just right. Without rulers, things would quickly descend into geometric chaos.

A clear quilting ruler with yellow grid lines and markings on a gray textured surface.

⚙️ The Speed Specialist: My Rotary Cutter

The speed specialist. Sprinter of the sewing room. Sharp and efficient, capable of transforming a stack of fabric into perfectly sized pieces in record time. Fast, precise, and just a little intimidating when you realize the blade could probably cut through a small tree branch. Every team needs someone who can move fast and get things started.

A yellow and black rotary cutter designed for fabric cutting, featuring a circular blade and a textured handle for grip.

✂️ The Precision Specialist: My Scissors

Detail-oriented. Precision when and where it counts most. They may not be as flashy as the rotary cutter, but they are endlessly dependable. Snipping threads, trimming seams, rescuing corners, and occasionally performing delicate surgery when something needs a careful fix. A good pair of scissors earns its place through years of loyal service… and every quilter knows you guard your fabric scissors with your life. Paper scissors may roam freely. But fabric scissors? Those are sacred.

A pair of gardening scissors with orange handles and a spring mechanism, laid on a gray felt surface.

✂️ The Comeback Specialist: My Seam Ripper

Calm in a crisis. Fixes mistakes and keeps the team in the game. Nobody likes to call them in, but when they do arrive, things start to get better. When a block gets twisted, a seam wanders off course, or someone confidently stitches the wrong sides together (not that this has ever happened to me…), the seam ripper steps in calmly and says, “Don’t worry. We can fix this.”

A Clover brand seam ripper with a white handle and a black grip, resting on a gray fabric surface.

🧺 The Support Squad: My Fabric Stash

The deep bench of the team. Endless possibilities waiting their turn. Inspiration, neatly folded. Always ready to contribute to the next project. A well-stocked stash is like a deep bench of talented players.

A collection of folded fabric pieces in various shades of blue and purple, featuring floral patterns.

Training for the Quilting Games (No Stadium Required)

When you stop and think about it, quilting and the Olympics really do have a lot in common.

Olympic and Paralympic athletes train for years to refine their skills. They practice the same movements again and again, learning from mistakes, building strength, and improving little by little until those skills come together on the world stage.

Quilters do something very similar. We practice cutting accurately. We work on keeping that elusive quarter-inch seam consistent. We learn how to match points, press seams, and solve problems when something doesn’t go quite as planned. We rely on our sewing room team.

Every quilt we make teaches us something new. Sometimes the lesson is patience. Sometimes it’s perseverance. And sometimes it’s simply learning how to laugh when the seam ripper has to step in and save the day.

But whether you’re an Olympic athlete or a quilter in your sewing room, the goal is the same: to keep learning, keep improving, and keep creating something you’re proud of.

And just like those athletes competing in Milan Cortina this year, we show up, do our best, and cheer each other on along the way.

Because in quilting — just like in the Olympics — the real victory isn’t just the finished result. It’s the journey that got us there.

Who’s on your sewing room team?

Cheering Each Other On

As the Olympic and Paralympic athletes compete in Milan Cortina, I’ll be cheering them on from my living room. Their determination, perseverance, and dedication are inspiring reminders of what can happen when people commit themselves to learning, growing, and never giving up.

And while most of us will never stand on an Olympic podium, we have our own version of the Games happening every time we sit down at our sewing machines. Every quilt is a new challenge. Every block is another opportunity to practice. Every finished project is a small victory.

Some days everything goes smoothly and the seams line up perfectly.

Other days… well, that’s when the seam ripper earns its place on the team.

But just like the athletes competing, we keep showing up. We keep practicing. And we keep cheering each other on.

So the next time you sit down in your sewing room, remember that you’re training too — one stitch at a time.

And in the quilting world, every finished quilt deserves a gold medal.

Signing off for now……..

Always,

Tricia @ VRD

Just Quilty Stuff · Quilt Play · Quilt Stories · villa rosa designs

Welcome to the 2026 Quilting Olympics!

Happy Thursday to you!

In last week’s blog post, I proposed a companion Quilting Olympics to go with the recent 2026 Winter Olympics in Milan Cortina. I was hoping some of you might weigh in about possible events, but sadly, no one did. I get it, people are busy. So this week, I’m going to share some fun ideas for Quilting Olympics events. Who knows? Maybe this post will inspire your quilting guild or your next quilt retreat.

So………..Welcome to the Quilting Olympics, proudly inspired by the winter games in 2026 Winter Olympics hosted in Milan and Cortina d’Ampezzo.

But instead of skis and skates… we bring rotary cutters and seam rippers. I had SEW much fun creating this Quilting Olympics post for you. I utilized AI tools for the images as well as my very overdeveloped imagination for the story you are about to read.

After all –

“Imagination is more important than knowledge. Knowledge is limited. Imagination encircles the world.”
— Albert Einstein

Opening Ceremony for the 2026 Quilting Olympics

🏅 The Lighting of the Iron

“And here we are, ladies and gentlemen, quilters of all nations, gathered for this historic moment…”

The stadium lights dim. The crowd quiets. Thousands of rotary cutters glint softly in the night.

From the far end of the arena, she appears.

A master of her craft. A legend of the long arm. Draped in a jacket of brilliant patchwork, each piece representing generations of makers before her. The crowd rises to its feet.

She approaches the ceremonial cauldron — not a flame, not a torch — but the most sacred symbol of quilting excellence.

The Iron.

Set reverently to Cotton.

A hush falls over the crowd.

With steady hands and the confidence of someone who has conquered both bias curves and bobbin tension, she raises the glowing iron. A warm golden light flickers from its sole plate.

She touches it gently to the waiting pedestal.

And in a radiant burst of steam and sparkle…

The Quilting Olympics are officially underway.

Cheers erupt. Patchwork flags wave. Someone in the upper stands shouts, “Press it open!”

The flame glows steady and true, symbolizing:

Precision.
Patience.
Perseverance.
And perfectly matched points.

Above the arena, thread trails shimmer like starlight.

The games have begun.

A woman in a colorful patchwork jacket uses an iron to ignite a flame from a quilted trophy at the Quilting Olympics, with an excited crowd in the background.

The Official Quilting Olympic Oath

All competitors stand if you are able, rotary cutters raised (safely locked, of course) and repeat after me:

“I solemnly swear
to measure twice,
to cut once,
to maintain a quarter inch seam allowance,
to press with dignity,
to respect the bias,
and to finish at least one UFO before starting three more.”

Thunderous applause. Someone wipes away a tear with a fat quarter.

On to the Games!

Quilting Olympics Events

🧊 1. Fabric Figure Skating (Inspired by Figure Skating)

Competitors must create the most graceful curved piecing block under time pressure. They must also wear some kind of costume with a sewing theme. Competitors must present their completed block to the judges in their own unique pose.

Scoring:

  • Costume
  • Flow and elegance
  • Seam smoothness
  • No puckers allowed
  • Unique pose
  • Dramatic flourish points for bias control

Bonus if they finish without swearing.

A figure skater in a blue dress performs gracefully on a patterned ice surface, holding a colorful fan. In the background, judges display score cards with numbers 9.5, 10.0, and 9.8, alongside a trophy and sewing supplies.

“And we begin tonight with Fabric Figure Skating…”

Under a wash of golden light, the first competitor glides into position — costume shimmering with stitched embellishments and a waistline cinched in thread spools.

The clock begins.

She commits to the curve immediately — bold choice.

The fabric arcs beneath her hands like a satin ribbon in motion. The bias is unforgiving terrain, but she navigates it with steady control.

The judges are watching for:

  • Clean seam transitions
  • Smooth curvature
  • Zero puckers
  • And of course… costume cohesion

She pivots, presents her block overhead in a dramatic finishing pose —

And yes… no audible swearing.

That may earn her bonus points.

The judges confer.

Scorecards rise.

9.5
10.0
9.8

The crowd erupts.

A near flawless opening performance in Fabric Figure Skating.


🎿 2. Cross-Stitch Country Skiing (Inspired by Cross Country Skiing)

A long endurance event.

Participants chain piece 200 same-size squares without:

  • Losing focus
  • Switching seam allowance
  • Running out of bobbin thread mid run
  • Skis are optional

Bonus for maintaining a perfect quarter inch seam throughout (which will of course be measured).

An illustration of the Quilting Olympics featuring Cross-Stitch Country Skiing. A female skier with a medal is using a sewing machine on skis, while snow falls around her. She is focused on sewing a colorful quilt as other competitors ski behind her. Scoring signs for Flow, Seam Allowance, and Bobbin Health are visible in the foreground.

Official:
“Incredible performance today. Two hundred identical units. Not a single seam drift. How are you feeling?”

Gold Medalist:
“Focused. Pressed. Centered. I really trusted my quarter inch today.”

Official:
“There was a tense moment around unit 112. The crowd thought you might check your bobbin.”

Gold Medalist:
“I considered it. But I’ve trained for this. Fresh bobbin before the start. Proper tension check. You don’t gamble at this level.”

Official:
“Your chain piecing rhythm was remarkable. Almost meditative.”

Gold Medalist:
“It’s all about cadence. Needle down. Feed steady. Don’t rush the corners. Let the machine glide.”

Official:
“And how did you maintain consistency over 200 units?”

Gold Medalist (smiles knowingly):
“Seam guide tape. Good lighting. And no scrolling on my phone between runs.”

Official:
“Wise strategy.”

Reporter from the Quilter’s Gazette:
“What would you say to young quilters dreaming of competing one day?”

Gold Medalist:
“Practice your quarter inch. Respect your bobbin. And never, ever underestimate the power of pressing.”

The crowd erupts.

A smiling athlete wearing a medal is being interviewed by an official after winning gold in cross-stitch country skiing at the Quilting Olympics, with a cheering crowd in the background.


🛷 3. Stash Biathlon (Inspired by Biathlon)

Two events combined:

  1. Speed cutting fat quarters into accurate strips
  2. Precision piecing tiny flying geese

Penalty laps for every point chopped off.

A contestant competing in a craft competition called 'Stash Biathlon', focusing intently on cutting fabric with a rotary cutter. The setting features bright stadium lights and a scoreboard displaying cut accuracy, point integrity, and time remaining, all at a score of 6.00. In the background, another competitor is seen at a table.

Midway through the speed cutting round…

The arena was silent except for the rhythmic glide of rotary blades.

Our leading competitor, known for his flawless quarter inch precision, leaned in for what should have been a routine final strip cut.

But then—

A flicker.

A shimmer.

The ruler shifted.

Barely.

Half a thread’s width.

The front row saw it. The back row felt it.

The strip separated cleanly… but something was off.

The judges conferred.

One lifted the strip.
Measured.

6.52 inches.

The crowd gasped.

The regulation width?
6.50 inches.

A murmur rolled through the stadium like a wave of unsquared half square triangles.

Was it pressure?
Was it overconfidence?
Was it a rogue mat bump?

The competitor froze.

Slowly… calmly… he requested a re measure.

A bold move.

The strip was aligned again. Squared carefully. Measured from a different mark.

6.50 inches.

The first measurement had caught the selvage ripple.

The arena erupted.

Cleared.

The competitor nodded once. Composed. Refocused.

He adjusted his stance. Anchored the ruler more firmly.

No further slips.

The judges later released a statement:

“Precision is not perfection. It is discipline under scrutiny.”


🧗 4. Free Motion Moguls (Inspired by Freestyle Skiing)

Free motion quilting a queen sized quilt.

Judged on:

  • Smooth curves
  • Confidence
  • Thread tension control
  • Artistic flair

Automatic disqualification for:

  • Eyelash thread nests
  • Sudden tension tantrums
A young woman with a medal sews intricate patterns on a quilt using a sewing machine, while judges observe her work in a competitive setting. An inset shows a close-up of tangled thread on the quilt.

“And we are midway through the run…”

Under a single golden spotlight, she moves with precision. Feathers arc across the quilt top like snowfall in perfect formation. Pebbles stack. Echo lines glide.

The crowd is breathless.

The judges lean forward.

Her control is extraordinary. The stitch length steady. The movement fluid.

Then—

A flicker.

The machine hesitates for half a heartbeat.

The audience barely notices.

But the camera does.

The broadcast screen shifts to the underside.

There it is.

A thread nest.

Not catastrophic. Not dramatic. Just enough.

The commentators lower their voices.

“That is tension inconsistency on the underside.”
“Under Free Motion Moguls regulations, visible nesting constitutes structural instability.”
“She has continued without stopping to correct.”

The spotlight tightens.

She knows.

You can see it in her eyes. The split second recognition. The calculation.

Stop and lose momentum?
Continue and risk penalty?

She continues.

Her top stitching remains flawless. Elegant. Commanding.

But the underside tells another story.

The judges rise.

The head judge adjusts his glasses.

The Quilting Official steps forward. Clipboard in hand. Expression steady.

A red flag is raised.

The arena falls silent.

The announcement echoes:

“Under Section 4, Paragraph 3 of the Free Motion Moguls Code:
Competitors must maintain tension integrity on both the top and underside of the quilt during the entirety of their run.”

A pause.

“This performance is hereby disqualified.”

Gasps ripple through the stands.

She closes her eyes for a moment. Breathes.

Then nods.

Grace under pressure.

She removes her medal. Places it gently on the table.

The crowd begins to clap. Slowly. Then louder.

Because though the rules were firm, her artistry was undeniable.


🥌 5. Curling the Binding (Inspired by Curling)

Teams compete to attach binding with:

  • Perfect corners
  • Even width
  • Zero ripples

Bonus for hand stitched finishes that look machine perfect.

A group of six people working together to bind quilts at a sporting event, with a banner reading 'CURLING THE BINDING' in the background. They are using sewing tools and colorful threads, showcasing teamwork and craftsmanship.

The arena is electric.

Team Blue and Team Red are locked in a dead heat. Corners sharp. Stitching steady. The crowd is leaning so far forward they’re practically measuring seam width from the stands.

Then—

A murmur begins in Section 12.

A spectator points.

On Team Red’s table… something glints.

A tiny metal clip.

The commentators freeze.

“Is that… a binding clip?”
“Are clips regulation compliant under Section 2, Article 7?”

The judges rise.

Team Blue pauses, eyes narrowing.

The camera zooms in.

Yes. A small binding clip is visible near the corner.

Gasps ripple across the arena.

Under Quilting Olympics guidelines, mechanical advantage devices must be declared before the round.

The head judge approaches.

The Quilting Official flips through the rule book. Pages turn. Tension builds.

Team Red’s anchor, an older woman with silver hair and steady hands, calmly explains:

“It’s not securing the corner. It’s holding excess thread from tangling while we hand stitch. We removed it before turning the miter.”

The clip is examined.

The stitches are inspected.

The corner is measured.

Perfect 45 degrees.

Even width.

No ripples.

The judges deliberate.

Silence.

Then—

The announcement echoes:

“After review, the binding clip was not used to alter corner formation. No violation occurred.”

The crowd erupts.

Team Blue nods respectfully.

Team Red resumes stitching, unflustered.

The silver haired quilter smiles gently and says, “We don’t cheat. We press.”

And just like that, the almost scandal dissolves into applause.


Racers must press and trim HSTs while navigating:

  • Bias stretch
  • Trim accuracy
  • Consistent size

Fastest accurate finisher wins. Crooked blocks disqualified.

Three individuals competing in a quilting contest at a snowboarding event, surrounded by colorful flags and an audience. One participant is in a wheelchair, using a sewing machine, while the others are cutting fabric.

“Where bias meets bravery.”

The arena hums with anticipation.

Three competitors at their stations. Pressing mats aligned. Rulers poised. Trim piles already forming like tiny drifts of fabric snow.

The whistle blows.

And they’re off.

Pairs of triangles are pressed open in swift, confident motions. Steam rises. Fingers test the seam. Is it flat? Is it true? Did the bias stretch betray them?

Lane One presses aggressively — bold, fast.
Lane Two trims with surgical precision.
Lane Three — steady. Calm. Methodical.

The first slalom gate: Bias Stretch.

One HST ripples slightly at the edge.

The commentator whispers, “Watch that diagonal. Bias is unpredictable terrain.”

A quick press. A gentle reposition. Recovery.

Next gate: Trim Accuracy.

Rulers align on the 45° seam.
Corners trimmed.
Dog ears removed with quiet efficiency.

The camera zooms in.

3½ inches exactly.

No wobble.

No over trim.

The crowd applauds the restraint.

Final gate: Consistent Size.

Stacks are measured.

One competitor’s pile shows a slight variation — a whisper of 1/16 inch off.

The judges raise an eyebrow.

But then we see it — the wheelchair competitor, unwavering. Each block squared. Each seam pressed. Each measurement precise.

Her rhythm never broke.

Her corners meet like they were meant to.

No rushing. No panic. Just control.

The final stack is placed forward.

The judges measure.

Again.

And again.

Uniform.

Exact.

The announcement rings through the arena:

“Fastest accurate finisher… with zero crooked blocks… Gold Medal to Lane Three!”

The crowd rises.

Not for spectacle.

For excellence.

Because in this event, speed alone is not victory.

Accuracy is.

And crooked blocks?

Disqualified without hesitation.

The arena grows quiet.

Not tense this time. Not electric.

Just reverent.

The competitors stand together beneath the banner. No rivalry now. Only shared understanding of what it took to reach this moment.

The Gold Medalist sits steady at center podium. Hands calm. Expression luminous.

The Quilting Official steps forward.

“Accuracy under pressure. Precision without compromise. And consistency that never faltered.”

The medal rests against her chest.

The crowd rises — not because they are told to — but because they want to.

In the Slalom, bias may stretch. Corners may tempt. Speed may deceive.

But steady hands win.

And today, the steady hands belonged to her.

An awards ceremony featuring three competitors on a snowy podium for the Half Square Snowboard Slalom. The first-place winner, an elderly woman in a wheelchair, is receiving a gold medal and flowers, while the second-place man applauds her. The third-place woman, wearing a green jacket, smiles and claps. All are surrounded by a cheering crowd.

⛸ 7. Synchronized Sewing (Inspired by Synchronized Skating)

Teams of four must:

  • Piece identical blocks
  • Press identically
  • Align points in perfect harmony

Judges watch for teamwork and identical stitch length.

A synchronized sewing competition featuring female contestants working on sewing machines, with a cheering audience holding colorful signs in the background. The scene is set in a decorated arena under a sign that reads 'Synchronized Sewing'.

“3 machines. 1 rhythm.”

The arena lights glow steady and warm.

Two teams of 3 take their places at identical stations. Machines aligned. Mats squared. Fabric stacks matched exactly.

No rushing. No grand gestures.

Just quiet focus.

The whistle sounds.

And 6 hands move in unison.

Pieces are fed beneath presser feet at the same cadence.
Foot pedals hum in synchronized rhythm.
Needles rise and fall like a well rehearsed chorus.

From above, the pattern begins to take shape.

Identical blocks form, stitch by stitch.

The first seam is pressed.

All 3 irons lift together.
Steam rises in a shared exhale.

The judges lean forward — not searching for error, but for harmony.

Stitch length: consistent.
Seam allowance: precise.
Body posture: aligned.

A corner turn.

3 machines pivot at the exact same moment.

The audience murmurs softly at the symmetry.

Now comes the test.

Point alignment.

Blocks are placed side by side.

Do the intersections meet?

They do.

Across both teams, the blocks are nearly mirror images. The only difference is color placement — intentional, coordinated, elegant.

This is not about speed.

This is about trust.

About glancing up at your teammate and knowing they are sewing at the same pace. Pressing the same direction. Listening to the same invisible metronome.

The final stitches are sewn.

6 hands lift away at once.

Silence.

The blocks are carried forward and placed beneath the judges’ eyes.

Measured.

Compared.

Stacked.

Perfect harmony.

The arena rises in applause — not for spectacle, but for teamwork executed with grace.

Because in Synchronized Sewing, excellence is shared.

And tonight, both teams delivered a performance stitched together in perfect time.


🏔 8. Alpine Appliqué (Inspired by Alpine Skiing)

Fast downhill challenge:

Competitors must appliqué intricate shapes onto a background before time runs out.

Scoring includes:

  • Smooth edges
  • Invisible stitches
  • No frayed drama
Three competitors crafting intricate quilts at a competition, with a timer counting down in the background and judges observing. The scene captures a snowy atmosphere and showcases the detailed designs each artist is working on.

“Smooth edges. Steady hands. No unraveling under pressure.”

The countdown clock glows above the arena.

0:49 … 0:48 … 0:47 …

Three competitors lean in, eyes narrowed in concentration.

This is the downhill.

No room for hesitation.

Intricate shapes are already positioned on their backgrounds — petals, birds, mountain ridges. The first stitches anchor the edge.

Invisible.

Tiny.

Precise.

The first gate: Smooth Edges.

Needles glide along tight curves. Fingers pivot fabric gently to avoid puckers. One competitor navigates a sharp inward point — the appliqué equivalent of a hairpin turn.

Clean.

No folding. No bulk.

The second gate: Invisible Stitches.

The judges lean forward.

Are those stitches visible?

They squint.

They tilt their heads.

Nothing.

The thread disappears into the fabric like fresh snowfall over a seam line.

Final stretch: No Frayed Drama.

A competitor trims a tiny seam allowance. Close. Very close.

The crowd holds its breath.

Will it fray?

She secures the edge with three nearly imperceptible stitches.

Time ticks down.

0:05
0:04
0:03

Needles lift.

Hands fall still.

The appliqué blocks are carried forward.

Edges smooth as silk.
Stitches nearly invisible.
Backgrounds unwarped.

The head judge smiles.

“In Alpine Appliqué, speed tempts you to rush. But mastery means staying calm all the way down the mountain.”

And tonight… no one unraveled.


🎯 9. The Seam Ripper Redemption Round

For athletes who confidently stitched the wrong sides together.

Points awarded for:

  • Grace under pressure
  • Clean rip
  • Reassembly accuracy
A colorful quilting competition scene featuring four male contestants focused on their crafting at tables, while a panel of judges observes them in a vibrant audience. The event is titled 'The Seam Ripper Redemption Round.'

“It’s not about the mistake. It’s about the recovery.”

The arena is quieter for this one.

No countdown clock. No downhill rush.

Just four confident competitors… who confidently stitched the wrong sides together.

The judges nod knowingly.

This is a test of character.

The whistle sounds.

Seam rippers slide beneath stitches with careful precision.

First category: Grace Under Pressure.

No sighing dramatically.
No blaming the pattern.
No muttering about seam allowances.

Just a steady breath… and a clean start.

One competitor pauses, smiles faintly, and says, “Ah. There it is.”

The crowd chuckles softly.

Second category: Clean Rip.

Threads are lifted — not yanked.

Fabric is supported — not stretched.

No gouges. No accidental holes. No shredded seam allowances.

The judges lean in.

One competitor removes an entire seam in one smooth motion.

The audience applauds.

Final category: Reassembly Accuracy.

Pieces are repositioned.

Right sides together — this time intentionally.

Stitch lines are sewn again.

Pressed.

Aligned.

Measured.

Points meet.

Corners sit square.

The block is held up.

Perfect.

The commentator’s voice warms:

“In quilting, perfection isn’t never making mistakes. It’s knowing how to fix them beautifully.”

A medal is awarded to each competitor.

We interrupt this presentation to bring you…….

🚨 BREAKING NEWS

Free Motion Moguls Disqualification Overturned

In a stunning development late this afternoon, Olympic Officials have overturned the disqualification of the Free Motion Moguls competitor following a formal machine inspection.

After the controversial tension irregularity that led to her removal from competition, the long arm machine was secured and transported to the Technical Integrity Pavilion for examination.

What they discovered changed everything.

A subtle but critical internal component had shifted during transit to the Quilting Olympics Arena.

The result?

Intermittent underside tension instability — beyond the quilter’s control.

The bird’s nest.

The hesitation.

The flaw.

Not hers.

The Head Technical Official addressed the press:

“Upon inspection, we determined the tension assembly had sustained minor damage during shipping. The malfunction directly contributed to the underside inconsistency observed during the performance.”

The arena fell silent as the ruling was delivered.

“Under Section 7, Article 2: Equipment failure not caused by the competitor warrants reinstatement.”

And then —

The announcement echoed:

“The Free Motion Moguls competitor is officially reinstated and will be offered the opportunity to repeat her run.”

The crowd erupted.

She stepped forward — not triumphant, not indignant — just calm.

The Quilting Official met her at center stage.

A handshake.

A nod.

A second chance.

The commentator’s voice carried through the arena:

“In quilting, as in life, sometimes the tension isn’t yours to carry.”

Tomorrow night, she will return to the spotlight.

And this time?

The machine will be ready.

A woman in a blue suit shakes hands with a female athlete wearing a colorful sports jacket and a medal, in front of a cheering crowd and a banner that reads 'OFFICIAL REVIEW COMPLETE REINSTATEMENT GRANTED.'

🏅 The Quilting Olympics Closing Ceremony

The arena dims one final time.

Not in suspense.

In warmth.

The competitors re-enter — not in lanes, not in rivalry — but together.

Fabric Figure Skaters glide in first, curved blocks held high. Their costumes shimmer under golden light.

Cross-Stitch Country Skiers follow, stacks of perfectly identical units carried like trophies of endurance.

Stash Biathlon competitors stride confidently, flying geese aligned in flawless formation.

Curling the Binding teams walk side by side — corners crisp, rivalry replaced with laughter.

Half Square Slalom medalists roll and step forward together, uniform blocks stacked in perfect symmetry.

The Seam Ripper Redemption crew enter last among the event finalists, seam rippers held aloft like tiny swords of humility.

And then —

The Free Motion Moguls competitor steps into the light.

The crowd rises instantly.

No scandal now. No tension. Only respect.

Behind her, the repaired long arm glows softly.

A festive indoor event with participants celebrating, including ice skaters waving flags and teams carrying colorful wrapped items.

🎪 The Parade of Quilts

Each event’s finished masterpiece is displayed around the arena, forming a giant circle of color and craftsmanship.

The judges stand.

The Quilting Official steps forward, cardigan flawless, clipboard retired.

“Over these Games, we have witnessed precision under pressure, grace in correction, and artistry stitched into every seam.”

A pause.

“We have seen bias controlled, corners conquered, and tension tested.”

The crowd chuckles knowingly.

“And we have been reminded that in quilting — as in life — perfection is not the absence of mistakes, but the courage to mend them.”

A speaker addresses an audience at the Quilting Olympics, with a circular display of quilts in the background.

🔥 The Extinguishing of the Iron

The ceremonial iron glows at center stage.

Steam curls upward like a final flourish.

The Quilting Official presses the steam button gently.

A soft hiss.

The glow fades — not extinguished forever, just resting until the next Games.

A woman in a suit operates a steaming iron on an ironing board, with a crowd in the background and a sign that reads 'Quilting Olympics'.

🎉 The Fabric Confetti Finale

From above, tiny squares of fabric drift down.

Pink. Teal. Blue. Black. Florals and solids alike.

Someone in the stands calls out, “Save those for a scrap quilt!”

Laughter ripples through the arena.

An aerial view of a crowd in an arena celebrating the Quilting Olympics, with colorful confetti falling and a speech bubble saying 'Save those for a scrap quilt!'

🏆 Final Honor

One final award is presented:

The Golden Thimble for Spirit of the Games

Not for highest score.

Not for flawless execution.

But for integrity, inclusivity, creativity, and joy.

And tonight… it belongs to everyone who stitched, pressed, ripped, mended, and tried again.

A group of smiling participants holding a trophy shaped like a thimble, celebrating the Quilting Olympics and the Spirit of the Games, with confetti falling around them.

As the lights fade, the banner above the arena glows softly:

Until the next Quilting Olympics —
Keep your seams straight and your spirits brighter still.

I hope you enjoyed this VRD presentation of the Quilting Olympics. Now we will return to our scheduled programming.

Always,

Tricia @ VRD

Just Quilty Stuff · Quilt Play · villa rosa designs

A Quilter’s Song for Christmas

I hope Santa came and filled your stockings with loads of quilty goodies last night. And no lumps of coal.

I thought I’d keep things simple today as I’m sure you don’t have time for a lengthy blog post today of all days.

So, please enjoy!

A Quilters’ Song for Christmas

Feel free to sing along with me (sung to the 12 Days of Christmas)…..

PSST…. I wrote the lyrics myself (and had SEW MUCH fun doing that), so if you share, please include Tricia @ Villa Rosa Designs 2025 as the composer. Thanks.

On the first day of Christmas, Santa gave to me – a brand new sewing machine!

A bright pink sewing machine on a light pink background.
Image generated by WordPress AI

On the second day of Christmas, Santa gave to me – 2 yards of fabric and a brand new sewing machine.

Close-up of red and green fabric with Christmas-themed patterns, including snowflakes and flowers.
Image generated by WordPress AI

On the third day of Christmas, Santa gave to me – 3 thread spools, 2 yards of fabric, and a brand new sewing machine.

Three spools of thread in vibrant colors: red, multicolored blue and pink, and yellow, displayed on a wooden surface.
Image generated by WordPress AI

On the 4th day of Christmas, Santa gave to me – 4 Jelly Rolls, 3 thread spools, 2 yards of fabric, and a brand new sewing machine.

Four rolls of Jelly Rolls, featuring festive red and green fabric patterns, tied with white ribbons.
Images from Amazon

On the 5th day of Christmas, Santa gave to me – 5 new quilt books, 4 Jelly Rolls, 3 thread spools, 2 yards of fabric, and a brand new sewing machine.

A stack of quilting books with the top book titled 'Quiltmaker's 1000 Blocks', showcasing various quilt block designs on its cover.

Image from moi

On the 6th day of Christmas, Santa gave to me – 6 diff’rent Charm packs, 5 new quilt books, 4 Jelly Rolls, 3 thread spools, 2 yards of fabric, and a brand new sewing machine.

A collection of charm square packs featuring various themes for children's quilting, including food, superheroes, animals, and princesses, all labeled with their unique counts.
Image from Etsy

On the 7th day of Christmas, Santa gave to me – 7 rotary cutters, 6 diff’rent Charm Packs, 5 new quilt books, 4 Jelly Rolls, 3 thread spools, 2 yards of fabric, and a brand new sewing machine.

A collection of rotary cutters with orange handles and black accents, arranged in a row on a white background.
Image from Amazon

On the 8th day of Christmas, Santa gave to me – 8 fa-at quarters, 7 rotary cutters, 6 diff’rent Charm packs, 5 new quilt books, 4 Jelly Rolls, 3 thread spools, 2 yards of fabric, and a brand new sewing machine.

A variety of fabric pieces featuring sports themes, including soccer, baseball, basketball, and football patterns, arranged in a fan shape.
Image from Amazon

On the 9th day of Christmas, Santa gave to me – 9 king size quilt kits, 8 fa-at quarters, 7 rotary cutters, 6 diff’rent Charm packs, 5 new quilt books, 4 Jelly Rolls, 3 thread spools, 2 yards of fabrics, and a brand new sewing machine.

A collection of assorted quilting fabrics, including rolls, packs, and a quilt pattern book, arranged in a visually appealing layout.
Images from Etsy

On the 10th day of Christmas, Santa gave to me – 10 pairs of scissors, 9 king size quilt kits, 8 fa-at quarters, 7 rotary cutters, 6 diff’rent Charm packs, 5 more quilt books, 4 Jelly Rolls, 3 thread spools, 2 yards of fabrics, and a brand new sewing machine.

A collection of green scissors arranged in a pattern, showcasing their design and features.
Image from Amazon

On the 11th day of Christmas, Santa gave to me – 11 fabric markers, 10 pairs of scissors, 9 king size quilt kits, 8 fa-at quarters, 7 rotary cutters, 6 diff’rent Charm packs, 5 more quilt books, 4 Jelly Rolls, 3 thread spools, 2 yards of fabric, and a brand new sewing machine.

A set of colorful fabric markers arranged in a row, featuring various vibrant colors including brown, green, yellow, red, pink, and blue.
Image from Amazon

On the 12th day of Christmas, Santa gave to me – 12 yards of backing, 11 fabric markers, 10 pairs of scissors, 9 king size quilt kits, 8 fa-at quarters, 7 rotary cutters, 6 diff’rent Charm packs, 5 more quilt books, 4 Jelly Rolls, 3 thread spools, 2 yards of fabric, and a brand new sewing machine!

A stack of fabric bolts with various colors and patterns, labeled 'Light', 'Medium', 'Bright', 'Royal', 'Denim', and 'Navy' on the left, and a selection of swirled pattern fabrics in different colors on the right.
Images from Etsy
2025 Let's Design a Quit Together Series · Quilt Play · Quilting Partners · Tips and Tricks

Let’s Design a Quilt: The Drunkard’s Path Block

Happy Thursday to you!

What’s shakin’? Me, just sitting here thinking about which quilt block we’re going to feature today to wrap up our Design a Quilt series. I’m kind of bummed that today’s the final post in this series, but it is true that all good things must come to an end. That makes sense, because, if they didn’t then we would never have the opportunity to find new good things.

I’ve also been thinking about how you, dear readers, can utilize what we’ve covered in this series. The biggest thing that occurs to me, of course, is designing your own quilts using common quilt blocks. Common quilt block designs (like Nine Patch, Irish Chain, Four Patch, Sawtooth Star, etc., etc.) would most likely be considered in the public domain.

Want to find public domain quilt block designs? Just Google it! Pretty much all quilt block designs (and everything else in print) from publications before 1923 are considered public domain. Another idea is to look up quilt block history to see if the blocks were used before 1923. You can also invest in a quilt block reference or 2.

My favorite reference is Barbara Brackman’s Encyclopedia of Pieced Quilt Patterns.

Cover of the book 'Encyclopedia of Pieced Quilt Patterns' compiled by Barbara Brackman, featuring various quilt block designs.

For those of you who may not have heard of Barbara Brackman – she is probably the most well-known quilt historian in the USA, if not the world. Her book is meticulously researched and includes a reference section with original publications for the blocks in the book. Believe me, you will never run out of inspiration – there are over 4000 blocks in the book!

Another oldie but goodie block reference is The Romance of the Patchwork Quilt in America by Carrie A. Hall and Rose G. Kretsinger. This book was published in 1935 and is actually in the public domain itself. It includes A LOT of old pieced and appliqued quilt blocks and quilts along with historical notes. You might be able to find a used copy as its out of print, or I’ve included a link to an e-book version above.

Cover of 'The Romance of the Patchwork Quilt in America' featuring floral designs and decorative borders.

What does all this mean, really?

If you want to sell quilts, the best way to do that is to design your own instead of using someone’s copyright-protected pattern, which, as we’ve previously explored, has the potential to cause you legal issues down the road.

Want to be a quilt designer?

Create/sell your own patterns?

Design quilts for quilt magazines?

Write a quilt book?

Easy peasy, use public domain/common quilt blocks to create your own designs. Then your designs would be copyright protected, too.

Huh. Kind of mind-blowing, isn’t it? That doing something so simple – and FUN! – can become your own copyright-protected work.

Just something for you to think about….

Let’s move on to today’s block: Drunkard’s Path.

Here is a basic Drunkard’s Path block unit.

A basic Drunkard's Path quilt block unit featuring a red semicircle on a white background.

The Drunkard’s Path block has a very interesting and rich history with roots in ancient Egypt. The block was popular with the Underground Railroad and the Women’s Temperance movement in the US. For a more and detailed history, please check out this article on the AccuQuilt blog: A History of the Drunkard’s Path Quilt Patterns.

Today, we are going to explore some of the interesting ways you can arrange this humble block unit, add sashing or not, and using color to tweak the design.

Before we can design a Drunkard’s Path quilt, we need to explore some of the many many different Drunkard’s Path variations. Believe me, these ideas are just the tip of the iceberg.

Here are a few books to explore more Drunkard’s Path designs.

Cover of the book '65 Drunkard's Path Quilt Designs' by Pepper Cory, featuring multiple quilt designs in various colors and patterns.
Get the book HERE
Book cover of 'A New Spin on Drunkard's Path' by John Kubiniec, featuring a quilt design in red and white with a pattern of curved shapes and geometric accents.

Get the book HERE

Here are different ways to arrange the units in a 2 x 2 layout. Which one is your favorite?

Okay, let’s try a 3 x 3 grid.

Now let’s see what a 4 x 4 grid looks like.

So I think you get the idea about the endless possibilities of the Drunkard’s Path block unit. Why don’t you try a 5 x 5 grid or a 6 by 6 grid to see what you can create?

Now let’s play with the color arrangement by swapping reds and whites in order to create new and different designs from the ones above.

Let’s add more colors to our blocks, shall we? That way we can get even more interesting variations. You can see how adding more color can change a block design or even add a secondary design. Never underestimate the power of adding more color.

Okay, now it’s time to create quilt designs using some of the variations above! Let’s start with this bird variation.

A quilt block design featuring a Drunkard's Path pattern with red and white curved sections arranged in a 2x2 layout.

I like this bird quilt arrangement very much, but I don’t love how all the birds are facing the same way.

A quilt design featuring a repeating Drunkard's Path block pattern, alternating between red and white colors.

Let’s turn the birds in different directions. Hmmm. I only see a small difference here. Let’s keep going.

A digital quilt design featuring the Drunkard's Path block in a repeating pattern of red and white colors.

Better with sashing and sashing squares, but I’m still not too excited by it.

A quilt design featuring a repeated Drunkard's Path block pattern in red and white colors arranged in a grid layout.

Okay, let’s remove the sashing and turn the birds some more to see what happens. AHA! Yes, this is more like it.

A quilt design featuring a Drunkard's Path block arrangement with alternating red and white shapes, creating a dynamic pattern.

I think we can call this a finished design. Let’s add some fabric. It would definitely make a bold 2 color quilt as long as you have strong contrast between the colors like the red and white example above. But let’s add more than 2 colors.

Yup, this one rocks. I’m using fabrics from QT’s American Spirit collection. I took a chance and flip flopped the fabrics in the centers and it really sets this design off.

A quilt design featuring the Drunkard's Path block, arranged in a repeating pattern with red, blue, and cream fabrics, creating a visually appealing layout.

Now let’s try a different Drunkard’s Path block variation from above.

A quilt block design featuring a circular blue shape in the top left and bottom right sections, against a backdrop of alternating red and white squares.

I like this interesting block arrangement, especially with the checkerboard behind the blue circles. Very 3-D. But I bet we can tweak it to change it from an okay quilt to a WOW quilt.

A quilt design featuring a checkered pattern with red and white squares and blue circles in the center.

Just a quick turn of some blocks and we get this design with lots of movement. Kind of fun, huh?

A quilt design featuring a repeating pattern of red, white, and blue blocks with circular shapes in blue and white against a red background.

Let’s add some fabric to this one. Can’t wait to see it! Here’s a selection of yummy Hoffman batiks. This super mod design has a lot going for it!

A quilt design featuring a repeating pattern of pink circles on a black and white grid background, with a copyright notice for Tricia Lynn Maloney, Orphan Quilt Designs.

Let’s play with another block.

A quilt block design featuring a central gray square surrounded by red circles and black curved shapes on a white background.

All right, let’s see what this block looks like in a quilt. Gosh, I’m really liking this one. It reminds of a tile floor. But I think we can tweak it a bit to make it outstanding.

A colorful quilt pattern featuring alternating blocks with red circles and black shapes on a white background, arranged in a grid format.

YES! This is the finished design. Adding sashing and sashing squares was just the tweak I needed, which added a wonderful secondary design.

A colorful quilt design featuring a repeated Drunkard's Path block layout with black, red, gray, and white colors.

Yippee! Time to add fabric! I think this design is spectacular!

A quilt design featuring pink floral blocks and circular motifs on a dark background.

Let’s do one more!

A graphic illustration of a Drunkard's Path quilt block design featuring a red circle, black and white geometric shapes.

Let’s see how this variation plays in a quilt. I really like this design – it makes me think of Halloween bats flying in front of a full moon. But I think we can tweak it a bit more.

A quilt design featuring a repeating pattern of the Drunkard's Path block, showcasing red, black, white, and gray colors arranged in a grid layout.

Let’s try sashing again. Sometimes this is the way to go and sometimes it isn’t. This one improves with sashing, definitely! I love the diagonal movement the design has now. What do you think?

A geometric quilt design featuring alternating black, white, and red blocks with curved patterns, arranged in a checkerboard layout.

Only thing left to do is to add FABRIC! I’m using assorted Hoffman batiks again and I played up the Halloween moon idea by making the background grey like twilight. Totally loving this!

A quilt design featuring a repeating pattern of Drunkard's Path blocks in gray and dark blue with orange accents, arranged in a grid layout.

Sadly, that wraps up our 5 part Let’s Design a Quilt series. I have had SEW much fun with this series. I hope you did too. I can envision adding more to this series down the road. Maybe I will focus on on-point quilt designs….

If you missed any posts in the series, you can find them all right here:

Playing with Nine Patch Blocks

Playing with the Spool Block

Playing with the Courthouse Steps Block

Playing with the Sawtooth Star Block

Playing with the Farmer’s Daughter Block

See you next week – time for some new VRD tutorials to jumpstart your Autumn quilting when the kiddos go back to school.

Until then –

Always,

Tricia @ VRD

2025 Let's Design a Quit Together Series · Quilt Play · Quilting Partners · Rose Cards · Tips and Tricks · villa rosa designs

NEW VRD Patterns for August and Let’s Design a Quilt: The Farmer’s Daughter Block

Happy Thursday to you!

Welcome! We have lots of fun stuff to do this week, so we’re just going to dive right in.

First up, today is the Thursday after the first Friday, which means – NEW PATTERNS! Yay!

Collage of five quilt pattern covers titled 'August 2025 Patterns in a Set!' featuring designs named Grated, Lady Banks, Jolene, Jasper, and Snap Shot. Each cover showcases different quilt designs and colors.

Get your print pattern set HERE.

I know I say it every month, but our VRD designers are totally outstanding! Every month, they exceed the previous month’s designs. Let’s take a look at each pattern this month.

Grated by Heidi

Colorful quilt design titled 'Grated' by Heidi Cook for Villa Rosa Designs, featuring a variety of fabric patterns arranged in a grid layout.

Grated uses a stack of fat sixths (which are between a fat eighth and a fat quarter, measuring 12″ x 21″) or 10″ squares. This is a big quilt measuring 65″ x 75.” There are still kits available, which feature Klimt fabrics like the pattern cover. You can get your Grated kit, which includes the pattern, HERE.

Lady Banks by VRD (Pat)

A quilt design titled 'Lady Banks' featuring a patchwork of various blue and grey fabrics, set against a light blue background. The quilt consists of squares and rectangles with floral and textured patterns. The design is framed by a dark border with the names 'Lady Banks' and 'Villa Rosa Designs' displayed prominently.

If you are following along with the Tim Holtz Palette collections then Lady Banks is for you. It features the blue palette and finishes at 45″ x 60″. You can find the kit (including the pattern) HERE.

Jasper by Running Doe Quilts (Catherine)

A colorful quilt named 'Jasper' featuring a variety of patterns in blue, green, yellow, and red fabric blocks, displayed against a brick wall background.

Catherine is back with 2 new mod patterns this month! Jasper is FQ friendly and finishes at 36×48, which makes a nice baby quilt or lap quilt. You can find the kit HERE featuring the Camp Canine collection at Running Doe Quilts.

Jolene by Running Doe Quilts (Catherine)

A colorful quilt named 'Jolene' featuring a pattern of alternating squares and checkered designs in shades of pink, green, and yellow, displayed against a textured white wall.

Jolene is Catherine’s second quilt this month. It uses FQs and finishes at a generous 63″ x 84″. You can find the kit HERE at VRD featuring the Thirty-One collection or HERE at Running Doe Quilts featuring the Camp Canine collection.

Snap Shot by Molly

Quilt design titled 'Snap Shot' featuring images of wildlife, including deer and a bear, with a mix of earthy colors and fabric patterns.

Snap Shot is another one of Molly’s creative panel quilts. It is FQ friendly and finishes at a nice 45″ x 54″, which could be a wall quilt or a throw. Sorry, but VRD is out of Snap Shot kits already.

Apologies, but there is no table runner this month. Stay tuned for next month’s runner!

SEW, which NEW pattern are you going to make first?????

Now let’s turn our thoughts to our ongoing Quilt Design series.

Colorful quilt block design featuring a central orange square surrounded by red, blue, yellow, and green pieces in a symmetrical pattern.

Here is the traditional Farmer’s Daughter block. According to Barbara Brackman, this block was first published in Clara Stone’s 1906 booklet, Practical Needlework: Quilt Patterns, which was part of a needlework booklet series by C. W. Calkins & Co. in Boston. Of course, like most quilt patterns, it was probably being made long before it was published. One of our readers suggested this block last week and I just couldn’t resist it. Thank you, dear reader! I hope I do the block justice for you!

Yikes! See how the four corners of the block feature set-in seams? Well, the first change to this block we are going to make is to change the four corners to be much friendlier by using Half Square Triangles (HSTs) instead of set-in pieces. Ahhhh! That’s more like it!

A colorful quilt block design featuring a central red square surrounded by blue triangles and yellow squares, with green squares at the corners.

Now we’re ready to play — er, design! Let’s put Farmer’s Daughter blocks in a quilt. Huh! When you set the blocks side to side, you lose the block and a whole new design emerges. Pretty cool!

Colorful quilt design featuring a geometric pattern with star and diamond shapes in red, blue, green, yellow, and orange.

Now let’s add some sashing to see what that looks like. Neat-o! Sashing shows off the block. I just love the secondary design where the block corners (with the green squares) meet the sashing squares. Both designs have a lot of movement already and I haven’t done anything except the HSTs.

A colorful quilt design featuring a repeating star pattern with red, blue, orange, and green shades set against a yellow background.

Wowzer! Look what happens when I change the colors to black, grey, white, and red. I’d call this a finished design right now, wouldn’t you???? It almost has a 3D effect. Cool beans!

A quilt design featuring blocks with star-like shapes in red, gray, and white against a black background, creating a geometric pattern.

Here’s the same design, but I changed the red to white. Holy cow, Batman! It’s really eye-catching and the black negative space is just itching for some really cool machine quilting.

A quilt design featuring alternating blocks composed of black, white, and gray geometric patterns, arranged in a grid layout.

Here’s the same design again, but I changed the grey to red. Oh my! It just about leaps off the screen. Just by playing around with the colors.

This is only ONE of sew many reasons why I love my Electric Quilt 8 software. I can tweak some tiny little thing and if I don’t like it, I can go back or keep tweaking. If you haven’t ever tried EQ8, you really should. It is a total game changer for quilters everywhere!

A quilt design featuring a bold pattern of alternating red and black shapes arranged on a black background, with white squares creating a checkered effect. The design includes intricate geometric shapes that resemble a stylized star or flower.

Now let’s add some fabric. I’m using lovely blue batiks from Hoffman’s 1895 Watercolors collection. That’s the one! LOVE IT!

That’s a wrap for this design!

A quilt pattern featuring interconnected blue and white blocks set against a dark background, creating a geometric design.

But wait! We’re not done yet. Let’s go back to the block and split the corner sections into 2 colors, instead of just 1 color. I also changed the center square to blue, which gives it an interesting pinwheel design in the center.

A colorful quilt block design featuring a star shape with blue, red, and yellow triangles, set on a white grid background.

Let’s see what it looks like in a quilt. Hmmm. Not very interesting. At least not yet.

A quilt design featuring a repeating star pattern with red, blue, and yellow colors on a white background.

Let’s add some sashing. I’m gong to introduce black for the sashing squares. Better, but no way near finished. Let’s keep going.

Quilt design featuring a repeating star pattern with red, blue, yellow, and white colors, arranged in a grid with black sashing.

Let’s flip the black and white for the sashing and sashing squares. WHOAH! I am loving this sashing idea – it is incredibly graphic! But now we need to tweak the blocks some more.

A colorful quilt design featuring a repeating pattern of star blocks in red, blue, yellow, and white, set against a black background. The blocks are arranged in a grid with alternating black and white sashing.

Before we work on the blocks some more, it needs a border to frame it. It just looked a bit unfinished without it, don’t you think?

A quilt design featuring a grid of colorful star blocks on a black background, incorporating blue, red, yellow, and white fabrics.

That’s it! Okay, on to the blocks. Let’s swap the blue and yellow in the 4 corners back to 1 color, red. And change the blue center to white so it repeats the white sashing square. I love how graphic it is. Your thoughts?

Quilt design featuring a repeating pattern of star blocks in red and white against a black background, with a modern geometric layout.

One more tweak. Let’s change the center square in the blocks to black. Yup! That’s it! Love the plus sign in the center of the blocks! This design has a clean modern look yet it feels traditional, too. It is totally the best of both worlds.

A patterned quilt design featuring alternating red and white blocks on a black background, showcasing a geometric star motif.

All right! Let’s add some fabric. Again, I’m using batiks from Hoffman’s 1895 Watercolors collection. I did make one more tweak by changing the sashing squares to match the plus signs. Don’t you just love it in pinks? The black has a slight bluish tinge for added interest. Again, it has a bit of a 3D effect. Done and done!

A vibrant quilt design featuring a repeating star pattern in pink and purple hues, set against a dark blue quilt background with white borders separating each star.

Do you remember where we started? A Classic Farmer’s Daughter block.

How far we came just by changing the colors, playing with the fabric placement, and adding sashing/border.

How are you going to explore these ideas with your quilts???

A colorful quilt block design featuring a central orange square surrounded by red squares and blue triangle sections, with green and yellow corner pieces.

Well, that’s it for me for our 4th week in our Let’s Design a Quilt Series. If you missed any posts, you can catch up here:

Playing with Nine Patch Blocks

Playing with the Spool Block

Playing with the Courthouse Steps Block

Playing with the Sawtooth Star block

Sadly, next week we are going to wrap up our Quilt Design series. Next we’re going to do some new tutorials, just for you. Sew stay tuned!

See you on the flip side!

Until then –

Always,

Tricia @ VRD

2025 Let's Design a Quit Together Series · Just Quilty Stuff · Quilt Play · Quilting Partners · Tutorials · villa rosa designs

A Sneak Peek, Our Shoofly Challenge, and Let’s Design a Quilt: Playing with the Sawtooth Star Block

Happy Thursday to you!

The forecast for today is sum-sum-summertime with a strong chance of quilting! SEW much to do today, so let’s get started.

Before we jump into this week’s Quilt Design adventure, though, I want to share a fun SNEAK PEEK with you from our friends over at QT Fabrics. You might recall that VRD has been working closely with QT to pair their new fabric collections with our patterns. Here is our latest collaboration:

Image featuring the logos of QT Fabrics and Villa Rosa Designs, highlighting their collaboration for Fall 2025 collections.

You can check out the catalog HERE.

These upcoming fabric collections are being shown to quilt shops right now and will ship in late 2025/early 2026. If you see something you like — ask for the collection (and VRD patterns, of course) at you local quilt shop.

As part of my Quilt Design series last week, I offered up a challenge to you – see what you could do with the Churn Dash block.

First, I want to thank those of you who shared your ideas, creations, blocks, and quilts.

And the winner is………………………..

Lisa from KY

Lisa won with her charming Churn Dash quilt, below, featuring multiple sizes of her Churn Dash blocks with the added fun of novelty farm panels and prints inside each block. Way to go, Lisa!

A colorful quilt featuring various farm animal-themed blocks framed with bold borders in different colors, displayed against a brick wall.

Folks were really inspired by last week’s Courthouse Steps block quilt design party and suggested we stay in the Log Cabin zone. Thank you for those suggestions, but I want to keep addressing different kinds of blocks to maximize your inspiration when it comes to designing quilts. There are entire books written about Log Cabin blocks and quilts and a few blog posts just can’t do the topic justice, I am afraid.

In lieu of more Log Cabin blocks, here is a short list of Log Cabin books for you to explore. I tried to choose a variety to show you here on the blog, but believe me – there are tons more out there just waiting to inspire your next Log Cabin quilt.

A colorful quilt featuring curvy log cabin blocks and a floral border, showcased outdoors in a natural setting.
Find it HERE
Book cover titled 'Log Cabin Improv: Quilts with a Twist on Tradition' by Mary M. Hogan, featuring a colorful patchwork quilt design made of various Log Cabin blocks.
Find it HERE
Cover of the book 'Extraordinary Log Cabin Quilts' by Judy Martin, featuring colorful quilt designs including traditional log cabin patterns.
Find it HERE
Cover of the book '101 Log Cabin Blocks' featuring various log cabin quilt block designs and patterns.
Get it HERE
Cover of the book 'Creative Log Cabin Quilts' displaying a quilt with various Log Cabin block designs in a garden setting with flowers and a wooden fence.
Find it HERE

After enjoying your Log Cabin comments and quilt photos, it occurred to me that I have not done a Star block yet……..so today’s the day!

I chose an oldie, but a goodie for today – the Sawtooth Star.

Sawtooth Star is known by many names and has a lot of different variations. Apparently, it first appeared in print in the 1880’s or 1890’s in popular publications such as Farm and Fireside Magazine as well as in the Ladies Art Company catalog in 1895. The Sawtooth Star block was block # 5. Like most quilt blocks, however; Sawtooth Star blocks were probably being made long before they ever appeared in print.

Here is our classic 2 color Sawtooth Star block.

A simple quilt block design featuring a red Sawtooth Star pattern with a solid center and white background.

So, let’s make a quilt. Here are 20 blocks set side by side. This makes a lovely classic 2 color quilt, but of course we’re not going to stop there.

A quilt layout featuring a repeating pattern of red Sawtooth Star blocks interspersed with white squares.

Here it is with sashing in between the blocks. Again, super classic. I do like how the sashing gives the stars room to breathe, plus this layout would be a lot easier due to not having to match up all those points. Win, win….

A quilt design featuring multiple Sawtooth Star blocks in red and white, arranged in a grid pattern.

Let’s go back to our block and tweak it a little bit, shall we? Let’s change the solid center block into an Hourglass.

A quilt block design featuring a Sawtooth Star pattern in vibrant red and white colors, arranged in a grid layout.

Here are the blocks set side to side. I find it interesting that I’m not seeing the stars so much now, but rather, all the triangles seem to jump out at me now. And I see “V” shapes, too. Huh.

A quilt layout featuring red Sawtooth Star blocks arranged in a grid, alternating with white squares.

Let’s tweak the block again by adding Half Square Triangles (HSTs) in the 4 corners.

Quilt block pattern featuring a red and white Sawtooth Star design.

Okay, now let’s set the blocks side by side in a quilt. Wow! There is so much more movement – almost to the point of being distracting. Really cool, though.

Quilt pattern featuring a repeating design of red and white Sawtooth Star blocks arranged in a grid layout.

Let’s add a 3rd color to the blocks now.

Classic Sawtooth Star quilt block design featuring red, blue, and white fabric triangles arranged in a star pattern.

Here is the same layout as above, but with the added 3rd color. It looks totally different and not as dizzying.

Quilt design featuring a pattern of Sawtooth Star blocks in red, white, and blue colors arranged in a grid layout.

What if we add sashing again? Cool – we now have a Shoofly block where the sashing square meets the blue HSTs – this adds a lot of interest to the design. Liking this, but not quite there yet. Let’s keep tweaking.

A quilt design featuring a classic Sawtooth Star block layout in red and blue, arranged in a grid with white spaces between the blocks.

I think the blocks look a bit heavy, so I’m going to lighten them up a bit by changing the inner blue triangles back to white. Yep, liking this one more.

A quilt design featuring multiple Sawtooth Star blocks arranged in a grid pattern. The stars are colored in red and white with blue squares in between, creating a striking contrast against the white background.

I’d call this a finished design, so let’s add some fabric. Here it is featuring fabrics from QT Fabrics’ American Tapestry collection.

A quilt design featuring a repetitive pattern of Sawtooth Star blocks in red and navy, with a neutral background and small star accents.

It’s a bit too vertical for me, though, so let me make one more tweak by alternating the direction of the blocks. Yes, I think that does it. This one’s a wrap!

A quilt featuring a repeating Sawtooth Star block design in red and white, with dark blue star-patterned corner pieces and a light beige background.

But wait – I’m not done yet. I’m having way too much fun to stop now. Let’s go back to our block and tweak it a bit more by adding blue triangles on the sides only.

Illustration of a Sawtooth Star quilt block featuring red and blue triangular segments arranged around a central white square.

Here’s our updated block set side to side in a quilt. You totally lose the star block, don’t you? I like the horizontal repetition of the triangles, too.

A quilt design featuring a pattern of interlocking red, blue, and white triangles arranged in a grid layout, with a central diamond shape in white.

Let’s add fabric! Here it is using the QT fabrics from American Tapestry again. Love it, yet……

Quilt featuring a repeated pattern of red, white, and blue fabrics arranged in a geometric design with star motifs.

One more tweak……let’s rotate every other block. Yup, that’s the one. Finished. Great movement – I can’t even see the stars now, can you?

A colorful quilt featuring a Sawtooth Star design with red, white, and blue fabrics embellished with stars, arranged in a grid pattern.

Do you remember where we started? A classic 2 color Sawtooth Star.

A graphic illustration of a classic Sawtooth Star quilt block, featuring a central square in red surrounded by triangular points in red against a white background.

YAY! This has been another fun quilt design adventure! Sew glad you came along.

If you’ve missed any posts in our Quilt Design Series so far, you can catch up below:

Playing with Nine Patch Blocks

Playing with the Spool Block

Playing with the Courthouse Steps Block

Stay tuned for next week when we explore another block in our Let’s Design a Quilt series. Any thoughts on another great block to explore?

See you next time!

Until then –

Always,

Tricia @ VRD

2025 Let's Design a Quit Together Series · Just Quilty Stuff · Quilt Play · Tips and Tricks

Let’s Design a Quilt: Playing with the Courthouse Steps Block

Happy Thursday to you!

Are you ready to play with another quilt block? Yippee! Me too. This really is SEW much fun for me to do and I think it’s also helping me to think more “outside the box.” I’ve definitely noticed more designs popping into my head lately. 🙂

If you’ve missed our Quilt Design Series so far, you can catch up:

Playing with Nine Patch Blocks

Playing with the Spool Block

I was a little disappointed that no one was brave enough to suggest a quilt block in the comments on last week’s blog post. Please consider letting me know what your favorite block is or another block suggestion to design with as I’m planning to do this mini series on designing for a few more weeks. Do you really want me to have all the fun of picking out all the blocks?

So I asked my quilty pal, Mary Lee (Hey Mary Lee!) for a block suggestion. She thought for a few seconds and then suggested either Churn Dash or Courthouse Steps. I thought both were good options. Churn Dash (image 1, below) is another Nine Patch variation while Courthouse Steps (image 2, below) is a variation of a traditional Log Cabin block. Because we’ve already done 2 Nine Patch blocks, I zoomed in on her Courthouse Steps suggestion and immediately began to wonder what we could do with it.

A digital illustration of a Courthouse Steps quilt block design featuring a central square surrounded by rectangles and triangles in a light teal color.
Image 1 – Churn Dash block, also known as Hole in the Barn Door and Monkey Wrench
A quilt block design featuring a central pink square with gray and white rectangles surrounding it, arranged to create a geometric pattern.
Image 2 – Courthouse Steps block

Since I’m going to focus on the Courthouse Steps block today, I’m assigning all of you readers “homework” — see what you can do with the Churn Dash block (image 1, above).

You can share your “homework” on our Facebook Page, in the comments (although I’m not sure if you can upload images), or you can email them to me at tricia@villarosadesigns.com.

I’d love to share your ideas on next week’s blog or upcoming posts if we have a big response. I hope you will take a little time and play – er, I mean design a quilt – along with me. Hand drawn, EQ, or Adobe images are great, please use a .jpg or .pdf format atat no more than 300 dpi.

Who knows????? There might even be a prize or 2…. US and International friends can play along, so go get started – right after you finish reading this post, that is.

Let’s learn a bit about the Courthouse Steps block. As I mentioned earlier, it’s a variation of a Log Cabin block. According to Barbara Brackman in the Encyclopedia of Pieced Quilt Patterns, it was originally called White House Steps and appeared in print circa 1890 in the first Ladies’ Art Company catalog, which included 272 patterns. White House Steps was block #221. Of course, that doesn’t mean the block just suddenly appeared in the 1890’s. rather, that was the first known version in print. Quilters may have been making the block much sooner than the 1890’s.

A Courthouse Steps quilt block design featuring a central pink square surrounded by alternating gray rectangles.
White House Steps block
A graphic representation of the Courthouse Steps quilt block, featuring a central pink square surrounded by alternating gray and white rectangles.
Courthouse Steps block

The Courthouse Steps block we are familiar with today uses color a bit differently than the White House Steps version, above. Interestingly enough, “Courthouse Steps” isn’t even mentioned in Barbara Brackman’s book. I wonder if it’s a regional term used for the block? Does anyone know this block by another name? Just curious. I did find the block in Electric Quilt 8 software (which is based on Barbara Brackman’s book), but it is considered a foundation pieced block and does not include any historical information.

Doing a quick Internet search, I discovered a post on Suzy Quilts about Courthouse Steps blocks with a touch of history and wonderful examples of Gee’s Bend quilts. Check it out HERE.

Alright! Ready to get designing???

So, here’s our block again. Take a good look at it – what do you see? A central square with rectangles radiating from the center square both horizontally and vertically. That’s it! Simple, but very effective, very geometric, and very graphic.

Illustration of a Courthouse Steps quilt block design featuring a central pink square surrounded by gray and white rectangles.
Courthouse Steps block

Let’s put the blocks side by side with all of the blocks going the same direction. Okay, this is fun. And it would make an awesome scrappy quilt, wouldn’t it?

A digital mockup of a Courthouse Steps quilt block design featuring pink squares, grey and white rectangles arranged in a geometric pattern.

Let’s turn the blocks sideways and see if we get something different. Pretty much the same thing, just different direction.

Pattern design of the Courthouse Steps quilt block featuring alternating shades of gray, pink centers, and white accents in a geometric layout.

Let’s alternate every other block next. Huh. Better. Definitely more movement in this one, wouldn’t you agree? I almost detect a bit of a curvy look happening, which is interesting with a square block.

A quilt design featuring alternating Courthouse Steps blocks in shades of gray, pink, and white arranged in a grid pattern.

Now I think I’d like to see what happens when I group the blocks in 4’s. That’s interesting.

A digital quilt design featuring multiple Courthouse Steps blocks arranged in a grid pattern with a mix of gray, white, and pink colors.

Let’s add fabric to see what happens, shall we? I’m using Lori Holt’s warm and homey Riley Blake collection, Autumn. I can almost smell the apple pie…..

A patchwork quilt featuring a Courthouse Steps block design with a variety of colorful fabrics arranged in a grid layout.

I want to tweak the blocks one more time. In this example, I turned alternating rows which then gave me an interesting boxed effect in rows 2 and 4.

A colorful quilt design featuring the Courthouse Steps block, showcasing a mix of fabrics in varying patterns and colors arranged in a geometric layout.

Whoah! Stop the bus! Here was the basic idea behind my VRD Rose Card pattern, Boxed In (hence the name), although it’s not totally the same. I wasn’t even thinking about any of our VRD patterns when playing with Courthouse Steps, but – there it is. LOL!

A quilt design titled 'Boxed In' by Tricia Lynn Maloney, showcasing a colorful patchwork pattern with various fabrics arranged in geometric blocks on a table.

Get your digital pattern HERE or your print pattern HERE

Okay, let’s go back to our Courthouse Steps block and tweak it a little bit by changing the width of some of the rectangles. I left the side rectangles the same, but I made the top and bottom rectangles narrower.

Diagram of the Courthouse Steps quilt block design featuring a central pink square surrounded by gray rectangles.

Let’s use the first setting from above to see how the blocks plays in a design. I really think this looks pretty cool and it reminds me of paper lanterns.

A digital representation of a Courthouse Steps quilt block design featuring a central pink square surrounded by white and gray rectangles, arranged in a grid layout.

Let’s tweak the color a little bit. Again, I’m using a couple prints from Lori Holt’s Autumn collection. WOW! What a mod yet classic 2 color quilt! Love it!

A digital quilt design featuring a Courthouse Steps block layout in brown and turquoise colors, arranged in a grid pattern, with a light grid background.

Cool! Check out this block arrangement! It’s the same layout as our previous 2nd design, above.

A quilt design featuring a Courthouse Steps block pattern in brown and light blue color scheme.

Hmmm. I just don’t feel that’s it totally complete yet, so let’s add another fabric to see what happens. In this example, I’m using some lovely Hoffman 1895 Watercolors batiks. Love it!

A quilt design featuring a central pink pattern framed by dark and light gray rectangles, creating a geometric composition.

Just….one….more….tweak. As you can see, designing a quilt can get kind of addicting. Yup. But, I think you’ll agree with me that this is the final design. I changed the block directions a bit, changed the black centers to grey, changed the black background to a light grey and added more fabrics from Hoffman.

I think it’s perfect now.

A digital quilt design showcasing alternating blocks of the Courthouse Steps pattern in shades of pink and gray, framed by light blue fabric strips.

There’s not much else I can say………except I’m very satisfied with this final design. Seriously. Sometimes it takes just one more try to get where you want to. And I’m not just talking about quilt design, you know.

What would you do to tweak the Courthouse Steps block to create your own design?

Don’t forget to do your homework for next Thursday! I’ll see what I can find in the prize department while you play with the Churn Dash quilt block to see what you can come up with.

Ta! Ta!

Until next time –

Always,

Tricia @ VRD

2025 Let's Design a Quit Together Series · Quilt Play · Tips and Tricks · villa rosa designs

Let’s Design a Quilt: Playing with the Spool Block

Happy Thursday to you!

What a fun blog post last week! It was great to share a little bit about my quilt design process with you. It was such fun, we’re doing it again this week, but with a different quilt block.

Before even starting this post, though, I must admit I cheated a bit and began playing with this week’s quilt block. Let me tell you – it never fails to amaze me how a simple block can create such amazing designs.

Here’s last week’s post if you missed it:

Playing with Nine Patch Blocks

Are you ready? Let’s design a quilt together!

According to Barbara Brackman’s Encyclopedia of Pieced Quilt Patterns, this specific Spool block appeared in the book, Polly Prindle’s Book of American Patchwork Quilts by Alice Gammell in 1973. Of course, it wasn’t really a new block in 1973, but this simplified Nine Patch version appeared in Polly Prindle’s. Previous versions included set-in seams as well as 4 small Spools in a single quilt block. Today, though, we’re going to start with Polly Prindle’s version.

A quilt block design featuring a 3x3 layout with red and cream colors, showcasing a Spool block pattern with alternating triangles and squares.

As you can see, our Spool Block is a Nine Patch block with a 3×3 layout. Of course, we’ve added some Half Square Triangles (HSTs) to create the Spool shape.

The first thing we’re going to do is to simply our Spool block by using flippy corners instead of HSTs for the top and bottom of the spool. This tweak would actually save time when piecing the blocks for a quilt without changing the overall design. And we all know that saving time is golden in the quiltmaking process. The tweak also cleans up the look of the block by removing some of the seams.

A diagram of a Spool quilt block featuring a 3x3 layout with red and white fabric sections.

Let’s see what a quilt looks like using just this block, shall we? This design shows the blocks all pointing in the same direction. Hmmm. I like it, but I think we’re just getting started with the Spool block today.

A quilt design featuring a repeating pattern of red and white spool shapes arranged in a grid layout.

Let’s try alternating the block directions. Better, but not there yet.

Patchwork design featuring a grid of red and white spool quilt blocks arranged in a 3x3 layout.

Next up – let’s alternate block direction by row. Better and better! I really like the play between the different block directions. Reminds me a little bit of the vertical and horizontal strips I added to last week’s classic Nine Patch block.

Quilt design featuring a repetitive pattern of spool blocks in red and white.

Let’s add some fabrics to this one. I’m using a few prints from Moda’s Acorn Hollow collection. This layout definitely has some potential. I’m not usually a big fan of 2 fabric quilts, but I am liking the crispness of the design with only the 2 fabrics.

A quilt layout featuring a Spool block design in a 3x3 arrangement with orange and white color scheme.

Okay, let’s go back to our Spool block again. Instead of it being a 2 color block, let’s make it a 4 color block with a black center.

Colorful spool block design featuring a central black square surrounded by sections in red, orange, blue, and green.

Huh. Intriguing. Let’s see how it looks in a quilt. This is the same layout as our first red/white layout above. What a difference color can make!

Now let’s alternate the block directions. This is the second red/white layout above.

Colorful quilt design featuring a repeated Spool block pattern, arranged in a grid format with red, orange, green, blue, and black elements.

I like it, but with so many colors, you kind of lose the interesting design. Let’s back off on colors a little bit by adding more neutrals. Not loving it, but I do like the diagonal thing happening.

Colorful quilt design featuring a repeating block pattern with red, blue, black, white, and yellow sections arranged in a grid layout.

Not quite what I was expecting. Let’s tweak the colors some more. I’m going to use red, black, white, and grey which is one of my favorite colorways when I’m trying to perfect a design. I like working with these colors because of the strong contrast. I also changed the center square to black, so I get an interesting black shape in the blocks now – kind of looks like a megaphone to me.

A quilt design featuring a pattern of interlocking Spool blocks arranged in a 4x4 grid, showcasing vibrant colors of red, black, white, and grey.

Let’s rearrange the blocks to see what happens. This is interesting. It has a lot of movement.

Colorful quilt design featuring a repeating pattern of red, black, gray, and white shapes arranged in a geometric layout.

Let’s add some fabric now to see what it looks like. Here it is in 4 Hoffman batiks. I like it – it has a woven effect which keeps my eye moving over the design.

A quilt design featuring a Spool block layout, showcasing a combination of dark brown, teal, and light brown fabrics arranged in a repeating pattern.

Let’s play with the block arrangement a little bit more. I think there’s another better option still out there. We just have to play a bit until we get there. Almost there.

A quilt design showcasing multiple Spool blocks arranged in a 4x4 grid, featuring a combination of brown, teal, and dark purple fabrics.

I think it needs just one more thing tweaked. I’m going to reintroduce the 5th fabric in the block for the center squares. Yup! Got it. This is the one! A beautiful finished design! LOVE the 3-D effect. Lots of movement. Tons of interesting things going on.

Quilt design featuring a repeating Spool block layout in shades of teal, brown, and black, displaying a 3x3 pattern with various fabrics.

Do you remember where we started? A simple Spool block.

Quilt design featuring alternating red and white diamond shapes arranged in a grid pattern.

An here’s where we ended. Still a simple Spool block, but so much more!

A vibrant quilt design featuring a Spool block layout, with a mix of teal, brown, and dark purple fabrics arranged in a grid pattern.

Isn’t quilt design a fascinating journey? For me, it’s a lot of “what if?” questions. Also, I’m not afraid to make something really ugly – I can always delete it, right? And sometimes “something ugly” just needs another tweak or 2 to become something amazing.

I hope you give designing a try. I think you’ll be surprised at how fun it it. Whether you use graph paper and a pencil or Electric Quilt 8 software, I think you can come up with something that’s truly your own, something you love.

Stay tuned next week for another fun quilt design adventure! Any suggestions on a simple quilt block you’re just dying to see turned into an interesting quilt design? Leave a comment and tell me!

Until next week –

Always,

Tricia @ VRD

2025 Let's Design a Quit Together Series · Quilt Play · Rose Cards · villa rosa designs

NEW July Villa Rosa Designs Rose Card Quilt Patterns and Let’s Design a Quilt: Playing with Nine Patch Blocks

Happy Thursday to you!

Hope you are enjoying these lazy, hazy, crazy days of summertime. Me, still making my summer to-do list. Ha Ha!

We’re just going to jump right in today because I’ve got some fun stuff for you. Yippee!

First up – NEW July patterns.

I just love the first Thursday after the first Friday of every month because it means NEW VRD patterns.

A collage of five new quilt patterns titled 'Happy Daze,' 'Fondue,' 'Snowdrop,' 'Ixonia,' and 'Willow,' each displayed with colorful designs. The text reads 'July 2025 Patterns in a Set!' with a price of '$8.95'.

Here’s the set of 5 patterns. As always, our talented VRD designers do not disappoint! You can get the print set of 5 HERE (they are also available individually as print patterns too) or you can get the digital patterns individually below:

Happy Daze features a panel (or substitute a novelty print if you wish) in a fun modern setting. Quilt kits are still available HERE, but get yours ASAP because they’re going fast.

Fondue is also a panel quilt with a very interesting and unique setting. We still have a few quilts kits left, so get ’em HERE while they last.

Snowdrop uses your favorite collection of fat quarters. This is Pat’s latest pattern in her Tim Holtz Palette patterns. You can get the kit HERE.

Ixonia is Rachelle’s latest mod quilt. It also uses fat quarters.

Willow is a super versatile pattern – use a single fabric for the centers, panel squares, or even quilt blocks! We kitted it up with the Playgrounds collection (see below), get your kit HERE.

A colorful quilt featuring blocks with vibrant floral patterns, bordered by a black and white checkerboard design.
Willow kit in Moda’s Playgrounds collection

And here’s this month’s table runner, Bubblegum. It uses a collection of fat sixths, but works equally well with leftover Jelly Roll strips or your stash.

A colorful quilt named 'Bubblegum' designed by Tricia Lynn Maloney, featuring a patchwork layout with vibrant patterns, displayed against a textured black brick background.

Get your digital pattern HERE or your print pattern HERE.

I know it’s summer and most of us don’t quilt as much, but I think these new patterns will inspire you. Besides, VRD patterns go together like greased lightening. Make one in a weekend or even a day.

Why not get your quilty friends together for a summer sew day? You could each have a quilt top done at the end of the day and enjoy some overdue friend time, too.

Next up – let’s play with the Nine Patch block and design a quilt together.

Nine Patch blocks were on my mind the other day. Why? Because I was thinking about antique quilts and Nine Patch blocks are one of the oldest quilt block patterns as well as one of the most humble. Have you ever gone to see an antique quilt display or perused a book about antique quilts? If you have, I bet you’ve seen A LOT of Nine Patch quilts.

I started wondering what kind of interesting designs I could create from the historic humble Nine Patch. Then it hit me – this would be a really fun blog post idea. So here we are.

It’s been a while since I’ve talked about my quilt design process. Here’s the last post I did: Let’s Design a Quilt Together — A Peek into My Quilt Design Process. In it, I used a Shoofly block as inspiration.

If you’re interested in designing your own quilts, there are several ways to do so.

1. Graph Paper

Graph paper, a pencil, and a calculator are often a designer’s first tools for creating one of a kind quilt designs. I started out with this, but quickly found I didn’t have the patience for figuring everything out all the time. I still draw lots of doodles with blocks or setting ideas, but these aren’t my primary design tools anymore.

And guess what?!? Even graph paper for quilting has evolved over time! There are many different options available these days for quilters such as quilter’s graph paper books. Some even include stencils and other goodies to help you in your design process, like C&T’s QuiltGenius Design Tool kit.

The QuiltGenius Design Tool Kit, featuring stencils, graph paper, and a booklet for quilt design.

Get your QuiltGenius kit HERE.

2. Design Workbook

A design workbook with prompts and space to draw is a step up from plain old graph paper. Last year I actually created such a workbook because I got tired of losing all my little scraps of paper when I came up with a new idea. Now I can keep all of my ideas in one place.

Colorful hexagonal quilt design featuring flowers in pastel shades with a central green hexagon, overlaid with the text 'Plan Design Quilt' and 'Tricia Maloney Orphan Quilt Designs'.

Get your copy HERE

3. Electric Quilt 8 Software

Electric Quilt 8 software by the Electric Quilt Company is a fantastic design program! I couldn’t do what I do without it. Seriously. One of the great things about this program is all the support out there so you can learn how to use it. The EQ website offers tutorials, classes, and even fun design challenges. There are books galore available to teach you all the ins and outs of the program. And EQ is always coming up with new add-ons to enhance your design capabilities.

Packaging for Electric Quilt 8 quilt design software, featuring a colorful geometric design on the front, with a computer screen displaying quilt patterns and instructions included.

Get your EQ8 HERE

So now we’ve talked about the 3 top ways to design quilts, let’s play with Nine Patches using EQ8, of course!

A Nine Patch quilt block featuring a pattern of red and white squares arranged in a 3x3 grid.

Here is our humble Nine Patch block. It uses 9 squares all the same size in a 3 square across by 3 square down layout. Easy peasy.

A colorful grid of quilt squares featuring orange, pink, blue, turquoise, red, gray, green, purple, and yellow in a 3x3 layout.

This block is a Nine Patch, too. Nobody ever said you had to use only 2 fabrics for a Nine Patch block. The 3 across by 3 down is what makes it a Nine Patch. And my personal philosophy is the more fabric, the better!

Time to play — er, design. To me designing is playing with blocks, colors, fabrics, shapes. I ask myself a lot of “What if?” questions as I go along.

What happens if we make our Nine Patch block rectangular instead of square?

A colorful Nine Patch quilt block design featuring seven squares in various bright colors: orange, pink, blue, teal, red, gray, green, purple, and yellow.

It’s still a Nine Patch, only it’s elongated. Let’s see what this block looks like in a quilt.

A colorful Nine Patch quilt block design featuring a grid of squares in various vibrant colors including red, blue, green, yellow, purple, pink, orange, and grey.

Hmmm. It doesn’t really do anything for me, but it would make a nice simple scrap quilt, wouldn’t it? Let’s add some sashing.

A colorful quilt design featuring a grid of Nine Patch blocks in various colors, separated by white sashing.

Okay, I’m liking this one better. Now I can see the individual blocks. But it’s still basically a decent scrap quilt. Let’s try taking away the sashing and adding plain alternate blocks instead.

A colorful quilt design featuring a Nine Patch block layout with vibrant squares in various colors arranged in a grid pattern.

This one’s okay, too, but it just doesn’t quite do it for me, either. I could use a cool novelty for the alternate blocks and use coordinating fabrics in the Nine Patch blocks. Let’s try that.

A colorful quilt design featuring a pattern of patches in various colors and floral prints, arranged in a grid layout.

Here is our design using Moda’s collection Acorn Hollow. I like it, but something is still missing. What do you think we need?

Let’s go back to our elongated Nine Patch block and try splitting some of the rectangles into 2 pieces so we can add more fabric.

A colorful Nine Patch quilt block featuring various squares in red, pink, white, orange, yellow, green, blue, and light blue arranged in a 3x3 grid.

Okay, that’s interesting, but now I think I want to split the other 4 patches horizontally to add movement.

Yay! Now we’re getting somewhere. I like the look of our Elongated Rainbow Nine Patch block. Like I said, designing is all about playing and exploring. Ask those “What If?” questions and you’ll be surprised where they will take you in your designing.

A colorful Nine Patch quilt block design featuring rectangular and square patches in various colors, including red, pink, white, orange, yellow, green, and blue, with black as a dominant background.

Let’s try our block in a quilt setting now.

A colorful quilt pattern composed of a grid layout featuring vertical and horizontal rectangular blocks in various vibrant colors, interspersed with black and white checkered squares.

Now that is starting to look like something. I really love the diagonal thing going on with the black rectangles. Hmmm. Let’s keep going. It still needs tweaking.

Colorful nine patch quilt layout featuring vibrant rectangles in blue, red, green, yellow, and orange, arranged against a black and white background.

With a little flip flopping and switcheroo, I discovered this layout. I am loving the elongated Four Patches in black and white that showed up when alternating blocks were turned upside down. What are your thoughts on this design?

Let’s try it in real fabric this time.

A colorful quilt design featuring a variety of rectangular and square blocks in pink, gray, and white, arranged in a patterned layout with black borders.

LOVE LOVE LOVE it! I am using a selection of Hoffman’s 1895 Watercolors batiks in pink and grey with solid black and white here. I added the solid black binding to frame everything nicely as well as accent the black in the blocks. Now it’s a finished design. And it started with a humble little Nine Patch block.

Well, that’s it for me today. I hope you enjoyed coming along on a quilt design adventure with me. After showing you how much fun I have designing a quilt, I thought maybe this would make a fun new series for the summer. What do you think? Would you like to see more of this in maybe a 4 or 5 part series using different quilt blocks as the inspiration? Any suggestions on blocks you’d like to see (think simple and pieced, though)?

See you next week, right here at Villa Rose Quilts.

Until then –

Always,

Tricia @ VRD

Just Quilty Stuff · Quilt Play · Quilt Stories

Same Pattern, Different Looks – A Quilt Guild Block of the Month (BOM)

Happy Thursday to you!

In a few days, it will be officially summer! This got me thinking about a music lyric: “Summertime and the living is easy” and I decided to find out a little bit about it. So here I go down the rabbit hole for a few minutes. LOL! I discovered the lyric is from the song Summertime from the opera Porgy and Bess by Gershwin which debuted in 1935. It was originally sung by Abbie Mitchel.

I can hear the song in my head, but I’m not sure who sang the version I am most familiar with because apparently, tons of artists have sung it over the years. Yikes! Here is a wonderful version by Ella Fitzgerald and Louis Armstrong. Enjoy!

Here’s to a little “Summertime and the living is easy” for all of us.

I was planning to do a fun summer tutorial for this week, but I have been using my sewing time to work on new July VRD patterns for you instead.

Let’s talk about Block of the Month (BOM) projects, instead.

Have you ever participated in a BOM? Have you finished them? The reason I ask is that over the years, I’ve not only participated, but I’ve organized BOMs and I must admit I haven’t finished all of them.

Let me tell you about the current BOM I am participating in at my quilt guild, Free Spirit. Our program coordinator, Lauren (a retired quilt shop owner), organized a new BOM for our guild earlier this year. Lauren was inspired by The Civil War Diary Quilt by Rosemary Youngs and The Farmer’s Wife Homestead Medallion book by Laurie Aaron Hird.

Cover of 'The Civil War Diary Quilt' book by Rosemary Youngs, featuring quilt block patterns and an illustration of a woman in historical dress.
Cover of The Farmer's Wife Homestead Medallion Quilt book, featuring a colorful quilt design with intricate patterns and texts related to pioneer woman stories.

Each month, Lauren selects a block from each book. One block is easy and the second block is more advanced. We have the option to make one block each month or both of them.

My favorite part of the BOM is that at our meeting, when Lauren presents the 2 new block each month, someone reads the letter that accompanies each block aloud to the group. As a former children’s librarian, I really LOVE that concept – story time for adults! YAY! Last month, I was the guest reader, which was so lovely as I hadn’t read aloud for a long time. Sure, we all know kiddos enjoy being read too, but so do adults. Maybe you’ll incorporate this idea into one your guild programs.

Each month we bring our completed blocks to the guild meeting and put them up on the wall so everyone can see each other’s blocks. I am always very excited to see everyone’s blocks side by side. It’s really interesting to see how people interpret a block pattern in their own unique way using their own fabrics.

So I thought we’d do the same thing on the blog today. It can be quite inspiring as well as a learning experience to see different people’s versions of the same pattern. I’m going to share with you my blocks, Robin’s blocks, and Mary Lee’s blocks. BIG shout out to Robin and Mary Lee, my quilty pals, who were okay with sharing their blocks with you.

Block 1: Simple Blessings from The Civil War Diary Quilt (Easy)

Block 2: Sun Rays Quilt from The Farmer’s Wife Homestead Medallion (Advanced)

Block 3: Bitter Enemy from The Civil War Diary Quilt (Easy)

Block 4: Star in the Window from The Farmer’s Wife Homestead Medallion (Advanced)

Block 5: Yankee Papers from The Civil War Diary Quilt (Easy)

Block 6: Church from The Farmer’s Wife Homestead Medallion (Advanced)

Unfortunately as of posting, Mary Lee hadn’t made her 7 and 8 blocks yet.

And here’s where things start to get interesting – look what happens with Robin’s and my blocks. Up until now, we were all following the block instructions, but things change with block 7. Robin continues to create her blocks following the instructions, but I begin adapting the blocks so that they blend better with my other blocks.

Block 7: Puss in the Corner from The Farmer’s Wife Homestead Medallion (Easy)

Block 8: Southern Flags and Patriotism from The Civil War Diary Quilt (Advanced)

Let’s take a look at each person’s group of blocks so far. Now you’ll be able to not only see the color scheme, but also the theme.

Mary Lee is using her stash of Daiwabo fabrics for her blocks to create a classy understated elegance. (Daiwabo fabrics are Japanese taupes.) Although each block has its own group of fabrics, the fabrics are repeated in more than one block for a lovely cohesion.

A collection of six quilt blocks displayed on a fabric background, featuring various designs and colors in muted tones.

Robin is using a great collection of Civil War fat quarters for her blocks to create a traditional 19th century look. I just love how she uses the lighter busy prints as backgrounds, don’t you?

A collection of nine quilt blocks arranged in a grid, featuring various patterns and colors, including stars, stripes, and geometric shapes.

Me, I’m using a big bag of blue and cream scraps with some additional fat quarters to add variety for my blocks. It definitely has a Modern Farmhouse feel going on, I think.

Nine quilt blocks arranged on a fabric background, featuring a variety of blue and cream patterns in traditional quilting designs.

We have 2 more months of blocks in order to complete the set of 12 BOM blocks for the guild. Then it will be time to figure out how we want to lay them out and complete them because how we finish the blocks is completely up to each of us. I have a pretty good idea right now as to what I want to do, but that could change based on the upcoming blocks. I think completed quilt tops using our BOM blocks will be a post coming down the road so you can see how our projects turned out.

I hope you have a lazy crazy living easy summer!

That’s it for me this week, see you next time!

Always,

Tricia @ VRD