Category: Tips and Tricks

Tips and Tricks · villa rosa designs

Quilting Goals for the New Year

rosecards6 Comments

Hello Quilty Friends!

Happy New Year to you!

Colorful balloons and confetti against a dark background with the text 'Happy New Year' in bold, festive letters.

We all know January has a bit of a weird vibe – it’s a brand new year with a brand new calendar, but our fabric stashes haven’t magically changed since 11:59 PM on December 31st.

A lot of us feel a New Year’s serge to do more, more, more while underneath, we just want less pressure after a hectic, messy, busy, big, bold previous year.

What’s a quilter to do?

Maybe this year, it’s time to choose goals (not New Year’s resolutions) to support our creativity instead of adding more stress to our already-stressful lives.

Here’s a list of 10 ideas to get you thinking about how to de-stress your quilting in 2026.

1. Start With a Gentle Look Back to 2025

Before planning ahead, let’s pause and ask ourselves:

  • What quilting project brought me the most joy last year?
  • What did I finish that surprised me?
  • What stayed unfinished, and why?
  • What worked and what didn’t?
  • What did I learn?
  • What did I accomplish?
  • What didn’t I accomplish and why?

The first thing we all need to do is be kind to ourselves – unfinished quilts are NOT failures. There are a multitude of reasons why those UFOs didn’t get completed in 2025 and that’s okay. Let me repeat – it’s okay.

Maybe your sewing space is still disorganized and messy. It’s okay. Really.

We are starting a brand new shiny sparkly year – let’s make it a great one without punishing ourselves for what we didn’t complete in 2025.

Maybe 2026 will be your UFO finishing year. Maybe 2026 will be the year you shed the weight of your UFOs and pass them on to someone else who will love them and complete them. Or perhaps this year will be the year you make your sewing space into your dream studio.

Whatever you do, be kind to yourself.

2. Choose a “Word” or Theme for 2026

Instead of a long to-do list, pick one guiding word/theme for this year:

  • Slow
  • Play
  • Finish
  • Learn
  • Cozy
  • Scrappy
  • Etc.

Let that single word or theme shape your quilting decisions this year.

If your word is finish, you say yes to binding days. If it’s play, you try new color combinations without expectations.

If it’s learn, try out new techniques, new rulers, and interesting classes to discover new ways to explore and enjoy quilting.

If it’s scrappy, incorporate your scraps and stash into new projects.

Having a word or theme for the year will help guide your quilting choices and decisions, which can make your quilting experiences more focused and richer.

3. Set 3–5 Quilting Goals Only

More goals don’t equal more quilting. They equal guilt.

Try goals like:

  • Finish 2 UFOs
  • Make one quilt just for myself
  • Try a new technique (hand quilting, curves, improv)
  • Sew once a week, even if only for 30 minutes
  • Spend 15 minutes a day decluttering your sewing space

Goals should be concrete, specific, and achievable. Just imagine how good it’s going to feel when you complete your goal of “Finish 2 UFOs” or “Try a new technique”? And the super cool thing about goals is that once you complete them, you can create new goals and that will help motivate you to keep the momentum going strong and moving forward.

Keep in mind that small goals leave room for life. And joy.

4. Plan Projects by Season, Not by Month

As quilters, we often overestimate our winter energy and underestimate our summer fatigue. Maybe it’s time to consider how the seasons affect our lives and our quilting. Quilting is kind of a rhythm, isn’t it? It ebbs and flows through our lives. We can harness that rhythm by intentionally planning projects and tasks with the ebb and flow in mind.

Maybe summer is your busiest craziest season, so perhaps smaller portable projects and handwork would work better for you than trying to machine quilt and bind big bed quilts. Maybe in Fall you feel more productive so maybe that’s when you tackle those big quilts.

For example, here’s a gentle seasonal rhythm:

  • Winter: Start and plan big quilts
  • Spring: Piece and experiment
  • Summer: Small projects or handwork
  • Fall: Finish and gift

Your seasonal ebb and flow might be different than this, so take some time to think about when you feel more energetic and when you are the busiest. Then create your own seasonal plan for the year.

Let’s be kind to ourselves and work with our natural energy instead of fighting against it.

5. Build in “Finish Weeks”

This idea really resonated with me. When we did the 6 Quilts in 6 Weeks Challenge last fall, I saw that having a plan and being accountable really helped me a lot. So going forward, I need to add “Finish Weeks” to my plan. Maybe once a month, I’m thinking. That would give me at least 12 finished UFOs and what an accomplishment that would be!

And I’m already looking at the calendar for our next 6 Quilts in 6 Weeks Challenge here on the blog, so stay tuned.

You could designate specific weeks for:

  • Binding
  • Labeling
  • Quilting tops that are already done

During “Finish Weeks” – no new projects allowed. Just simple, satisfying completion.

6. Make Space for One Just-for-Fun Quilt

No deadlines. No gifting. No rules. Just breathe.

Some ideas:

  • A color you love but never use
  • A pattern outside your comfort zone
  • Scraps without a plan
  • A fun class offered at your local quilt shop
  • Something you’ve always wanted to make

This quilt project is just for you. Enjoy it. Make it totally yours. You want purple and red and orange together? Do it. You want to try Slow Stitching? Yep, try it and slow down a little bit. Interested in Improv? Gather your scraps and dive right in. Whatever you choose, this quilt will become your creative exhale.

7. Create a Realistic Sewing Routine

Instead of saying you want to “sew more,” be specific and intentional. Create an actual sewing routine and make it a habit. Having a specific routine will help you get things done and keep you sewing.

For example, you might decide to quilt:

  • Sunday afternoons
  • One evening a week
  • 20-minute sessions before/after dinner

Having a specific routine actually makes it easier to find time to sew. Be consistent. Consistency beats intensity. Always.

8. Curate Your Stash With Kindness

Although we quilters are often feeling energized in January to clean out our fabric stash, declutter our sewing spaces, and organize everything in pretty boxes and baskets – we need to take a moment to just breathe. January is not a punishment month. We really can spread these tasks out, we have all year. Really.

Try:

  • Organizing one category at a time (fat quarters, scraps)
  • Letting go of fabric that no longer fits your style while you are organizing one category at a time
  • Making a “use first” pile (put it in a pretty box or basket, label it, and make sure you use it)

I can’t tell you how many times I’ve tried to sort, clean, declutter, etc. in my studio in January as a New Year’s Resolution. I’ve always failed. And then I’m deflated. Don’t forget the guilt I feel because I failed. Every. Single. Time.

No more. I’m going to work smarter and kinder, not harder. Our fabric stashes are a wonderful gift full of possibilities, not pressure. It’s long past time to enjoy our stashes without the guilt and negativity. You and your stash make beautiful things together.

9. Write It Down (and Make It Visible)

A simple list on your wall or inside a planner works wonders.

Why not start a quilting planner or journal in 2026? A place where you can celebrate all things quilty? Already have anew planner for 2026? Go ahead and add quilting pages to your existing planner. You do you.

You can:

  • Add sketches and/or photos
  • Tape fabric swatches beside goals
  • Leave space to change your mind because changing your mind is allowed.
  • Make short lists (remember 3-5 at a time) of quilting and sewing goals
  • Write about new projects – the who, what, why, and how
  • Write about UFOs

Add whatever you darn well please – it’s your space and only your space! Make it part of your sewing routine. Visit it regularly. Go back through your planner/journal and see your growth, your accomplishments, your thoughts.

Writing down your quilting journey means you can visit whenever you want and celebrate often.

10. Remember Why You Quilt

Quilting is NOT a race.

It’s a rhythm. Ebb and flow.

It’s a warm hug folded into fabric.

Time stitched into memory.

Joy that doesn’t need to be optimized.

This year, let your 2026 goals support the feelings you want when you sit down to sew.

Here’s to a New Year full of quilting.

That’s it for me.

See you next week, right here.

Sew. Laugh. Be Kind. Repeat.

Always,

Tricia @ VRD

Quilting Partners · Rose Cards · Tips and Tricks · Tutorials · villa rosa designs

VRD Busy Bee Quilt Tutorial and Hoffman’s New Fall 2025 Project Catalog

rosecards1 Comment

Hello Quilty Friends!

Happy Thursday to you!

Yep, it really is Thursday today. Bet I surprised a lot of you on Monday with our special VRD Announcement about upcoming changes (good ones, I promise you!). If you missed Monday’s VRD announcement, you can find it HERE.

Before I dive into this week’s inspirational quilt tutorial, I wanted to take a minute and share Hoffman’s Fall 2025 Project Catalog with you. I’m sure you’ve noticed I use a lot of Hoffman collections for our blog tutorials by now. We work closely with our friends over at Hoffman to inspire you by pairing new Hoffman fabrics and our easy breezy VRD Rose Card patterns.

Please enjoy the catalog and don’t forget to visit your local quilt shops to request these new upcoming Hoffman fabric collections and, of course, Villa Rosa Designs Rose Card patterns.

Lots of wonderful inspiration in this catalog, isn’t there? Which one(s) did you fall in love with and are adding to your “gotta make” list???

Now let’s make a quilt!

VRD Busy Bee Quilt Tutorial

Are you ready for a super fun tutorial today? Busy Bee is an oldie, but a really great goodie! I know you’re gonna love it!

Colorful quilt design featuring various fabric patterns in shades of red, green, and navy, with a title 'BUSY BEE' and branding 'Villa Rosa Designs'.

Get your digital pattern HERE or your print pattern HERE

First things first, let me show you the fabric I’m using today for Busy Bee. You’ll notice right away that these fabrics don’t exactly have an autumn vibe going on, but I couldn’t resist these gorgeous fabrics when I was looking through my stack of quilt kits to choose my next victim….er, tutorial project. LOL!

Seriously, though, aren’t these fabrics divine??? This older Hoffman collection is called Blush Garden. It’s possible you still might find some bolts at your local quilt shop or at your favorite online shop, but somehow I doubt it as it’s just so yummy. Sorry……

Busy Bee is a fat quarter (FQ) pattern which means you only need FQs for the quilt top. No background, no borders. Busy Bee is stunningly simple and goes together like greased lightning!

A collection of colorful fabrics arranged on a sewing table, featuring various floral and abstract patterns, along with a pattern booklet titled 'Busy Bee.'
Psst! You might notice that my Busy Bee pattern looks different from the cover front above. Yep, my pattern is an older cover front. Sometimes we freshen up covers as fabric styles and trends change over the years.

Before we can get to the sewing, we have to cut our fabrics. You need to divide your FQs into 2 equal stacks.

With the first stack, we’re going to cut our FQs into strips and then into fat rectangles and squares.

A cutting mat with a rotary cutter and floral fabric pieces for quilting. A ruler is positioned on top of the fabric, indicating measurement marks.
A cutting mat with floral fabric squares and a clear quilting ruler placed on top for cutting fabric.

Moving on to the second FQ stack, we’re gong to cut skinny rectangles and squares.

A cutting mat with a yellow rotary cutter and a green ruler next to a stack of fabric pieces, including a white square.
A cutting mat with a floral fabric strip and a rotary cutter, alongside a ruler marked with measurements.

Here are all our pieces ready to sew. And that’s it for cutting for the whole quilt top. I just love patterns like this, don’t you?

A collection of quilting fabric pieces in shades of pink and floral patterns, accompanied by a Busy Bee quilt pattern booklet on a green cutting mat.

Time to sew!

We’re going to sew 2 assorted fat rectangles together to make Block 1. I divided them equally into 2 piles and set them to the left of my machine so I could just grab the 2 top rectangles and feed them through the machine to chain piece them. If I didn’t like the combination or had 2 of the same on top, I just grabbed another one off one of the piles. Sew simple.

Do you chain piece your pieces together? Chain piecing is when you keep feeding/sewing pieces together through your sewing machine without cutting the thread in between the units. It saves both time and thread.

Fabric strips arranged on a sewing machine ready for quilting.
A close-up of a sewing machine with a pink fabric strip being sewn. Surrounding the machine are various fabric pieces in floral patterns, laid out on a cutting mat.

Now for Block 2 – we’re going to sew 3 assorted skinny rectangles together to make a Triple Rail Fence block. Again, I divided my strips equally into 3 piles and put them to the left of my machine. First I sewed 2 rectangles together from 2 of the 3 piles, leaving the last pile for last. Then I added a 3rd rectangle to all the pairs, making sure each Rail Fence block had 3 different fabrics.

Close-up of a sewing machine with a piece of fabric featuring floral patterns being sewn alongside a solid fabric.

Time to head over to the ironing board to press all of my blocks flat.

A variety of colorful quilt fabric pieces laid out on a cutting mat with an iron in the background.
A stack of fabric pieces in various floral patterns and colors, arranged on a gray felt surface.

All righty, all the blocks are sewn and pressed, so now we’re going to put them up on the design wall so we can play switcheroo until we’re happy with the block arrangement.

The layout is an easy one for because we’re just going to alternate the blocks.

Take a look at some of my swaps. See how the dark reds are accumulating at the lower right corner of the photo at the left. In the middle photo, I swapped some blocks around and it’s starting to look a bit better, but we’re not quite there yet. And then the photo at the right looks the best of all. Often, arranging the blocks takes longer than sewing the whole top together, especially if you’re making a Villa Rosa pattern!

A quilt in progress featuring a patchwork design with floral and textured fabric pieces in shades of pink, green, and cream, displayed on a light background.
A patchwork quilt design showcasing a variety of floral and patterned fabric pieces arranged in a grid layout, featuring pink, green, and beige tones.
Quilt blocks arranged in a design wall, featuring floral and patterned fabric pieces in pink, green, and white.

Now that I’m happy with how the blocks look, we’re going to add a border of squares all the way around the blocks. Huh! Bet you were wondering what we were going to do with all those squares (besides add them to our 5″ square stash).

A colorful quilt top made of various fabric pieces in shades of pink, green, and white, arranged in a patchwork design.

Guess what?!? Now it’s time to swap the squares around until the quilt looks just right (are you feeling a little bit like Goldilocks, ??? LOL!).

Take a look at some of my swap outs below. You might wonder why I went ahead and laid out my border of squares before I sewed the blocks together for the quilt center. I was afraid to sew the blocks together in case I would need to tweak them again once I laid out the border squares.

A patchwork quilt top featuring various fabric squares and rectangles in shades of pink, green, and floral patterns, arranged in a visually appealing layout.
A quilt top featuring a patchwork design with floral and abstract fabric pieces in shades of green, pink, and maroon, arranged in an alternating pattern.
A quilt top layout featuring various floral and patterned fabric pieces in shades of green, pink, and mauve, arranged in a patchwork design.

Okay, I’m happy with the blocks and outer squares layout, so I’m going to sew my blocks into rows and then sew the rows together.

A close-up view of two pieces of fabric placed under the needle of a sewing machine, with a floral-patterned fabric on the left and a solid light fabric on the right.
A sewing machine at work, stitching together multiple fabric pieces with a focus on a green patterned fabric surrounded by pink and light-colored fabrics.

The center of the quilt is now sewn together. OH NO! Somehow I flipped a block at the bottom right corner of the quilt center! Sheesh! How’d I manage to do that?!?

A partially completed quilt top featuring a variety of floral and patterned fabrics in shades of pink, green, and white, arranged in a block design on a light background.

Oh well, don’t panic! We can fix this. We have 2 options – either leave it alone and continue or else take a break to rip out the corner of the quilt and sew the blocks back together. Can you guess which option I chose?

Yup, time to grab my pal (and my enemy – I guess that makes him my frenemy, doesn’t it?), Jack the seam ripper. Do you have a favorite seam ripper? Mine is by Clover. In my humble opinion, it’s simply the best seam ripper ever. Don’t have this one? You can find it HERE. Let me know what you think.

A Clover seam ripper, displayed in packaging, designed for easily cutting threads.

Anyway, time to rip!

Close-up of two fabric pieces with floral and abstract designs laid next to a sewing machine, highlighting the quilting process.
A sewing machine with floral fabric pieces positioned next to a seam ripper tool on a workspace.

Ugh! Look at all the threads bits! Ripping out stitches is definitely NOT my favorite thing to do, but it’s necessary sometimes. And besides, Jack really enjoys himself when we do.

Close-up of several fabric pieces in shades of pink, with threads visible on one piece.

Now I can resew the block into the quilt. This time, I’m making sure it’s turned the right way.

Close-up view of colorful quilt patches with floral patterns being sewn together with a sewing machine.
Close-up of a quilt made with various floral and patterned fabric pieces, showcasing shades of pink, beige, and green, with visible stitching elements.

Okay, disaster averted, thank goodness. I’m still not a fan of the mauve rectangle touching the dark red one, but unless I want to do a ton more ripping and resewing, I’ve decided I can live with it. What do you think? Should I have ripped out the other block, too?

Quilt top featuring an assortment of floral and patterned fabrics in shades of pink, green, and cream, laid out in a patchwork design.

Moving on……..time to sew my squares into rows and then I’ll sew them to the quilt center. Fingers crossed I don’t get any of them mixed up. I’m going to sew the top and bottom squares together first and then I’ll sew them to the top and bottom of the quilt center.

Showcasing a colorful quilt top made from various fabrics in pink, green, and floral patterns, arranged in a harmonious patchwork layout.
A patchwork quilt top featuring a mix of floral and geometric patterned fabric pieces in shades of pink, green, and cream, arranged in a grid layout.

Next I’m going to sew the side border squares together and then I’ll sew them to the sides of the quilt center.

And here is the completed Busy Bee quilt top (or flimsy). Isn’t it really beautiful? LOVE LOVE LOVE these fabrics!

A patchwork quilt top featuring an assortment of floral and patterned fabric squares in shades of pink, green, and white, arranged in a mosaic style.
A completed quilt top featuring a patchwork design made of floral and textured fabric squares in shades of pink, green, and white, displayed against a light background.

Let’s take it outside in natural light to see the fabrics sparkle (instead of my dark sewing dungeon). Love it sew much! Can’t wait to finish this one.

A vibrant quilt displayed outdoors on a clothesline, featuring a patchwork design in shades of pink, green, and white.

Of course, after you get the flimsy finished, it’s time to layer it with batting and backing and quilt it. Then bind it and add a label. Hopefully soon.

Well, that’s it for me this week. Try to get a bit of sewing in this week.

See you next week!

Sew. Laugh. Repeat.

Always,

Tricia @ VRD

Rose Cards · Tips and Tricks · Tutorials

NEW VRD Rose Card Patterns for September and VRD Cinnamon Stix Quilt Tutorial

rosecards4 Comments

Hello Quilty Friends!

Happy Thursday to you!

I hope you are enjoying this collection of VRD quilt tutorials to inspire you to leap back into quilting this fall. May these tutorials nudge you into making a quilt for someone special or maybe just for yourself.

We’ve got lots to do today, so let’s get moving.

First up, it’s the Thursday after the first Friday of the month, and you know what that means – NEW PATTERNS! Talk about fall inspiration!!!

Here’s the new collection of 5 VRD Rose Cards for September. Aren’t they super???

A collage of quilt pattern cards for September 2025, featuring designs titled Awestruck, Edwina, Pumpkin Parade, Besties, and Viroqua, each with vibrant colors and unique patterns.

Get the set of 5 print patterns HERE

(Patterns are also available individually both as print and digital versions)

Awestruck by Molly uses 5″ squares and finishes at 44″ x 60″. There are kits still available HERE featuring Tula’s True Colors collection while they last. Totally loving the name!

Melissa wows us with her Pumpkin Parade throw quilt. It uses yardage (or your stash!) and finishes at 45″ x 56″. We still have a few kits left HERE featuring Riley Blake Seasonal fabrics, so grab one before they’re gone.

Pat is back this month with her latest Tim Holtz Palette quilt pattern, Edwina, featuring the Indigo Palette. Edwina finishes at 45″ x 60″ and is fat quarter friendly. Kits are still available, but going fast, so get yours HERE.

Besties is my new throw-sized quilt pattern this month. It’s fat quarter friendly and finishes at 48″ x 64″. We have kits featuring Anna Maria’s Iconic collection (see below) still available HERE.

Colorful patchwork quilt featuring various floral patterns and vibrant colors arranged in a grid layout.

Besties in the Iconic Collection

Viroqua is Rachelle’s latest smashing mod pattern. It finishes at 42″ x 48″ and uses half yards and yardage (stash friendly!). There are kits still available HERE featuring Windham’s Sketchbook 21 collection (see below).

A patchwork quilt top featuring various fabric patterns arranged in a geometric design with triangles and squares, showcasing a mix of colors and textures.

Viroqua in the Sketchbook 21 collection (please disregard the 2 mistakes where we turned the HSTs the wrong way – it’s getting fixed as we speak)

Last, but certainly not least is this month’s new table runner, Beachcomber. I’m sorry I missed the deadline boat last month with this fun runner, but I think it’s not too late to have just a wee bit more summer before it’s officially autumn on September 22nd.

You can really use just about any fabric collection or your stash for this fun and clever runner. Beachcomber finishes at 18″ x 54″ and uses yardage. Autumn? Halloween? Thanksgiving? Christmas? And the list goes on. Have you ever thought about making a 2 sided runner with 2 different seasons….here’s your chance!

A digital mockup of the Beachcomber quilt pattern designed by Tricia Lynn Maloney, featuring a colorful quilt laid out on a sandy beach with ocean waves in the background.

Get your digital Beachcomber pattern HERE or your print pattern HERE.

Now we’ve covered all of the new September patterns, which one will you make first?

OH! One last little thing about the new patterns – Melissa’s new Pumpkin Parade throw quilt is a fabulous companion to our best-selling Pumpkin Hollow table runner.

A quilted table runner featuring orange pumpkins on a white background with a checked pattern, accompanied by autumn leaves, titled 'Pumpkin Hollow' designed by Tricia Lynn Maloney for Villa Rosa Designs.

Get your Pumpkin Hollow digital pattern HERE or print pattern HERE.

All right, moving on, let’s dive into this week’s quilt tutorial – Cinnamon Stix.

VRD Cinnamon Stix Quilt Tutorial

Cinnamon Stix is a great pattern for a favorite fabric collection. You can use a stripe or even a seasonal/novelty fabric in the long strips, so it’s really versatile. Then simply add your coordinating fabrics for the Stix, a sashing, and border. Cinnamon Stix is fat quarter friendly and finishes at a nice 46″ x 63″.

A vibrant quilt titled 'Cinnamon Stix' featuring horizontal stripes of various fabrics in warm autumn colors and patterns, framed by a green border.

Get your Cinnamon Stix digital pattern HERE or your print pattern HERE.

I promised you a few weeks ago that I was going to have another quilt featuring Hoffman’s Rodeo Dreams digital collection – well, here it is! Today we’re using the border stripe in the collection along with fun coordinates, including a few batiks.

A variety of fabric swatches in red, blue, and neutral tones arranged on a sewing table, featuring a western-themed border print with cowboys and horses, alongside a quilting pattern titled 'Cinnamon Stix'.

First up, we’re going to cut out the Stix for the 3 pieced Stix rows.

A rotary cutter and acrylic ruler on a cutting mat with the 'Cinnamon Stix' quilt pattern card by Heidi Cook.

Once we’ve gotten all of the Stix cut, we’re going to slap them up on the design wall so we can arrange and rearrange them until we’re happy with the fabric placement.

Heads up – because the Stix are cut different widths, each row might look a bit different, depending on how you arrange your Stix.

Fabric squares arranged on a design wall in a patchwork pattern, featuring red, white, and blue colors.

Now we’re happy with how the Stix rows look, so it’s time to sew them together. I like to sew them into pairs, then sew the pairs into quads, and so on until all the pieces are stitched together into a row. Then repeat for the next 2 rows.

Close-up of a sewing machine stitching layers of fabric together, featuring a mixture of light beige and patterned blue fabric.

Okay, all the Stix are sewn together into 3 rows. Lookin’ good!

Three rows of colorful quilt fabric blocks arranged on a design wall, featuring blue, red, and cream tones.

Next let’s work on prepping and cutting the Rodeo border stripe fabric. My pal (and cousin), Robin, is helping me out with this tutorial today – we’re working on it in her sewing room.

A person cutting fabric on a cutting mat with a rotary cutter, featuring printed rodeo scenes and decorative fabric borders.
Hey Robin!

Once the stripe is cut, we’re going to work on cutting the narrow sashing, which is this gorgeous blue 885 Dot batik. LOVE IT!

A rotary cutter is placed on a cutting mat with strips of navy blue fabric featuring white dot patterns, alongside a clear acrylic ruler for measuring.

Let’s sew the sashing to both sides of our pieced Stix rows.

A sewing machine stitching together several pieces of fabric, including a patterned pink fabric and solid blue fabric, arranged on a sewing table.

Now we’re going to lay out the sashed Stix rows with the stripe. My tip is to find the center of the sashed Stix row and the center of the border stripe. Then match and pin the centers together and pin outward towards the ends to keep the quilt nice and square. We’re ready to sew the rows together. And then we need to add sashing all the way around as our first border.

Close-up of a quilt with red, white, and blue fabric sections alongside a border stripe featuring cowboys on horseback.
Close-up of a sewing machine stitching together pieced quilt blocks on a patterned fabric surface, featuring red, blue, and white fabrics.

Yay! The center of the quilt is finished. Easy peasy!

A quilt featuring western-themed fabric panels depicting riders on horses and dogs, arranged in alternating striped sections of blue, red, and patterned fabric, displayed against a light-grey backdrop.

Okay, time to cut the final border, which is a wonderful red bandana print from the Rodeo Dreams collection. Then we’re going to sew it to the quilt. Yay!

A person cutting red bandana fabric with a rotary cutter on a cutting mat using a ruler for measurements.

And here it is – the finished Cinnamon Stix quilt top in Rodeo Dreams. Isn’t it really fun???

A colorful quilt featuring cowboy and rodeo-themed fabric, arranged in vertical stripes with red borders, displayed against a light backdrop.

Here it is outside for a straight-on shot. It was really breezy so we ended up taking the photo in front of one of Robin’s hubby’s farm toys so it blocked the wind, instead of in front of the old barn (our first choice). Thank you Mary Lee and Robin for holding the quilt and fighting the wind for me. Perfect!

Two people holding a finished quilt featuring horse and cowboy patterns against a construction vehicle background.

I bet you’re already thinking about border stripes in your stash (or something new at your local quilt shop) to use in this fun and fast VRD pattern. We’d love to see your Cinnamon Stix quilts on our VRD Facebook page.

Now that the top (or flimsy) is done, it’s time to layer it with batting and backing, quilt it, bind it, and lastly add a label. Eventually…..

Stay tuned next week for another great VRD tutorial.

Until then –

Sew. Laugh. Repeat.

Always,

Tricia @ VRD

Rose Cards · Tips and Tricks · Tutorials · villa rosa designs

VRD Midnight Pathway Quilt Tutorial, High British Tea, and a Quilt Exhibit/Museum Tour

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Hello Quilty Friends!

Happy Thursday to you!

I hope you enjoyed last week’s tutorial, Morning Tea, with Molly. It was wonderful that she could stop by the blog and visit with you. Things have been super busy over there at the VRD shop in Grass Valley, CA, so she just hasn’t had a lot of extra time to hang out with us on the blog. What a great quilt she made, too, huh? Blue and white Australian fabrics – wow! If you missed last week’s Morning Tea tutorial, you can find it HERE.

High British Tea and a Quilt Exhibit/Tour

Last Friday, I was delighted to attend a High British Tea and Quilt Program/Tour at the Gibson House Manor Museum in Jamestown, PA. I was invited by my sister’s aunt-in-law (is this even a word???), Anita, to attend as her guest. Anita is not only a quilter, she also volunteers at the Museum.

The Gibson House Manor has had a very interesting history, indeed. It was built by a local doctor, William Gibson in the 1850’s. It is also known as the Mark Twain house because Mark Twain actually stayed there after the Civil War. He liked the house so much, he even included it in one of his stories! But even more interesting, it was a vital stop on the underground railroad with hidden secret rooms and so much more! You can visit the website HERE for more information.

Here’s the museum – isn’t it gorgeous???

The exterior of the Gibson House Manor Museum, featuring a red brick facade, large windows, and surrounding greenery.

Lucky me – not only was the new quilt exhibit debuting, the curator was giving a tour of the quilts, AND it was the monthly High British Tea day. What fun!

Here’s a few photos of the exhibit, showing some of the quilts on display.

A quilt displayed on a wall featuring a pattern with red and blue diamond shapes on a white background, framed with a pink border.
A quilt with red stars and yellow leaf patterns draped over a bed, with a brown patterned border and a dark blue wall in the background.
A colorful quilt featuring a pattern of interlocking shapes in pink, yellow, and blue, displayed against a softly colored wall.
A quilt displayed on a wall featuring a geometric pattern with blue and beige fabrics, showcasing various triangles and squares.
A quilt displayed on a white wall featuring a pattern of red, cream, and green squares with a stitched design.
A blue and white quilt hanging on a wall, featuring a diamond and star pattern with geometric shapes.

You can see this lovely exhibit (and the museum!) until October. It’s called Quilted Layers: Piecing Together History and it is curated by Jill Mezaros. You can make reservations on the website to see the exhibit. While you’re there, you might want to take the Underground Railroad tour and maybe have High British Tea, which is usually the last Friday of the month. Yum!

Now let’s get started on this week’s quilt tutorial to help you restart your quilting this fall.

VRD Midnight Pathway Quilt Tutorial

Midnight Pathway is another great VRD pattern by our own Molly Cook. It finishes at a big 52″ x 72″ and makes a good-sized throw quilt. Want it bigger? Simply add a border.

To me, this pattern has a more masculine feel to it. It’s very straightforward without any extras. I think you’re going to like it!

A quilt titled 'Midnight Pathway' with dark blue and gray fabrics arranged in alternating horizontal strips, featuring intricate quilting patterns.

Don’t have this pattern yet? Then get your digital pattern HERE or your print pattern HERE.

Today we’re using a rich earthy fabric collection. This collection is called Into the Woods and is a Hoffman Fabrics digital fabric collection with companion batiks.

A collection of quilting fabrics laid out on a green cutting mat alongside a pattern card for the 'Midnight Pathway' quilt. The fabrics include various colors and patterns, while the card is clearly labeled with the quilt design details.

Sadly, this collection is an older one, so you might not be able to find it anymore. This time of year, though, you’re bound to find something with a fabulous autumn woodsy feel that would work equally well like the Jason Yenter collection Falling Leaves or maybe Deb Tucker’s Forest Flora collection.

The first thing we’re going to do is to cut a lot of strips from our prints.

Cutting fabric for the Midnight Pathway quilt tutorial, featuring a rotary cutter, ruler, and fabric swatches on a green cutting mat.
A cutting mat with various strips of fabric featuring a tree bark pattern, a rotary cutter, and a clear ruler used for quilting.

Then we’re going to cut more strips from our contrast fabric.

A rotary cutter and quilting ruler positioned on a green cutting mat, with strips of white fabric and a folded piece of fabric nearby.
A quilting workspace featuring a rotary cutter, a clear acrylic ruler, and cut fabric pieces laid out on a green cutting mat.

Once we’ve got all of our strips cut, we’re going to cut our strips into different sized pieces. It’s important to keep all the pieces from one strip together. I folded the smaller pieces inside the longer pieces so I wouldn’t lose them.

A collection of fabric strips in various patterns and colors, including light cream, earthy browns, and floral designs, arranged on a cutting mat alongside a rotary cutter and a ruler.

We’re heading to the sewing machine next so we can add contrast rectangles between the small and larger pieces of the strips. You could mix and match your pieces for a really scrappy look (or even shop out of your stash and scrap bins), but I’m sticking with the pattern and going to keep each original strip together.

As there are three different pieced strips, I’m going to sew the strips together in 3 sections, then I’ll sew all the sections together.

Close-up of a Janome sewing machine with fabric pieces and threading on the sewing table.
Close-up of fabric pieces being sewn together on a sewing machine, showing a mix of patterned and solid fabrics.
Fabric pieces and a pattern for the Midnight Pathway quilt arranged on a cutting mat.

I’m going to pin all the same pieced strips together to stay organized as I work on each group.

Two sets of fabric strips laid out against a patterned background, with contrasting elements visible.

Now that all my strips are pieced, the fun can begin! Time to arrange the strips on my flannel board. Because I have my strips already divided into 3 groups, I’m also going to work on sewing the pieced strips together into 3 sections.

You can really have some creative license with this design because you can arrange the strips any way you want! There are so many ways you can put these strips together, so make sure you play a little bit before you commit.

A patchwork quilt arranged with various fabric strips in earthy tones and patterns, displayed on a flannel board.

Okay, I’m happy with my first section, so I’m going to sew the pieced strips together – first into pairs, then into quads, then finally sewing the quads together into one section. This helps me to keep from mixing up the strips as I sew.

A partially completed quilt top featuring a variety of brown and blue fabric strips arranged in a modern design, displayed against a light-colored background.
A patchwork quilt top featuring a variety of earthy fabric strips arranged in horizontal rows, showcasing a mix of patterns and colors, including browns, creams, and soft greens.
A quilt top in progress featuring various fabric strips in earthy tones, including browns, creams, and nature-themed patterns, arranged in a modern striped design.

I added this piece of paper to the top left corner so I wouldn’t flip things all around as I went.

A close-up image of quilt fabric pieces showing a label that reads 'Top Section 1' with an arrow pointing up, indicating the arrangement. The fabric features earthy tones and patterns resembling autumn foliage.

Great! Time to move onto the second group of pieced strips. I’m going to continue using the same technique as I did with the first section (twosies and foursies) after I’ve decided how I want this section arranged.

A partially completed quilt top displayed on a design wall, featuring alternating strips of earthy fabrics in various shades of brown, cream, and teal, alongside printed fabric depicting a nature scene with deer.
A quilt top in progress featuring an alternating pattern of colorful fabric strips, with a mix of browns, greens, and patterned strips displaying foliage and deer.

Now onto the last section. Because the quilt top is getting so long, I’m pretty much standing on my head to arrange the last pieced strips. LOL! I can barely show you the entire quilt top now – my pressing counter is in the way and I’m running out of flannel board.

A partially completed quilt featuring a design of horizontal fabric strips in earthy tones including browns, greens, and creams, with a central vertical white section.
A quilt design featuring a variety of fabrics in earthy tones, arranged in horizontal strips, with white sections interspersed.

So I’m going to take the top outside for a photo so you can see the whole thing. And here it is! I really like how warm and cozy it looks and how any guy or gal would love it!

A patchwork quilt with alternating strips of earthy brown fabrics and light-colored fabric, laid out on green grass.

Now all I have to do is layer it with batting and backing (or fleece as I plan to do), quilt it, bind it, and put on a label. Ho hum…..I’ll be adding it to my mountain of projects that need finished, I’m afraid. Seriously, I have no idea how many flimsies (quilt tops) and layered quilts I have on my pile – so, what’s one more???

Fingers crossed I’ll get some time this winter to work on them. Of course, the more tutorials I do, the more flimsies I add to my teetering pile. What a delightful conundrum.

Bet you don’t have any WIPs or UFOs (works-in-progress or unfinished objects) in your sewing space, do you???

See you next week for another great tutorial and NEW September patterns!

Until then –

Sew. Laugh. Repeat.

Always,

Tricia @ VRD

Quilting Partners · Rose Cards · Tips and Tricks · Tutorials · villa rosa designs

VRD Tea With Mara Quilt Tutorial

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Hello Quilty Friends!

Happy Thursday to you!

After our super fun Let’s Design a Quilt series (if you missed it, please check out the right side bar on the blog to find all of the links for the series) wrapped up last week, I promised a new group of tutorials to jump-start your autumn quilting.

You know how this time of the year is filled with local fairs and such right before the kiddos go back to school? Well, this week we’re off to the rodeo! Yippee!

Four cowboys riding horses during a rodeo, raising their hands in excitement, with dust kicking up in the background and an audience visible in the stands.

Have you ever been to a rodeo? I have a vague memory of going when I was a kid. My Grandma (my Dad’s mom) was always crazy about horses and always had at least a couple on the farm (my Grandpa always had his cows). I spent a lot of time on the farm as a kid as my grandparents’ farm was just down the road from our house. I have lots of good memories on the farm from when I was a kid. Baby animals were probably my favorite. Of course, running through the fields at midnight in the summer chasing down stray cows or horses was always fun, too. Good times.

Let’s slap our cowgirl (or cowboy) hats on our heads, put on our boots, and get started!

VRD Tea With Mara Quilt Tutorial

Tea With Mara is designed by Deanne of Creative Sewlutions, one of our talented VRD designers. This quilt finishes at a generous 58″ x 72″ and it can handle those large prints we are so loathe to chop up. Use printed panel squares……or not down the center. Sew many options……..sew little time!

A colorful quilt titled 'Tea with Mara' featuring a patchwork design with floral and butterfly patterns, highlighting various shades of pink, blue, and purple.

Get your digital pattern HERE or your print pattern HERE

PSST! Don’t forget, patterns always ship free, so grab a few more while you’re perusing the VRD patterns at the online shop.

For today’s tutorial, I’m using fabric from our friends over at Hoffman. It’s a digital-printed collection called Rodeo Dreams. When I saw this collection, I loved it! Maybe because it brought back fun memories from my childhood? So I’m letting you know right now that you’ll be seeing a couple more tutorials featuring Rodeo Dreams.

Just a quick word of caution when using digitally-printed fabrics – start with a brand new needle because if your needle is dull, you run the risk of damaging the fabric and we certainly don’t want to do that.

A selection of quilting fabrics, including blue and red bandana prints, a brown print, and a fabric featuring cowboys on horseback, alongside a digital pattern for the "Tea With Mara" quilt tutorial.

The first fabric I’m going to cut is the running yardage of the rodeo vignettes. I’m very glad I have a ruler the same size as the required block size in the pattern so I can fussy cut the squares easily and accurately.

A cutting mat featuring a quilting ruler over fabric with a rodeo scene, alongside a tutorial card for the 'Tea with Mara' quilt pattern.

Having the right sized ruler makes it a lot easier to fussy cut these vignettes than trying to cut strips and then cutting the strips into squares. This type of fabric makes strips and squares kind of tricky because the vignettes aren’t all the same size nor do they line up in a perfect grid.

Love quilting rulers! Boy, they do make quilting so much easier, faster, and more accurate.

Mostly, I rely on my 6×24 and 6×12 rulers for cutting, but it’s always a great idea to have a collection of square rulers in the most common sizes, which are not only good for fussy cutting, but also for squaring up blocks.

A set of clear quilting rulers in various sizes, featuring measurement grids and markings, placed on a white background.
This basic ruler set includes rulers in common sizes

The only problem with fussy cutting is that your fabric will look like Swiss cheese when you get all done! LOL! Check mine out below. I can still fussy cut more pieces out of the fabric, but there is definitely more waste doing it this way than cutting strips into squares. Just something to think about if you’ve never fussy cut before.

A layout of quilting fabric featuring rodeo scenes, displayed on a flannel wall alongside various quilt blocks.

Now I’m finished making Swiss cheese, it’s time to cut the rest of my fabrics. Loving this red bandana print – it looks like the real thing (digitally printed, of course)!

A rotary cutter and quilting ruler positioned on a cutting mat, with a vibrant red bandana print fabric and a quilt pattern titled 'Tea with Mara' by Creative Sewlutions.

Here are all my fabrics cut and ready to sew.

A collection of quilting fabrics including a red bandana print, a blue bandana print, a brown fabric, and a fabric featuring a cowboy chasing a calf, with a quilt pattern titled 'Tea with Mara' visible.

But before I start sewing, I’m going to lay out all of the pieces on my flannel wall. I want to make sure I like the placement of the rodeo vignettes before I commit to their positions permanently.

Quilt blocks arranged on a flannel wall, featuring red, blue, and brown fabrics with a rodeo theme and floral patterns.

I really like the nice big pieces in this quilt, even if I have to layer pieces on the floor because the quilt is going to be longer than my flannel wall. It’s going together surprisingly fast, though.

Of course, you don’t have to fussy cut your fabrics like I did – you could use any fabric you wanted for the center squares. Or you could even scrap this quilt up and use some of your stash. Such a versatile pattern – I could totally picture this quilt in a great collection of fall or harvest fabrics! Hmmmmmmmm….

You could even add a 6″ finished border, which would make the quilt a big 70″ x 84″!

Now I’ve got all my pieces up on the flannel wall. I switched a couple of the rodeo vignettes around, but other than that, I think it’s ready to sew. I like how it looks.

A colorful quilt layout featuring horse and rodeo-themed fabric squares, with red, blue, white, and brown patterned blocks arranged in a grid pattern on a design wall. A cutting mat and quilting ruler are visible in the foreground, along with a pattern card labeled 'Tea With Mara.'

Yippee-ki-yi-yay! Let’s sew this little dogie together! I really like how the fabrics alternate in placement from side to side – it definitely helps to keep your eyes moving around the quilt. The red and blue bandana fabrics really make this quilt in addition to the rodeo vignette squares. LOVE IT!

A quilt with alternating squares of red, white, blue, and brown fabric, featuring images of rodeo scenes.

And here it is outside on the clothesline. All I need is a horse or 2 grazing in the backyard, right? I’ll be binding this quilt with the dark blue batik you see in the fabric and pattern photo way up at the beginning of this tutorial. I think it will frame the quilt nicely.

A colorful quilt with red, blue, brown, and white squares, featuring rodeo-themed prints, hanging on a clothesline in a grassy field.

Now to get this quilt top layered, quilted, bound, and labeled…….some day, anyway. Right now I’m going to add it to my teetering pile of flimsies and UFOs. I’m hoping to make a good-sized dent in that pile this fall and winter. It’s just been way too hot this summer to machine quilt and do binding.

Here’s to autumn with its warm days and cool nights. And the brilliant colors of the season…. I can’t wait!

See you next week for another great tutorial!

Until then –

Sew. Laugh. Repeat.

Always,

Tricia @ VRD

2025 Let's Design a Quit Together Series · Quilt Play · Quilting Partners · Tips and Tricks

Let’s Design a Quilt: The Drunkard’s Path Block

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Hello Quilty Friends!

Happy Thursday to you!

What’s shakin’? Me, just sitting here thinking about which quilt block we’re going to feature today to wrap up our Design a Quilt series. I’m kind of bummed that today’s the final post in this series, but it is true that all good things must come to an end. That makes sense, because, if they didn’t then we would never have the opportunity to find new good things.

I’ve also been thinking about how you, dear readers, can utilize what we’ve covered in this series. The biggest thing that occurs to me, of course, is designing your own quilts using common quilt blocks. Common quilt block designs (like Nine Patch, Irish Chain, Four Patch, Sawtooth Star, etc., etc.) would most likely be considered in the public domain.

Want to find public domain quilt block designs? Just Google it! Pretty much all quilt block designs (and everything else in print) from publications before 1923 are considered public domain. Another idea is to look up quilt block history to see if the blocks were used before 1923. You can also invest in a quilt block reference or 2.

My favorite reference is Barbara Brackman’s Encyclopedia of Pieced Quilt Patterns.

Cover of the book 'Encyclopedia of Pieced Quilt Patterns' compiled by Barbara Brackman, featuring various quilt block designs.

For those of you who may not have heard of Barbara Brackman – she is probably the most well-known quilt historian in the USA, if not the world. Her book is meticulously researched and includes a reference section with original publications for the blocks in the book. Believe me, you will never run out of inspiration – there are over 4000 blocks in the book!

Another oldie but goodie block reference is The Romance of the Patchwork Quilt in America by Carrie A. Hall and Rose G. Kretsinger. This book was published in 1935 and is actually in the public domain itself. It includes A LOT of old pieced and appliqued quilt blocks and quilts along with historical notes. You might be able to find a used copy as its out of print, or I’ve included a link to an e-book version above.

Cover of 'The Romance of the Patchwork Quilt in America' featuring floral designs and decorative borders.

What does all this mean, really?

If you want to sell quilts, the best way to do that is to design your own instead of using someone’s copyright-protected pattern, which, as we’ve previously explored, has the potential to cause you legal issues down the road.

Want to be a quilt designer?

Create/sell your own patterns?

Design quilts for quilt magazines?

Write a quilt book?

Easy peasy, use public domain/common quilt blocks to create your own designs. Then your designs would be copyright protected, too.

Huh. Kind of mind-blowing, isn’t it? That doing something so simple – and FUN! – can become your own copyright-protected work.

Just something for you to think about….

Let’s move on to today’s block: Drunkard’s Path.

Let’s Design a Quilt: The Drunkard’s Path Block

Here is a basic Drunkard’s Path block unit.

A basic Drunkard's Path quilt block unit featuring a red semicircle on a white background.

The Drunkard’s Path block has a very interesting and rich history with roots in ancient Egypt. The block was popular with the Underground Railroad and the Women’s Temperance movement in the US. For a more and detailed history, please check out this article on the AccuQuilt blog: A History of the Drunkard’s Path Quilt Patterns.

Today, we are going to explore some of the interesting ways you can arrange this humble block unit, add sashing or not, and using color to tweak the design.

Before we can design a Drunkard’s Path quilt, we need to explore some of the many many different Drunkard’s Path variations. Believe me, these ideas are just the tip of the iceberg.

Here are a few books to explore more Drunkard’s Path designs.

Cover of the book '65 Drunkard's Path Quilt Designs' by Pepper Cory, featuring multiple quilt designs in various colors and patterns.
Get the book HERE
Book cover of 'A New Spin on Drunkard's Path' by John Kubiniec, featuring a quilt design in red and white with a pattern of curved shapes and geometric accents.

Get the book HERE

Here are different ways to arrange the units in a 2 x 2 layout. Which one is your favorite?

A Drunkard's Path quilt block unit featuring a grid layout with red semicircles on a white background.
A Drunkard's Path quilt block featuring a layout of red curves on a white background arranged in a 2x2 grid.
A quilt block design featuring a large red circle on a white background, arranged in a four-square layout.

Okay, let’s try a 3 x 3 grid.

A Drunkard's Path quilt block featuring a layout of red and white curved sections arranged in a 3x3 grid.
A Drunkard's Path quilt block design featuring a pattern of red and white curved shapes arranged in a 3x3 grid.
A Drunkard's Path quilt block design featuring a 2x2 grid with alternating red and white curved shapes.

Now let’s see what a 4 x 4 grid looks like.

A quilt block design featuring a 2 x 2 grid of large red circles on a white background.
A quilt block design featuring a repeating Drunkard's Path pattern, consisting of alternating red and white sections arranged in a grid layout.
A quilt block design featuring alternating red and white curved segments arranged in a 2x2 grid pattern, creating a wave-like effect.
A quilt block design featuring a repeating Drunkard's Path pattern with alternating red and white curves.
A quilt block design featuring a grid pattern with large red circles on a white background.

So I think you get the idea about the endless possibilities of the Drunkard’s Path block unit. Why don’t you try a 5 x 5 grid or a 6 by 6 grid to see what you can create?

Now let’s play with the color arrangement by swapping reds and whites in order to create new and different designs from the ones above.

A Drunkard's Path quilt block design featuring red and white curved shapes arranged in a grid pattern.
A quilt block design featuring a Drunkard's Path layout with alternating red and white sections, showcasing four circular shapes in each quadrant.
A Drunkard's Path quilt block featuring red and white fabrics in a four-square layout with curved designs.
Drunkard's Path quilt block design featuring alternating red and white sections arranged in a circular pattern.
A Drunkard's Path quilt block design featuring alternating red and white curved shapes arranged in a 3x3 grid.
Quadrant quilt block featuring a Drunkard's Path design with alternating red and white sections.

Let’s add more colors to our blocks, shall we? That way we can get even more interesting variations. You can see how adding more color can change a block design or even add a secondary design. Never underestimate the power of adding more color.

A geometric quilt block design featuring a mix of red circles, black shapes, and white backgrounds with a central gray square.
A Drunkard's Path quilt block design featuring a bold black and white layout with a prominent red circle at the center.
A colorful Drunkard's Path quilt block featuring a blue center surrounded by red circles, with alternating white and blue shapes creating a dynamic pattern.
Abstract quilt block design featuring red and black shapes arranged in a circular and square pattern.
A Drunkard's Path quilt block design featuring a blue semicircle on a red and white background, arranged in a 2x2 grid.
A quilt block design featuring a pattern of red circles on a black and white grid.

Okay, now it’s time to create quilt designs using some of the variations above! Let’s start with this bird variation.

A quilt block design featuring a Drunkard's Path pattern with red and white curved sections arranged in a 2x2 layout.

I like this bird quilt arrangement very much, but I don’t love how all the birds are facing the same way.

A quilt design featuring a repeating Drunkard's Path block pattern, alternating between red and white colors.

Let’s turn the birds in different directions. Hmmm. I only see a small difference here. Let’s keep going.

A digital quilt design featuring the Drunkard's Path block in a repeating pattern of red and white colors.

Better with sashing and sashing squares, but I’m still not too excited by it.

A quilt design featuring a repeated Drunkard's Path block pattern in red and white colors arranged in a grid layout.

Okay, let’s remove the sashing and turn the birds some more to see what happens. AHA! Yes, this is more like it.

A quilt design featuring a Drunkard's Path block arrangement with alternating red and white shapes, creating a dynamic pattern.

I think we can call this a finished design. Let’s add some fabric. It would definitely make a bold 2 color quilt as long as you have strong contrast between the colors like the red and white example above. But let’s add more than 2 colors.

Yup, this one rocks. I’m using fabrics from QT’s American Spirit collection. I took a chance and flip flopped the fabrics in the centers and it really sets this design off.

A quilt design featuring the Drunkard's Path block, arranged in a repeating pattern with red, blue, and cream fabrics, creating a visually appealing layout.

Now let’s try a different Drunkard’s Path block variation from above.

A quilt block design featuring a circular blue shape in the top left and bottom right sections, against a backdrop of alternating red and white squares.

I like this interesting block arrangement, especially with the checkerboard behind the blue circles. Very 3-D. But I bet we can tweak it to change it from an okay quilt to a WOW quilt.

A quilt design featuring a checkered pattern with red and white squares and blue circles in the center.

Just a quick turn of some blocks and we get this design with lots of movement. Kind of fun, huh?

A quilt design featuring a repeating pattern of red, white, and blue blocks with circular shapes in blue and white against a red background.

Let’s add some fabric to this one. Can’t wait to see it! Here’s a selection of yummy Hoffman batiks. This super mod design has a lot going for it!

A quilt design featuring a repeating pattern of pink circles on a black and white grid background, with a copyright notice for Tricia Lynn Maloney, Orphan Quilt Designs.

Let’s play with another block.

A quilt block design featuring a central gray square surrounded by red circles and black curved shapes on a white background.

All right, let’s see what this block looks like in a quilt. Gosh, I’m really liking this one. It reminds of a tile floor. But I think we can tweak it a bit to make it outstanding.

A colorful quilt pattern featuring alternating blocks with red circles and black shapes on a white background, arranged in a grid format.

YES! This is the finished design. Adding sashing and sashing squares was just the tweak I needed, which added a wonderful secondary design.

A colorful quilt design featuring a repeated Drunkard's Path block layout with black, red, gray, and white colors.

Yippee! Time to add fabric! I think this design is spectacular!

A quilt design featuring pink floral blocks and circular motifs on a dark background.

Let’s do one more!

A graphic illustration of a Drunkard's Path quilt block design featuring a red circle, black and white geometric shapes.

Let’s see how this variation plays in a quilt. I really like this design – it makes me think of Halloween bats flying in front of a full moon. But I think we can tweak it a bit more.

A quilt design featuring a repeating pattern of the Drunkard's Path block, showcasing red, black, white, and gray colors arranged in a grid layout.

Let’s try sashing again. Sometimes this is the way to go and sometimes it isn’t. This one improves with sashing, definitely! I love the diagonal movement the design has now. What do you think?

A geometric quilt design featuring alternating black, white, and red blocks with curved patterns, arranged in a checkerboard layout.

Only thing left to do is to add FABRIC! I’m using assorted Hoffman batiks again and I played up the Halloween moon idea by making the background grey like twilight. Totally loving this!

A quilt design featuring a repeating pattern of Drunkard's Path blocks in gray and dark blue with orange accents, arranged in a grid layout.

Sadly, that wraps up our 5 part Let’s Design a Quilt series. I have had SEW much fun with this series. I hope you did too. I can envision adding more to this series down the road. Maybe I will focus on on-point quilt designs….

If you missed any posts in the series, you can find them all right here:

Playing with Nine Patch Blocks

Playing with the Spool Block

Playing with the Courthouse Steps Block

Playing with the Sawtooth Star Block

Playing with the Farmer’s Daughter Block

See you next week – time for some new VRD tutorials to jumpstart your Autumn quilting when the kiddos go back to school.

Until then –

Sew. Laugh. Design. Repeat.

Always,

Tricia @ VRD

2025 Let's Design a Quit Together Series · Quilt Play · Quilting Partners · Rose Cards · Tips and Tricks · villa rosa designs

NEW VRD Patterns for August and Let’s Design a Quilt: The Farmer’s Daughter Block

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Hello Quilty Friends!

Happy Thursday to you!

Welcome! We have lots of fun stuff to do this week, so we’re just going to dive right in.

First up, today is the Thursday after the first Friday, which means – NEW PATTERNS! Yay!

Collage of five quilt pattern covers titled 'August 2025 Patterns in a Set!' featuring designs named Grated, Lady Banks, Jolene, Jasper, and Snap Shot. Each cover showcases different quilt designs and colors.

Get your print pattern set HERE.

I know I say it every month, but our VRD designers are totally outstanding! Every month, they exceed the previous month’s designs. Let’s take a look at each pattern this month.

Grated by Heidi

Colorful quilt design titled 'Grated' by Heidi Cook for Villa Rosa Designs, featuring a variety of fabric patterns arranged in a grid layout.

Grated uses a stack of fat sixths (which are between a fat eighth and a fat quarter, measuring 12″ x 21″) or 10″ squares. This is a big quilt measuring 65″ x 75.” There are still kits available, which feature Klimt fabrics like the pattern cover. You can get your Grated kit, which includes the pattern, HERE.

Lady Banks by VRD (Pat)

A quilt design titled 'Lady Banks' featuring a patchwork of various blue and grey fabrics, set against a light blue background. The quilt consists of squares and rectangles with floral and textured patterns. The design is framed by a dark border with the names 'Lady Banks' and 'Villa Rosa Designs' displayed prominently.

If you are following along with the Tim Holtz Palette collections then Lady Banks is for you. It features the blue palette and finishes at 45″ x 60″. You can find the kit (including the pattern) HERE.

Jasper by Running Doe Quilts (Catherine)

A colorful quilt named 'Jasper' featuring a variety of patterns in blue, green, yellow, and red fabric blocks, displayed against a brick wall background.

Catherine is back with 2 new mod patterns this month! Jasper is FQ friendly and finishes at 36×48, which makes a nice baby quilt or lap quilt. You can find the kit HERE featuring the Camp Canine collection at Running Doe Quilts.

Jolene by Running Doe Quilts (Catherine)

A colorful quilt named 'Jolene' featuring a pattern of alternating squares and checkered designs in shades of pink, green, and yellow, displayed against a textured white wall.

Jolene is Catherine’s second quilt this month. It uses FQs and finishes at a generous 63″ x 84″. You can find the kit HERE at VRD featuring the Thirty-One collection or HERE at Running Doe Quilts featuring the Camp Canine collection.

Snap Shot by Molly

Quilt design titled 'Snap Shot' featuring images of wildlife, including deer and a bear, with a mix of earthy colors and fabric patterns.

Snap Shot is another one of Molly’s creative panel quilts. It is FQ friendly and finishes at a nice 45″ x 54″, which could be a wall quilt or a throw. Sorry, but VRD is out of Snap Shot kits already.

Apologies, but there is no table runner this month. Stay tuned for next month’s runner!

SEW, which NEW pattern are you going to make first?????

Now let’s turn our thoughts to our ongoing Quilt Design series.

Let’s Design a Quilt: The Farmer’s Daughter Block

Colorful quilt block design featuring a central orange square surrounded by red, blue, yellow, and green pieces in a symmetrical pattern.

Here is the traditional Farmer’s Daughter block. According to Barbara Brackman, this block was first published in Clara Stone’s 1906 booklet, Practical Needlework: Quilt Patterns, which was part of a needlework booklet series by C. W. Calkins & Co. in Boston. Of course, like most quilt patterns, it was probably being made long before it was published. One of our readers suggested this block last week and I just couldn’t resist it. Thank you, dear reader! I hope I do the block justice for you!

Yikes! See how the four corners of the block feature set-in seams? Well, the first change to this block we are going to make is to change the four corners to be much friendlier by using Half Square Triangles (HSTs) instead of set-in pieces. Ahhhh! That’s more like it!

A colorful quilt block design featuring a central red square surrounded by blue triangles and yellow squares, with green squares at the corners.

Now we’re ready to play — er, design! Let’s put Farmer’s Daughter blocks in a quilt. Huh! When you set the blocks side to side, you lose the block and a whole new design emerges. Pretty cool!

Colorful quilt design featuring a geometric pattern with star and diamond shapes in red, blue, green, yellow, and orange.

Now let’s add some sashing to see what that looks like. Neat-o! Sashing shows off the block. I just love the secondary design where the block corners (with the green squares) meet the sashing squares. Both designs have a lot of movement already and I haven’t done anything except the HSTs.

A colorful quilt design featuring a repeating star pattern with red, blue, orange, and green shades set against a yellow background.

Wowzer! Look what happens when I change the colors to black, grey, white, and red. I’d call this a finished design right now, wouldn’t you???? It almost has a 3D effect. Cool beans!

A quilt design featuring blocks with star-like shapes in red, gray, and white against a black background, creating a geometric pattern.

Here’s the same design, but I changed the red to white. Holy cow, Batman! It’s really eye-catching and the black negative space is just itching for some really cool machine quilting.

A quilt design featuring alternating blocks composed of black, white, and gray geometric patterns, arranged in a grid layout.

Here’s the same design again, but I changed the grey to red. Oh my! It just about leaps off the screen. Just by playing around with the colors.

This is only ONE of sew many reasons why I love my Electric Quilt 8 software. I can tweak some tiny little thing and if I don’t like it, I can go back or keep tweaking. If you haven’t ever tried EQ8, you really should. It is a total game changer for quilters everywhere!

A quilt design featuring a bold pattern of alternating red and black shapes arranged on a black background, with white squares creating a checkered effect. The design includes intricate geometric shapes that resemble a stylized star or flower.

Now let’s add some fabric. I’m using lovely blue batiks from Hoffman’s 1895 Watercolors collection. That’s the one! LOVE IT!

That’s a wrap for this design!

A quilt pattern featuring interconnected blue and white blocks set against a dark background, creating a geometric design.

But wait! We’re not done yet. Let’s go back to the block and split the corner sections into 2 colors, instead of just 1 color. I also changed the center square to blue, which gives it an interesting pinwheel design in the center.

A colorful quilt block design featuring a star shape with blue, red, and yellow triangles, set on a white grid background.

Let’s see what it looks like in a quilt. Hmmm. Not very interesting. At least not yet.

A quilt design featuring a repeating star pattern with red, blue, and yellow colors on a white background.

Let’s add some sashing. I’m gong to introduce black for the sashing squares. Better, but no way near finished. Let’s keep going.

Quilt design featuring a repeating star pattern with red, blue, yellow, and white colors, arranged in a grid with black sashing.

Let’s flip the black and white for the sashing and sashing squares. WHOAH! I am loving this sashing idea – it is incredibly graphic! But now we need to tweak the blocks some more.

A colorful quilt design featuring a repeating pattern of star blocks in red, blue, yellow, and white, set against a black background. The blocks are arranged in a grid with alternating black and white sashing.

Before we work on the blocks some more, it needs a border to frame it. It just looked a bit unfinished without it, don’t you think?

A quilt design featuring a grid of colorful star blocks on a black background, incorporating blue, red, yellow, and white fabrics.

That’s it! Okay, on to the blocks. Let’s swap the blue and yellow in the 4 corners back to 1 color, red. And change the blue center to white so it repeats the white sashing square. I love how graphic it is. Your thoughts?

Quilt design featuring a repeating pattern of star blocks in red and white against a black background, with a modern geometric layout.

One more tweak. Let’s change the center square in the blocks to black. Yup! That’s it! Love the plus sign in the center of the blocks! This design has a clean modern look yet it feels traditional, too. It is totally the best of both worlds.

A patterned quilt design featuring alternating red and white blocks on a black background, showcasing a geometric star motif.

All right! Let’s add some fabric. Again, I’m using batiks from Hoffman’s 1895 Watercolors collection. I did make one more tweak by changing the sashing squares to match the plus signs. Don’t you just love it in pinks? The black has a slight bluish tinge for added interest. Again, it has a bit of a 3D effect. Done and done!

A vibrant quilt design featuring a repeating star pattern in pink and purple hues, set against a dark blue quilt background with white borders separating each star.

Do you remember where we started? A Classic Farmer’s Daughter block.

How far we came just by changing the colors, playing with the fabric placement, and adding sashing/border.

How are you going to explore these ideas with your quilts???

A colorful quilt block design featuring a central orange square surrounded by red squares and blue triangle sections, with green and yellow corner pieces.

Well, that’s it for me for our 4th week in our Let’s Design a Quilt Series. If you missed any posts, you can catch up here:

Playing with Nine Patch Blocks

Playing with the Spool Block

Playing with the Courthouse Steps Block

Playing with the Sawtooth Star block

Sadly, next week we are going to wrap up our Quilt Design series. Next we’re going to do some new tutorials, just for you. Sew stay tuned!

See you on the flip side!

Until then –

Sew. Laugh. Design. Repeat.

Always,

Tricia @ VRD

2025 Let's Design a Quit Together Series · Just Quilty Stuff · Quilt Play · Tips and Tricks

Let’s Design a Quilt: Playing with the Courthouse Steps Block

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Hello Quilty Friends!

Happy Thursday to you!

Are you ready to play with another quilt block? Yippee! Me too. This really is SEW much fun for me to do and I think it’s also helping me to think more “outside the box.” I’ve definitely noticed more designs popping into my head lately. 🙂

If you’ve missed our Quilt Design Series so far, you can catch up:

Playing with Nine Patch Blocks

Playing with the Spool Block

I was a little disappointed that no one was brave enough to suggest a quilt block in the comments on last week’s blog post. Please consider letting me know what your favorite block is or another block suggestion to design with as I’m planning to do this mini series on designing for a few more weeks. Do you really want me to have all the fun of picking out all the blocks?

So I asked my quilty pal, Mary Lee (Hey Mary Lee!) for a block suggestion. She thought for a few seconds and then suggested either Churn Dash or Courthouse Steps. I thought both were good options. Churn Dash (image 1, below) is another Nine Patch variation while Courthouse Steps (image 2, below) is a variation of a traditional Log Cabin block. Because we’ve already done 2 Nine Patch blocks, I zoomed in on her Courthouse Steps suggestion and immediately began to wonder what we could do with it.

A digital illustration of a Courthouse Steps quilt block design featuring a central square surrounded by rectangles and triangles in a light teal color.
Image 1 – Churn Dash block, also known as Hole in the Barn Door and Monkey Wrench
A quilt block design featuring a central pink square with gray and white rectangles surrounding it, arranged to create a geometric pattern.
Image 2 – Courthouse Steps block

Homework!

Since I’m going to focus on the Courthouse Steps block today, I’m assigning all of you readers “homework” — see what you can do with the Churn Dash block (image 1, above).

You can share your “homework” on our Facebook Page, in the comments (although I’m not sure if you can upload images), or you can email them to me at tricia@villarosadesigns.com.

I’d love to share your ideas on next week’s blog or upcoming posts if we have a big response. I hope you will take a little time and play – er, I mean design a quilt – along with me. Hand drawn, EQ, or Adobe images are great, please use a .jpg or .pdf format atat no more than 300 dpi.

Who knows????? There might even be a prize or 2…. US and International friends can play along, so go get started – right after you finish reading this post, that is.

The Courthouse Steps Block

Let’s learn a bit about the Courthouse Steps block. As I mentioned earlier, it’s a variation of a Log Cabin block. According to Barbara Brackman in the Encyclopedia of Pieced Quilt Patterns, it was originally called White House Steps and appeared in print circa 1890 in the first Ladies’ Art Company catalog, which included 272 patterns. White House Steps was block #221. Of course, that doesn’t mean the block just suddenly appeared in the 1890’s. rather, that was the first known version in print. Quilters may have been making the block much sooner than the 1890’s.

A Courthouse Steps quilt block design featuring a central pink square surrounded by alternating gray rectangles.
White House Steps block
A graphic representation of the Courthouse Steps quilt block, featuring a central pink square surrounded by alternating gray and white rectangles.
Courthouse Steps block

The Courthouse Steps block we are familiar with today uses color a bit differently than the White House Steps version, above. Interestingly enough, “Courthouse Steps” isn’t even mentioned in Barbara Brackman’s book. I wonder if it’s a regional term used for the block? Does anyone know this block by another name? Just curious. I did find the block in Electric Quilt 8 software (which is based on Barbara Brackman’s book), but it is considered a foundation pieced block and does not include any historical information.

Doing a quick Internet search, I discovered a post on Suzy Quilts about Courthouse Steps blocks with a touch of history and wonderful examples of Gee’s Bend quilts. Check it out HERE.

Alright! Ready to get designing???

The Courthouse Steps Block

So, here’s our block again. Take a good look at it – what do you see? A central square with rectangles radiating from the center square both horizontally and vertically. That’s it! Simple, but very effective, very geometric, and very graphic.

Illustration of a Courthouse Steps quilt block design featuring a central pink square surrounded by gray and white rectangles.
Courthouse Steps block

Let’s put the blocks side by side with all of the blocks going the same direction. Okay, this is fun. And it would make an awesome scrappy quilt, wouldn’t it?

A digital mockup of a Courthouse Steps quilt block design featuring pink squares, grey and white rectangles arranged in a geometric pattern.

Let’s turn the blocks sideways and see if we get something different. Pretty much the same thing, just different direction.

Pattern design of the Courthouse Steps quilt block featuring alternating shades of gray, pink centers, and white accents in a geometric layout.

Let’s alternate every other block next. Huh. Better. Definitely more movement in this one, wouldn’t you agree? I almost detect a bit of a curvy look happening, which is interesting with a square block.

A quilt design featuring alternating Courthouse Steps blocks in shades of gray, pink, and white arranged in a grid pattern.

Now I think I’d like to see what happens when I group the blocks in 4’s. That’s interesting.

A digital quilt design featuring multiple Courthouse Steps blocks arranged in a grid pattern with a mix of gray, white, and pink colors.

Let’s add fabric to see what happens, shall we? I’m using Lori Holt’s warm and homey Riley Blake collection, Autumn. I can almost smell the apple pie…..

A patchwork quilt featuring a Courthouse Steps block design with a variety of colorful fabrics arranged in a grid layout.

I want to tweak the blocks one more time. In this example, I turned alternating rows which then gave me an interesting boxed effect in rows 2 and 4.

A colorful quilt design featuring the Courthouse Steps block, showcasing a mix of fabrics in varying patterns and colors arranged in a geometric layout.

Whoah! Stop the bus! Here was the basic idea behind my VRD Rose Card pattern, Boxed In (hence the name), although it’s not totally the same. I wasn’t even thinking about any of our VRD patterns when playing with Courthouse Steps, but – there it is. LOL!

A quilt design titled 'Boxed In' by Tricia Lynn Maloney, showcasing a colorful patchwork pattern with various fabrics arranged in geometric blocks on a table.

Get your digital pattern HERE or your print pattern HERE

Okay, let’s go back to our Courthouse Steps block and tweak it a little bit by changing the width of some of the rectangles. I left the side rectangles the same, but I made the top and bottom rectangles narrower.

Diagram of the Courthouse Steps quilt block design featuring a central pink square surrounded by gray rectangles.

Let’s use the first setting from above to see how the blocks plays in a design. I really think this looks pretty cool and it reminds me of paper lanterns.

A digital representation of a Courthouse Steps quilt block design featuring a central pink square surrounded by white and gray rectangles, arranged in a grid layout.

Let’s tweak the color a little bit. Again, I’m using a couple prints from Lori Holt’s Autumn collection. WOW! What a mod yet classic 2 color quilt! Love it!

A digital quilt design featuring a Courthouse Steps block layout in brown and turquoise colors, arranged in a grid pattern, with a light grid background.

Cool! Check out this block arrangement! It’s the same layout as our previous 2nd design, above.

A quilt design featuring a Courthouse Steps block pattern in brown and light blue color scheme.

Hmmm. I just don’t feel that’s it totally complete yet, so let’s add another fabric to see what happens. In this example, I’m using some lovely Hoffman 1895 Watercolors batiks. Love it!

A quilt design featuring a central pink pattern framed by dark and light gray rectangles, creating a geometric composition.

Just….one….more….tweak. As you can see, designing a quilt can get kind of addicting. Yup. But, I think you’ll agree with me that this is the final design. I changed the block directions a bit, changed the black centers to grey, changed the black background to a light grey and added more fabrics from Hoffman.

I think it’s perfect now.

A digital quilt design showcasing alternating blocks of the Courthouse Steps pattern in shades of pink and gray, framed by light blue fabric strips.

There’s not much else I can say………except I’m very satisfied with this final design. Seriously. Sometimes it takes just one more try to get where you want to. And I’m not just talking about quilt design, you know.

What would you do to tweak the Courthouse Steps block to create your own design?

Don’t forget to do your homework for next Thursday! I’ll see what I can find in the prize department while you play with the Churn Dash quilt block to see what you can come up with.

Ta! Ta!

Until next time –

Sew. Laugh. Design. Repeat.

Always,

Tricia @ VRD

2025 Let's Design a Quit Together Series · Quilt Play · Tips and Tricks · villa rosa designs

Let’s Design a Quilt: Playing with the Spool Block

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Hello Quilty Friends!

Happy Thursday to you!

What a fun blog post last week! It was great to share a little bit about my quilt design process with you. It was such fun, we’re doing it again this week, but with a different quilt block.

Before even starting this post, though, I must admit I cheated a bit and began playing with this week’s quilt block. Let me tell you – it never fails to amaze me how a simple block can create such amazing designs.

Here’s last week’s post if you missed it:

Playing with Nine Patch Blocks

Are you ready? Let’s design a quilt together!

The Spool Block

According to Barbara Brackman’s Encyclopedia of Pieced Quilt Patterns, this specific Spool block appeared in the book, Polly Prindle’s Book of American Patchwork Quilts by Alice Gammell in 1973. Of course, it wasn’t really a new block in 1973, but this simplified Nine Patch version appeared in Polly Prindle’s. Previous versions included set-in seams as well as 4 small Spools in a single quilt block. Today, though, we’re going to start with Polly Prindle’s version.

Cover of 'Polly Prindle's Book of American Patchwork Quilts' by Alice Gammell featuring quilts displayed on a decorative rack, accompanied by a bouquet of colorful flowers.
Polly Prindle’s Book of American Patchwork Quilts
Image from Amazon
Cover of 'Encyclopedia of Pieced Quilt Patterns' by Barbara Brackman featuring various quilt block designs.
Barbara Brackman’s Encyclopedia of Pieced Quilt Patterns
Image from Amazon
A quilt block design featuring a 3x3 layout with red and cream colors, showcasing a Spool block pattern with alternating triangles and squares.

As you can see, our Spool Block is a Nine Patch block with a 3×3 layout. Of course, we’ve added some Half Square Triangles (HSTs) to create the Spool shape.

Time to Play!

The first thing we’re going to do is to simply our Spool block by using flippy corners instead of HSTs for the top and bottom of the spool. This tweak would actually save time when piecing the blocks for a quilt without changing the overall design. And we all know that saving time is golden in the quiltmaking process. The tweak also cleans up the look of the block by removing some of the seams.

A diagram of a Spool quilt block featuring a 3x3 layout with red and white fabric sections.

Let’s see what a quilt looks like using just this block, shall we? This design shows the blocks all pointing in the same direction. Hmmm. I like it, but I think we’re just getting started with the Spool block today.

A quilt design featuring a repeating pattern of red and white spool shapes arranged in a grid layout.

Let’s try alternating the block directions. Better, but not there yet.

Patchwork design featuring a grid of red and white spool quilt blocks arranged in a 3x3 layout.

Next up – let’s alternate block direction by row. Better and better! I really like the play between the different block directions. Reminds me a little bit of the vertical and horizontal strips I added to last week’s classic Nine Patch block.

Quilt design featuring a repetitive pattern of spool blocks in red and white.

Let’s add some fabrics to this one. I’m using a few prints from Moda’s Acorn Hollow collection. This layout definitely has some potential. I’m not usually a big fan of 2 fabric quilts, but I am liking the crispness of the design with only the 2 fabrics.

A quilt layout featuring a Spool block design in a 3x3 arrangement with orange and white color scheme.

Okay, let’s go back to our Spool block again. Instead of it being a 2 color block, let’s make it a 4 color block with a black center.

Colorful spool block design featuring a central black square surrounded by sections in red, orange, blue, and green.

Huh. Intriguing. Let’s see how it looks in a quilt. This is the same layout as our first red/white layout above. What a difference color can make!

Now let’s alternate the block directions. This is the second red/white layout above.

Colorful quilt design featuring a repeated Spool block pattern, arranged in a grid format with red, orange, green, blue, and black elements.

I like it, but with so many colors, you kind of lose the interesting design. Let’s back off on colors a little bit by adding more neutrals. Not loving it, but I do like the diagonal thing happening.

Colorful quilt design featuring a repeating block pattern with red, blue, black, white, and yellow sections arranged in a grid layout.

Not quite what I was expecting. Let’s tweak the colors some more. I’m going to use red, black, white, and grey which is one of my favorite colorways when I’m trying to perfect a design. I like working with these colors because of the strong contrast. I also changed the center square to black, so I get an interesting black shape in the blocks now – kind of looks like a megaphone to me.

A quilt design featuring a pattern of interlocking Spool blocks arranged in a 4x4 grid, showcasing vibrant colors of red, black, white, and grey.

Let’s rearrange the blocks to see what happens. This is interesting. It has a lot of movement.

Colorful quilt design featuring a repeating pattern of red, black, gray, and white shapes arranged in a geometric layout.

Let’s add some fabric now to see what it looks like. Here it is in 4 Hoffman batiks. I like it – it has a woven effect which keeps my eye moving over the design.

A quilt design featuring a Spool block layout, showcasing a combination of dark brown, teal, and light brown fabrics arranged in a repeating pattern.

Let’s play with the block arrangement a little bit more. I think there’s another better option still out there. We just have to play a bit until we get there. Almost there.

A quilt design showcasing multiple Spool blocks arranged in a 4x4 grid, featuring a combination of brown, teal, and dark purple fabrics.

I think it needs just one more thing tweaked. I’m going to reintroduce the 5th fabric in the block for the center squares. Yup! Got it. This is the one! A beautiful finished design! LOVE the 3-D effect. Lots of movement. Tons of interesting things going on.

Quilt design featuring a repeating Spool block layout in shades of teal, brown, and black, displaying a 3x3 pattern with various fabrics.

Do you remember where we started? A simple Spool block.

Quilt design featuring alternating red and white diamond shapes arranged in a grid pattern.

An here’s where we ended. Still a simple Spool block, but so much more!

A vibrant quilt design featuring a Spool block layout, with a mix of teal, brown, and dark purple fabrics arranged in a grid pattern.

Isn’t quilt design a fascinating journey? For me, it’s a lot of “what if?” questions. Also, I’m not afraid to make something really ugly – I can always delete it, right? And sometimes “something ugly” just needs another tweak or 2 to become something amazing.

I hope you give designing a try. I think you’ll be surprised at how fun it it. Whether you use graph paper and a pencil or Electric Quilt 8 software, I think you can come up with something that’s truly your own, something you love.

Stay tuned next week for another fun quilt design adventure! Any suggestions on a simple quilt block you’re just dying to see turned into an interesting quilt design? Leave a comment and tell me!

Until next week –

Sew. Laugh. Design. Repeat.

Always,

Tricia @ VRD

Quilting Partners · Rose Cards · Tips and Tricks · Tutorials · villa rosa designs

VRD Augustina Quilt Tutorial – Perfect Summer Project

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Hello Quilty Friends!

Happy Thursday to you!

WHEW! If you’re like me, you are having a heatwave right now. 90’s every day. It even hit 100 on the thermometer on Monday! YIKES! I’m sooooo not ready for these temps. It’s like we went straight from 50’s to 90’s in a couple weeks.

90’s are definitely not normal for this time of year here in northwestern Pennsylvania. AND we have high humidity to go with the heat which makes me want to just melt into a puddle on the ground every time I have to step outside. I literally had to scramble on Sunday to get the window AC units in, but we’re all good now. I just don’t want to go outside anymore.

A woman in a floral dress appears distressed while crawling on a sunlit street, with water droplets visually distorting around her, creating an impression of melting.
I’m melting into a puddle………!!!!

Luckily my dungeon studio is still cool enough (sadly, it is not air conditioned) to work in comfortably. I have several fans on to keep the air moving, but when the heat finally infiltrates my space, it’ll get quite uncomfortable. That usually isn’t until August and September, though, but we’ll see what summer brings this year. Northwestern Pennsylvania is an interesting place to live – record amounts of snow and cold in the winter, a wet and cold spring, then – POOF! – record high temps in June. Only the strong survive……..

I finally got a little quality time with my sewing machine this week so I decided to put together a new tutorial for you. Augustina is a such great project for summer!

Of course Augustina is fast and fun – it’s a VRD pattern, but it’s also not so big that you feel like you’re wrestling an alligator while your body is dripping with sweat. I promise you, this quilt really is quick – I made the top in a couple hours and that included both cutting and photographing my step-outs for the tutorial. It’s a very satisfying afternoon project.

VRD Augustina Quilt Tutorial

Augustina is a great sized quilt for a small throw or a juvenile quilt. And this is a pattern you are going to turn to over and over again for a beautiful quilt with little effort, yet it looks like a million bucks (sorry, it’s late and I couldn’t think of another phrase to use). So don’t forget to get your own Augustina pattern if you don’t have it yet.

A vibrant quilt pattern titled 'Augustina' featuring colorful fabric blocks in shades of purple, yellow, and orange, with floral and geometric designs. The quilt is displayed on a warm orange background, showcasing its cheerful and lively aesthetic.

Get your digital pattern HERE or your print pattern HERE

Let’s get started!

The first thing we need to do, of course, is round up our fabrics. Augustina is a fat quarter project, so you can march right over to your stash and find some coordinating fat quarters or you can use this project as an excuse to visit your local quilt shop to buy new fabric. Yeah, I know, we quilters really don’t need an excuse, but it is handy to have one anyway, isn’t it?

For this tutorial, I am using Flower Shoppe fabrics from our quilty friends over at Hoffman Fabrics. The flower fabrics are all amazing Hoffman digital prints – have you seen these in person yet? The colors are so bright and clear – I feel like I could pick these flowers right off the fabric. We’ve paired a few Hoffman batiks to balance out the gorgeous flower prints.

Please remember when using digital prints, that they do not react exactly the same as regular quilting cottons. Always start with a new needle in your machine so you are not pulling threads when sewing as well as a new rotary cutting blade so you are cutting cleanly through the fabric instead of sawing at it, which can damage the fibers.

A collection of fabric pieces featuring floral patterns, including sunflowers and roses, stacked with an Augustina quilt pattern booklet on a cutting mat.

Next up…..cutting.

SHHHHH! The secret of this quilt is that the pieces are big. Big pieces mean you don’t have to spend loads of time cutting little squares, rectangles, or triangles. Big pieces are a huge time saver! Big pieces also mean you can use bigger prints (when you use big prints in small pieces, the design gets all chopped up and you tend to lose what you loved about the print to begin with). Yay! Let’s GO BIG!

In the photos, below, we’re cutting our accent fabric into strips and then into rectangles.

A rotary cutter, a cutting mat, and a ruler placed on top of a blue marbled fabric in preparation for cutting.
A rotary cutter, cutting mat, and ruler placed on a green cutting mat with yellow grid lines, with a strip of fabric in the background.

Below, we’re cutting our FQs into strips and then into 2 different sized rectangles.

A rotary cutter and ruler placed on a floral fabric with orange poppies, laid on a green cutting mat, ready for cutting.
A rotary cutter rests on a floral fabric featuring orange poppies, positioned on a green cutting mat marked with measurements.

VIOLA! Cutting done. Easy peasy. Here’s all the pieces we need to make Augustina.

A selection of colorful quilting fabrics featuring vibrant floral patterns, including poppies and roses, arranged on a green cutting mat with a ruler and rotary cutter nearby.

Before we can sew Augustina together, we have to lay out our fabrics. I’m going to put them up on my handy dandy flannel board which consists of a flannel-backed table cloth clamped to the tops of my fabric storage unit doors. As I’ve mentioned before, this idea came from my pal, Mary Lee. Kudos to you, Mary Lee! It’s a great option if you don’t have a spare wall to put up a more permanent quilt wall solution. I can simply take it down when I need access to my yardage stash. I’ve actually had this tablecloth for years now, so it’s even an economical option.

A colorful quilt top featuring sunflower and poppy floral patterns, laid out for sewing with a light blue background and various fabric strips.
A layout of quilt fabric pieces showcasing bright floral patterns including sunflowers, poppies, and abstract designs, arranged in vertical strips with a green cutting mat below.

Hmmm……I think I need to move some fabrics around.

A colorful quilt top layout featuring floral fabrics in various patterns and colors, arranged in vertical stripes.
A vibrant patchwork layout of floral fabric squares and rectangles arranged in vertical rows, showcasing bright colors like red, yellow, and green against a light background.
A colorful quilt top layout featuring floral and patterned fabric swatches, arranged on a design surface with green cutting mat underneath.

After several switcharoos, I think I’m happy with the layout now.

Let’s sew!

This quilt is sewn together in vertical rows. I took my time, only taking one vertical row off of my board at a time. I worked from the top down to sew the pieces together. It doesn’t matter whether you sew your strips top down or bottom up, just be consistent with all of your rows or else you might get your fabrics out of kilter.

A sewing machine with colorful fabric pieces, including floral and orange prints, laid out for stitching.
A partially assembled quilt top featuring colorful floral fabrics in various patterns and colors, arranged in vertical strips against a crafting workspace.

Okay, all the fabrics are now sewn into vertical rows.

Vertical strips of colorful floral and solid fabrics are laid out for a quilt project, with a cutting mat visible below.

Now I’m going to sew the vertical rows together into pairs. As this quilt has an odd number of rows, the last row will have to hang out all by itself for a while.

Vertical strips of colorful floral fabrics arranged on a flannel board in preparation for quilting.

Next, I’m going to sew the first 2 pairs together into a foursome. Then I’ll sew the third pair and the last row together into a trio.

Two vertical quilt sections showcasing a colorful patchwork of floral and solid fabrics on a cutting mat.

One last seam to sew the 2 sections together and the Augustina top will be finished. Fast as can be! There isn’t a lot of matching seams, but you do want to make sure your accent pieces are relatively even-looking across the quilt.

And here it is! Our completed Augustina quilt top.

Colorful quilt top featuring floral and solid fabric blocks arranged in a vertical pattern.

Although it was hot, I decided to take Augustina outside for a glamour photo. Sigh…….it was a little breezy out and I couldn’t get a photo with it hanging nicely for you. Bummer. But I do love how it looks surrounded by all the green – the flowers look like they are about to burst right off the quilt! That’s digital fabric for you – the number of colors that can be printed on fabric is phenomenal and creates stunning designs.

A colorful quilt featuring floral patterns and various fabrics, hanging on a clothesline outdoors with green grass and trees in the background.

And that’s it! Finito! Next I need to layer, quilt, and bind it…….someday, anyway.

If you’re looking for another great summer quilt pattern, check out the Jubilee tutorial from a few weeks ago. It’s also a super go-to project.

That’s it for me today, gotta go have me some summer……..in the air conditioning. LOL!

See you next week, same time same place —

Sew. Laugh. Stay Cool. Repeat.

Always,

Tricia @ VRD