Tag: vrd

2025 6 Quilts in 6 Weeks Challenge · Rose Cards · villa rosa designs

6 Quilts in 6 Weeks Challenge – Week 1 and NEW October VRD Quilt Patterns

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Hello Quilty Friends!

Happy Thursday to you!

There’s a lot to do on today’s blog post, so let’s just jump in with both feet!

Logo of 3 Aunts Quilt Shop featuring a stylized bee and ants on a bright blue background.

First, I want to congratulate our very own Cook family – Molly, Heidi, and mom Tamara – on taking on the former Villa Rosa Designs physical quilt shop. They’ve renamed the shop 3 Aunts Quilt Shop and you can find it HERE. Please extend them your congratulations!

6 Quilts in 6 Weeks Challenge

I am absolutely THRILLED that 20 intrepid quilters have joined in with me for the 6 Quilts in 6 Weeks Challenge. Please post your before photo (unfinished quilt top or pile of fabric with the pattern if you’re making new projects) and after photo (completed project, quilted and bound [if you are doing Accessory projects, it may not actually have quilting and/or binding and that’s okay]) on our VRD Facebook page or you can email them to me at tricia@villarosadesigns.com if you prefer.

Your before/after photos must be on the Facebook page or emailed to me by each Friday at midnight EST during the 6 Week Challenge.

If you have any questions, please drop me an email.

All right! Wanna see my finished project for Week 1????

Here is my Before photo:

A vibrant quilt featuring warm autumn colors such as orange and brown, displayed outdoors on a sunny day, with trees and grass in the background.

And here is my After photo:

A colorful quilt draped over a chair, featuring autumn-themed fabrics in shades of orange, yellow, and brown, with a patchwork design.

This VRD quilt is the Alassio pattern. I did this one as a tutorial in August 2023 (when I first wrote this sentence I thought it was from last year, then I checked and found out it was from 2023 – yikes!) and it went into my UFO (unfinished Object) pile. I thought it would a great one to start out the Challenge because it has a lovely warm fall vibe with the yummy batiks from Hoffman. I backed the quilt with cozy orange fleece and free motion quilted it with an allover meander design. I added the binding and machine-stitched it down. I’m not the greatest at finishing binding by machine, but it sure does go a lot faster than doing it by hand. I then added my label to the back. As this isn’t one of my patterns, I added VRD and the name of the pattern to my label along with my name, city and state, and the year the quilt was finished. Even though I started it in 2023, I didn’t complete it until now, so 2025 goes on the label.

Cover image for the Alassio quilt pattern by Villa Rosa Designs, featuring a colorful patchwork design with various fabrics in squares and rectangles.

Don’t have Alassio???

Get your digital pattern HERE or your print pattern HERE

Find the VRD Alassio tutorial HERE

I’ve already picked my project to complete for Week 2, but you’ll have to wait until next week to see it.

Now it’s your turn – post your photos before midnight. I’ll keep track of everyone who has posted (or sent me) their before/after photos for each week. Then I’ll randomly select that week’s winner from those folks who completed their weekly challenge. Please bear with me as I line up the prizes as this past weekend was International Quilt Market and this week is Festival so many of the companies I work with are a bit preoccupied right now.

If you don’t post a before/after photo for a weekly Challenge or you miss the deadline, your name won’t go into that week’s prize drawing. And that’s okay because life gets busy. I’m not kicking you out of the challenge – just make sure to post your photos for the next week to get your name in the next week’s drawing. Easy peasy.

I want to encourage all of you as well as myself to finish projects, not to stress about them.

I hope I’ve answered any questions you might have had. If not, feel free to email me.

Now let’s take a look at the new October quilt patterns!

NEW October VRD Rose Card Quilt Patterns

As many of you already know, I just love the Thursday after the first Friday of every month because I get to show off our new patterns! If you’re new to Villa Rosa, you might not yet know that we offer at least 5 (but sometimes 6 or even 7) NEW patterns each and every month. It’s crazy, right? And nobody else does that, except VRD.

An overview of five new quilt patterns for October 2025, including 'Enchanted Forest,' 'Gabriella,' 'Maple Syrup,' 'Fennimore,' and 'Phyllis.' Each pattern features unique designs and colors, showcased in a collage format.

Get All 5 print patterns HERE

Enchanted Forest is Melissa’s new pattern just in time for Fall Quilting……or Spring…….or Summer. Her “happy trees” are right at home in any season! You can find a kit at Molly and Heidi’s newly named 3 Aunts Quilt Shop, HERE.

Gabriella is Pat’s newest Tim Holtz Palette quilt and features 3 lovely stars amongst the lavender and purple prints. 3 Aunts Quilt Shop still has kits available HERE.

Maple Syrup is Heidi’s latest foody quilt featuring a lovely panel and side borders of a coordinating printed stripe. 3 Aunts has kits in stock HERE.

Fennimore is Rachelle’s new modern pattern for October. It features a very interesting block. You can find Fennimore kits at 3 Aunts HERE.

Phyllis is Catherine’s October pattern and shows you a unique way to make the large star blocks. You can find 3 different kit options at Catherine’s shop, Running Doe Quilts, HERE.

There’s one more quilt for this month and it’s a real fun one!

Boscobel is a small or wall quilt sized project by Rachelle. You can use the cut off triangles from Fennimore for this project or your favorite stack of 5″ squares. This small quilt would also make a great table quilt!

A vibrant quilt titled 'Boscobel' featuring colorful triangles on a white background, designed by Rachelle for Villa Rosa Designs.

Get your digital pattern HERE or your print pattern HERE.

Yes, you probably noticed that yours truly did not have a new pattern for October. You’ll just have to wait for November!

I wanted to let you know that I’m still reading book 5 in the Quilt City series. The story is moving along swiftly, but I just haven’t had a lot of time to read this past week.

Well, it’s time for me to get back to my Challenge project for next week. Happy quilting to all of you!

See you right back here next week for more VRD fun and Week 2 of our 6 Quilts in 6 Weeks Challenge.

Until then –

Sew. Laugh. Repeat.

Always,

Tricia @ VRD

2025 6 Quilts in 6 Weeks Challenge · Quilting and Books

A Quilt Finishing Challenge (6 Quilts in 6 Weeks) and Great Quilt Mystery Reads

rosecards4 Comments

Hello Quilty Friends!

Happy Thursday to you!

I hope you all enjoyed the last month or so of new VRD quilt tutorials to help you jumpstart your Fall quilting. I certainly did, but now I’ve added 6 more quilts to my unfinished quilt stack. Oh no! I think that stack is going to topple over any day now, unless I do something quick! How about you? Do you have a stack of VRD quilts waiting to be finished?

If you missed any of the recent VRD tutorials, you can find the links below:

Falling

Busy Bee

Cinnamon Stix

Midnight Pathway

Morning Tea

Tea With Mara

I had an idea………

Quilt Finishing Challenge – 6 Quilts in 6 Weeks

With my teetering stacks of unfinished quilt tops (or flimsies), I decided some kind of serious intervention was required. What if I challenge myself to complete one quilt a week? What if I make myself accountable by posting a before and after photo each week?

It sounds a little daunting to me, but I’m up for a new challenge this fall. After all, in the last 6 weeks, I made 6 new flimsies, so maybe I should make a plan to finish them, right?

Now to decide how many weeks I think I can manage…….hmmm, how about 6 weeks? Sounds reasonable, I think. I hope. Fingers crossed.

The Dates:

Week 1 – 10/9

Week 2 – 10/16

Week 3 – 10/23

Week 4 – 10/30

Week 5 – 11/6

Week 6 – 11/13

The Rules:

Each week for 6 weeks, I will post a photo of the unfinished top as well as a photo of the finished quilt (quilted and bound [by hand or machine]) on the blog and on the VRD Facebook page.

All quilt tops must be VRD patterns – this is the VRD blog, after all.

No size requirements (I have flimsies from snack mats up to large throw quilts).

Wanna join me in this challenge?

Send me your name and email address at tricia@villarosadesigns.com to officially join the challenge and be eligible for weekly prizes. Your name and email will only be used for this Challenge, I promise you.

Each week, I’ll draw a name from those participants who posted before/after photos to win a little quilty surprise. Might be from me or from one of our lovely quilting partners.

Before/After photos must be posted by each week’s date, listed above, so your name goes into the weekly drawing.

This Challenge is open to all, but please note that International winners will receive a selection of digital patterns.

PSST! You can even use the next six weeks to make a NEW VRD quilt each week if you want – hey, maybe you don’t have any unfinished VRD tops just sitting around. So go ahead – pick your favorite VRD pattern and get moving. Wouldn’t this be a great opportunity to get some of your Christmas sewing done early???

I think that’s all the important info.

So who’s with me? Send me your info and I’ll add you to my participant list. Then get sewing! And don’t forget to have some fun!!!

Now that our Challenge is LIVE, let’s take a break for some reading. Am I procrastinating already? Maybe…..

Great Quilt Mystery Reads

Mysteries are my favorite book genre, and recently while I was perusing available mystery ebooks at my online library to find my next read, I found a promising title called Quilt City Murders by Bruce Leonard, so I decided to give it a try. Here’s a brief description from Amazon:

Quilter Hadley Carroll thinks her life can’t get any worse after being demoted from reporter to newspaper courier and having her fiancé, Matt Ackerman, dump her without explanation. But then, while chucking a sack of newspapers into the Ohio River in Paducah, Kentucky—known as Quilt City—she finds Matt’s body snagged under the transient dock. She knows she’ll never find peace if she doesn’t figure out why he left her and who killed him, so she gets to work.
As QuiltWeek Paducah, the largest quilting event in the world, approaches, then fills the small town with 30,000 textile connoisseurs, quilters turn up dead. Paducah’s mayor tries to instill calm as citizens panic, protests flare up, and visiting quilters flee by the thousands.
Despite grieving the loss of Matt, Hadley perseveres, strengthened by her troubled upbringing and aided by her weekly quilting group. She uses her investigative skills and impressive intellect to solve the murders, to bring peace back to her hometown, and to get a good night’s sleep—finally.

Book cover of 'Quilt City Murders' featuring a woman holding a colorful quilt by a riverbank with a dog nearby, highlighting the title and author.

Quilt City Murders on Amazon

I was intrigued by the cover as well as how a male author would approach quilting. And it won a Best Mystery Award in 2022 from NIEA, which stands for The National Indie Excellence Award. I checked it out.

It took me a few chapters to get into it, but when everything started to roll, I simply could not put it down and I raced right to the end – whoa! Reading this book was like being on a train picking up speed while going downhill, seriously!

The characters surprised me by how realistic and well-rounded they were. I especially connected to the narrator, Hadley Carroll, because she is an imperfect character with a lot of baggage, just like the rest of us. And of course, Hadley has a dog named Trapunto (don’t you just LOVE this name???). As well as a quirky weekly quilt group.

Such a good read, so I couldn’t wait to check out book 2, Panic in Paducah. Even better than the first book! Actually held my breath in a few places, not kidding. Love how the characters keep surprising me, just like real people. I also find Hadley’s personal struggles to be realistic, especially when we all live in a world of imperfect people.

Book cover of 'Panic in Paducah' featuring a hand holding a lighter with a flame, set against a textured background. The title and author's name are prominently displayed.

Panic in Paducah on Amazon

Then I couldn’t wait to check out book 3 – Measure Once, Cut Twice

Oh no! Things just keep getting more and more complicated for Hadley in the third book. And Hadley is under more pressure than ever before as she races to help everyone with everything without losing herself to the chaos.

Cover of the book 'Quilt City: Measure Once, Cut Twice' by Bruce Leonard, featuring prescription bottles and scattered pills on a quilted background.

Measure Once, Cut Twice on Amazon

And then I went on to read Book 4 – Proving a Negative. Only the first 3 books were available at the online library, so I eagerly downloaded Book 4 and 5 from Amazon. I just finished this book yesterday and it was an amazing read, just like the first 3. I burned right through it in a couple days, reading every spare minute I could – the past few days have been busy ones, too, with me driving parents to their appointments here and there.

I will say each book is getting more intense than the previous one, which is probably why I can’t put them down. I’m really hooked. The author, Bruce Leonard, is fantastic! I love how quilting is woven into the story, but the story isn’t necessarily centered around quilting. I find the story lines to be realistic and relevant. And I absolutely love how the characters are evolving in each book.

Cover of the mystery novel 'Quilt City: Proving a Negative' by Bruce Leonard featuring an illustration of Benjamin Franklin on a hundred-dollar bill with a magnifying glass.

Proving a Negative on Amazon

Up next is Book 5 – Safety Second. This is the 5th out of 5 books, so I’m not sure if it’s the final book in the series or else just the most current. I hope the author continues writing for this series, because it’s really one of the best I’ve read for a while and I’ve read A LOT of mystery books over the years (if you didn’t know, I was a librarian for 11 years).

I probably won’t start it today because I’m writing the blog and doing work stuff today, but hopefully tomorrow I’ll be able to dive back into Hadley’s Paducah. Now that I’m starting Book 5, the characters are like old friends and I can’t wait to see what everyone will be up to in Book 5. If this is the final book of the series, I wonder if Hadley will get her happily ever after…….or not.

Cover of the book 'Quilt City: Safety Second' by Bruce Leonard, featuring a wooden mallet against a textured gray background.

Safety Second on Amazon

Look for these books at your local library, ask for them through Interlibrary loan at your local library, purchase them at your favorite bookseller, or use the Amazon links above.

By the way…….there’s even a companion Cookbook – Quilt City Cookbook. What fun! I haven’t ordered it yet, but I probably will after I finish Book 5, Safety Second. I love that the cookbook is even talked about in the books as Hadley writes it and then utilizes the recipes.

Cover of the cookbook 'Quilt City Cookbook' by Bruce Leonard, featuring desserts including ice cream cones, cookies, and a slice of cake, with a warm orange background.

Quilt City Cookbook on Amazon

Don’t forget to email me your name and email if you want to join my Quilt Finishing Challenge – 6 Quilts in 6 Weeks.

Ready…..Set…..Go….Quilt!

And it’s okay to take a reading break now and then. Tell ’em Tricia said so.

See you next week for my first Before/After photos for the Challenge.

Until then –

Sew. Laugh. Read. Repeat.

Always,

Tricia @ VRD

Rose Cards · Tutorials · villa rosa designs

VRD Falling Quilt Tutorial

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Hello Quilty Friends!

Happy Thursday to you!

Happy Fall!

A picturesque autumn scene featuring a cluster of bright orange pumpkins and a white pumpkin surrounded by hay bales and vibrant fall foliage.

Hard to believe it really is Fall now, but I know it’s here whether we’re ready or not. And I’m personally more than ready. We had such a hot and dry summer here in NW PA, so I’m eager for cooler weather.

Fall is definitely my very favorite season with its warm days and cool nights. All the gorgeous colors. The smells of the season. And the sounds. I truly love it all!

Another thing I love about Fall is that I start to feel more energized to get back to my many to-do lists. Summer definitely doesn’t inspire that in me. So now, it’s time to make plans to get things done. What is Fall to you?

I hope you’ve been enjoying our Jump into Fall quilt tutorials. Today’s project is beyond perfect for the season and I know you’re going to be excited to make this one.

VRD Falling Quilt Tutorial

Falling is truly a perfect project for this time of year, especially with all of the yummy fall fabrics at your local quilt shop and favorite online retailers. Falling is a pattern by Catherine, of Running Doe Quilts, who is one of our many talented VRD designers as well as a new VRD partner.

The quilt finishes at a generous 54″ x 72″ and goes together quickly with its oversized blocks and no borders (although you could easily add a border to make it bed-sized if you wanted to).

A colorful quilt featuring large, stylized leaf patterns in various shades, displayed outdoors against a backdrop of trees.

Get your digital pattern HERE or your print pattern HERE

Catherine even has kits available for the Falling quilt below – get yours HERE before they’re gone. Tell her Tricia sent you!

Quilt designed with colorful leaf patterns in orange, yellow, red, and blue fabrics, displayed outdoors against a rustic background.

Okay, time to get going on today’s tutorial.

Of course, our first thing to do is gather up our fabrics. Today I’m using a lovely collection from Hoffman Fabrics called Sweet Breeze. It’s a great choice today as we end summer and slide into fall. Sadly, this is an older fabric collection and probably isn’t available anymore, but happily Jason Yenter has a gorgeous fall collection called Falling Leaves, you can find it HERE – I think his wonderful fabrics would make great Leaves.

Here are our Sweet Breeze fabrics for today’s tutorial in lovely greens, a few browns, with a wee touch of orange.

Assorted fabric pieces in green, brown, and cream colors, featuring leaf patterns and textures, arranged neatly with a 'Falling' quilt pattern brochure on top.

Let’s go ahead and cut out all the pieces we’ll need for Falling – the background, the Leaf fabrics, and the stems.

A rotary cutter and a transparent quilting ruler placed on a cutting mat with fabric underneath.
Cutting quilting fabric pieces on a cutting mat with a rotary cutter and ruler.
A rotary cutter and a transparent quilting ruler rest on a marked cutting mat, with a piece of brown fabric cut into strips.

All right! All of our pieces are cut and ready to go.

A variety of fabric squares in green and beige tones on a cutting mat, with a brown strip of fabric positioned in the center.

Next we need to pair up our Leaf fabrics as each of the 12 blocks in the quilt uses 2 fabrics. I really love Catherine’s take on the traditional Maple Leaf quilt block, don’t you? She split it down the center so her leaves are two-toned. And the blocks are very big, which adds to the graphic appeal of this quilt.

The pattern suggests making 2 of each Leaf fabric combination, but you can mix and match your fabrics to your heart’s desire if you want, of course. I’m going to stick to the original plan today.

A variety of fabric squares in shades of green and brown, arranged on a cutting mat, ready for a quilting project.

Now we’re ready to sew. We haves lots of Half Square Triangle (HST) units to make for the quilt. I’m going to make 2 matching Leaf blocks before moving on. I don’t want to get all mixed up!

To make HSTs, the first thing you need to do is layer your squares right sides together (RST) and draw a diagonal line – I like to use FriXion erasable pens for marking my fabrics.

Then we’re going to sew 1/4″ away from both sides of our drawn line.

I went ahead and sewed all of the HSTs for my first 2 blocks at one time. Do likewise if you wish.

Next we need to cut on the diagonal lines which will give us 2 HSTs.

A quilting workspace showing a pair of fabric squares in light and dark green tones next to a pattern card for a quilt design called Falling from Running Doe Quilts.
A fabric square with a diagonal line drawn in red marker, lying on a cutting mat next to a quilting pattern booklet.
A fabric square with a diagonal marking for cutting, placed on a cutting mat.
A selection of cut fabric pieces arranged on a rotary cutting mat, with a marked diagonal line on one piece, ready for sewing.
Cut fabric pieces for quilting, including triangles and patches, arranged on a cutting mat with grid lines.

All right, let’s head over to the ironing board to press these HSTs open. Don’t forget to cut off the little dog ears on the corners so your piecing will be more accurate.

A green fabric triangle on an ironing board next to an iron, with a pink and white patterned cover.
A selection of cut quilt fabric pieces in various shades of green and beige, arranged on a soft pink background.
A collection of fabric pieces in shades of green and beige, cut for a quilt project, displayed on a cutting mat.

Let’s make the stems next. Cut your background square in half diagonally to make 2 triangles. Then we’re going to center and sew a stem rectangle between those 2 background triangles. I pressed my seams towards the stem so they wouldn’t show through my background fabric. We need to make 2 of these – 1 for each of our matching Leaf blocks.

A diagonal cut through a light green fabric square with a floral pattern, placed on a cutting mat with grid lines.
Quilt pieces laid out on a cutting mat, including two triangular fabric pieces and a brown fabric strip.
A brown fabric strip pinned to a light floral fabric triangle, ready for sewing.
Top view of a brown fabric strip sewn onto a light-colored fabric triangle, placed on a gray cutting mat with a ruler and grid.
A close-up view of a triangular fabric piece and a brown fabric strip placed on a pink and white patterned ironing board, with an iron in the background.
Fabric pieces for a quilt project laid out on a pink patterned surface.

Before out stem units are finished, though, we need to trim them to the right size. Take your time when you do this step because you don’t want to miscut and make wonky stems.

A quilting ruler placed over fabric on a cutting mat, showcasing measurement lines and a partially cut fabric strip.
A rotary cutter and fabric pieces on a cutting mat, with decorative fabric scraps nearby.

Okay, now we’re ready to layout a block and sew it together. Once I’m happy with how the first block turned out, I’m going to make the second matching block. One Leaf pair done, 5 more pairs to go. Repeat the steps above to make 12 total Leaf blocks.

Close-up of a quilt block featuring a two-toned leaf design in green and beige fabric, displayed on a light gray fabric backdrop.
A quilt block featuring green and light brown fabrics arranged in a maple leaf design, displayed on a gray background.
Two quilt blocks featuring stylized green and brown leaves on a light background, displayed on a blue fabric surface.

Woohoo! Here are my 12 Leaf blocks.

A pile of quilt blocks featuring various shades of green fabrics arranged in a leaf design, with a neutral background and some visible stitching.

Now it’s time to arrange the blocks on my design wall. If you want your quilt to have the same movement as the Falling quilt on the cover of the pattern, you will need to flip and flop your blocks like Catherine’s. I only switched 1 or 2 blocks before I liked the arrangement. As you, know sometimes I spend more time arranging the blocks than actually making the quilt. But not today, yay!

You will want to take care while sewing your blocks together because sometimes you are sewing a point to a point. Careful pinning will help keep your points under control and will result in a cleaner and more accurately stitched quilt.

A colorful quilt featuring oversized leaf blocks in various shades of green, brown, and floral patterns arranged on a design wall.

Next we are going to sew the blocks into rows and then sew the rows together to make the quilt top. Oops, this quilt is longer than my flannel wall, so I can’t show you the entire top yet. I told you it was a good sized quilt!

A quilt featuring a pattern of green and brown leaves arranged with a cream-colored background, showcasing various fabric textures and colors.

I just had to take my Falling flimsy outside to snap a photo in natural light so I could show you the entire top. Absolutely LOVE it! Can’t wait to finish it.

A quilt featuring large, stylized leaf patterns in various shades of green, brown, and orange, displayed outdoors on a clothesline with a grassy background.

To complete your quilt, layer it with batting and backing fabric (or fleece like I plan to). Quilt it. Bind it. And don’t forget your label!

Have you made a Falling quilt already? Or if you plan to make one this Fall, please share a photo on our VRD Facebook group – we’d all love to see them!

Well, that’s it for me – I’m heading back to my sewing machine to get some more sewing in.

Take care and I’ll see you right here next week.

Sew. Laugh. Repeat.

Always,

Tricia @ VRD

Quilting Partners · Rose Cards · Tips and Tricks · Tutorials · villa rosa designs

VRD Busy Bee Quilt Tutorial and Hoffman’s New Fall 2025 Project Catalog

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Hello Quilty Friends!

Happy Thursday to you!

Yep, it really is Thursday today. Bet I surprised a lot of you on Monday with our special VRD Announcement about upcoming changes (good ones, I promise you!). If you missed Monday’s VRD announcement, you can find it HERE.

Before I dive into this week’s inspirational quilt tutorial, I wanted to take a minute and share Hoffman’s Fall 2025 Project Catalog with you. I’m sure you’ve noticed I use a lot of Hoffman collections for our blog tutorials by now. We work closely with our friends over at Hoffman to inspire you by pairing new Hoffman fabrics and our easy breezy VRD Rose Card patterns.

Please enjoy the catalog and don’t forget to visit your local quilt shops to request these new upcoming Hoffman fabric collections and, of course, Villa Rosa Designs Rose Card patterns.

Lots of wonderful inspiration in this catalog, isn’t there? Which one(s) did you fall in love with and are adding to your “gotta make” list???

Now let’s make a quilt!

VRD Busy Bee Quilt Tutorial

Are you ready for a super fun tutorial today? Busy Bee is an oldie, but a really great goodie! I know you’re gonna love it!

Colorful quilt design featuring various fabric patterns in shades of red, green, and navy, with a title 'BUSY BEE' and branding 'Villa Rosa Designs'.

Get your digital pattern HERE or your print pattern HERE

First things first, let me show you the fabric I’m using today for Busy Bee. You’ll notice right away that these fabrics don’t exactly have an autumn vibe going on, but I couldn’t resist these gorgeous fabrics when I was looking through my stack of quilt kits to choose my next victim….er, tutorial project. LOL!

Seriously, though, aren’t these fabrics divine??? This older Hoffman collection is called Blush Garden. It’s possible you still might find some bolts at your local quilt shop or at your favorite online shop, but somehow I doubt it as it’s just so yummy. Sorry……

Busy Bee is a fat quarter (FQ) pattern which means you only need FQs for the quilt top. No background, no borders. Busy Bee is stunningly simple and goes together like greased lightning!

A collection of colorful fabrics arranged on a sewing table, featuring various floral and abstract patterns, along with a pattern booklet titled 'Busy Bee.'
Psst! You might notice that my Busy Bee pattern looks different from the cover front above. Yep, my pattern is an older cover front. Sometimes we freshen up covers as fabric styles and trends change over the years.

Before we can get to the sewing, we have to cut our fabrics. You need to divide your FQs into 2 equal stacks.

With the first stack, we’re going to cut our FQs into strips and then into fat rectangles and squares.

A cutting mat with a rotary cutter and floral fabric pieces for quilting. A ruler is positioned on top of the fabric, indicating measurement marks.
A cutting mat with floral fabric squares and a clear quilting ruler placed on top for cutting fabric.

Moving on to the second FQ stack, we’re gong to cut skinny rectangles and squares.

A cutting mat with a yellow rotary cutter and a green ruler next to a stack of fabric pieces, including a white square.
A cutting mat with a floral fabric strip and a rotary cutter, alongside a ruler marked with measurements.

Here are all our pieces ready to sew. And that’s it for cutting for the whole quilt top. I just love patterns like this, don’t you?

A collection of quilting fabric pieces in shades of pink and floral patterns, accompanied by a Busy Bee quilt pattern booklet on a green cutting mat.

Time to sew!

We’re going to sew 2 assorted fat rectangles together to make Block 1. I divided them equally into 2 piles and set them to the left of my machine so I could just grab the 2 top rectangles and feed them through the machine to chain piece them. If I didn’t like the combination or had 2 of the same on top, I just grabbed another one off one of the piles. Sew simple.

Do you chain piece your pieces together? Chain piecing is when you keep feeding/sewing pieces together through your sewing machine without cutting the thread in between the units. It saves both time and thread.

Fabric strips arranged on a sewing machine ready for quilting.
A close-up of a sewing machine with a pink fabric strip being sewn. Surrounding the machine are various fabric pieces in floral patterns, laid out on a cutting mat.

Now for Block 2 – we’re going to sew 3 assorted skinny rectangles together to make a Triple Rail Fence block. Again, I divided my strips equally into 3 piles and put them to the left of my machine. First I sewed 2 rectangles together from 2 of the 3 piles, leaving the last pile for last. Then I added a 3rd rectangle to all the pairs, making sure each Rail Fence block had 3 different fabrics.

Close-up of a sewing machine with a piece of fabric featuring floral patterns being sewn alongside a solid fabric.

Time to head over to the ironing board to press all of my blocks flat.

A variety of colorful quilt fabric pieces laid out on a cutting mat with an iron in the background.
A stack of fabric pieces in various floral patterns and colors, arranged on a gray felt surface.

All righty, all the blocks are sewn and pressed, so now we’re going to put them up on the design wall so we can play switcheroo until we’re happy with the block arrangement.

The layout is an easy one for because we’re just going to alternate the blocks.

Take a look at some of my swaps. See how the dark reds are accumulating at the lower right corner of the photo at the left. In the middle photo, I swapped some blocks around and it’s starting to look a bit better, but we’re not quite there yet. And then the photo at the right looks the best of all. Often, arranging the blocks takes longer than sewing the whole top together, especially if you’re making a Villa Rosa pattern!

A quilt in progress featuring a patchwork design with floral and textured fabric pieces in shades of pink, green, and cream, displayed on a light background.
A patchwork quilt design showcasing a variety of floral and patterned fabric pieces arranged in a grid layout, featuring pink, green, and beige tones.
Quilt blocks arranged in a design wall, featuring floral and patterned fabric pieces in pink, green, and white.

Now that I’m happy with how the blocks look, we’re going to add a border of squares all the way around the blocks. Huh! Bet you were wondering what we were going to do with all those squares (besides add them to our 5″ square stash).

A colorful quilt top made of various fabric pieces in shades of pink, green, and white, arranged in a patchwork design.

Guess what?!? Now it’s time to swap the squares around until the quilt looks just right (are you feeling a little bit like Goldilocks, ??? LOL!).

Take a look at some of my swap outs below. You might wonder why I went ahead and laid out my border of squares before I sewed the blocks together for the quilt center. I was afraid to sew the blocks together in case I would need to tweak them again once I laid out the border squares.

A patchwork quilt top featuring various fabric squares and rectangles in shades of pink, green, and floral patterns, arranged in a visually appealing layout.
A quilt top featuring a patchwork design with floral and abstract fabric pieces in shades of green, pink, and maroon, arranged in an alternating pattern.
A quilt top layout featuring various floral and patterned fabric pieces in shades of green, pink, and mauve, arranged in a patchwork design.

Okay, I’m happy with the blocks and outer squares layout, so I’m going to sew my blocks into rows and then sew the rows together.

A close-up view of two pieces of fabric placed under the needle of a sewing machine, with a floral-patterned fabric on the left and a solid light fabric on the right.
A sewing machine at work, stitching together multiple fabric pieces with a focus on a green patterned fabric surrounded by pink and light-colored fabrics.

The center of the quilt is now sewn together. OH NO! Somehow I flipped a block at the bottom right corner of the quilt center! Sheesh! How’d I manage to do that?!?

A partially completed quilt top featuring a variety of floral and patterned fabrics in shades of pink, green, and white, arranged in a block design on a light background.

Oh well, don’t panic! We can fix this. We have 2 options – either leave it alone and continue or else take a break to rip out the corner of the quilt and sew the blocks back together. Can you guess which option I chose?

Yup, time to grab my pal (and my enemy – I guess that makes him my frenemy, doesn’t it?), Jack the seam ripper. Do you have a favorite seam ripper? Mine is by Clover. In my humble opinion, it’s simply the best seam ripper ever. Don’t have this one? You can find it HERE. Let me know what you think.

A Clover seam ripper, displayed in packaging, designed for easily cutting threads.

Anyway, time to rip!

Close-up of two fabric pieces with floral and abstract designs laid next to a sewing machine, highlighting the quilting process.
A sewing machine with floral fabric pieces positioned next to a seam ripper tool on a workspace.

Ugh! Look at all the threads bits! Ripping out stitches is definitely NOT my favorite thing to do, but it’s necessary sometimes. And besides, Jack really enjoys himself when we do.

Close-up of several fabric pieces in shades of pink, with threads visible on one piece.

Now I can resew the block into the quilt. This time, I’m making sure it’s turned the right way.

Close-up view of colorful quilt patches with floral patterns being sewn together with a sewing machine.
Close-up of a quilt made with various floral and patterned fabric pieces, showcasing shades of pink, beige, and green, with visible stitching elements.

Okay, disaster averted, thank goodness. I’m still not a fan of the mauve rectangle touching the dark red one, but unless I want to do a ton more ripping and resewing, I’ve decided I can live with it. What do you think? Should I have ripped out the other block, too?

Quilt top featuring an assortment of floral and patterned fabrics in shades of pink, green, and cream, laid out in a patchwork design.

Moving on……..time to sew my squares into rows and then I’ll sew them to the quilt center. Fingers crossed I don’t get any of them mixed up. I’m going to sew the top and bottom squares together first and then I’ll sew them to the top and bottom of the quilt center.

Showcasing a colorful quilt top made from various fabrics in pink, green, and floral patterns, arranged in a harmonious patchwork layout.
A patchwork quilt top featuring a mix of floral and geometric patterned fabric pieces in shades of pink, green, and cream, arranged in a grid layout.

Next I’m going to sew the side border squares together and then I’ll sew them to the sides of the quilt center.

And here is the completed Busy Bee quilt top (or flimsy). Isn’t it really beautiful? LOVE LOVE LOVE these fabrics!

A patchwork quilt top featuring an assortment of floral and patterned fabric squares in shades of pink, green, and white, arranged in a mosaic style.
A completed quilt top featuring a patchwork design made of floral and textured fabric squares in shades of pink, green, and white, displayed against a light background.

Let’s take it outside in natural light to see the fabrics sparkle (instead of my dark sewing dungeon). Love it sew much! Can’t wait to finish this one.

A vibrant quilt displayed outdoors on a clothesline, featuring a patchwork design in shades of pink, green, and white.

Of course, after you get the flimsy finished, it’s time to layer it with batting and backing and quilt it. Then bind it and add a label. Hopefully soon.

Well, that’s it for me this week. Try to get a bit of sewing in this week.

See you next week!

Sew. Laugh. Repeat.

Always,

Tricia @ VRD

Quilting Partners · villa rosa designs

Special Announcement About Villa Rosa Designs

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Hello Quilty Friends!

Yep – you’re right, it’s not Thursday yet, but I had some important information to share with you about Villa Rosa Designs and it couldn’t wait until our usual Thursday post.

Please read on –

Moving Along

Pat Fryer is making changes – all toward scaling back her personal work load and concentrating on the Villa Rosa patterns.

California fabric shop and online fabric store –

All of the fresh new fabrics will be handed off to Heidi and Molly Cook.  The location is the same and all of the good things will be there.  They have a new name – 3 Aunts Quilt Shop.  The website 3AuntsQuiltShop.com will be live October 1.  There will be links on the VillaRosaDesigns.com website and in our newsletters.  All of Villa Rosa Designs patterns will be available at the shop and on 3AuntsQuiltShop.com.  3 Aunts Quilt Shop will carry on as the California home of Villa Rosa Designs.  Great things are in store!

VillaRosaDesigns.com –

The website will continue to have all of the Villa Rosa Designs patterns, and will still have close-out fabric and kits.  There is much remaining inventory after years of buying and overbuying fabric.

Pat and company [me included!] are going to be adding much more in the way of videos, tutorials, challenges, social sharing.  Let’s keep Villa Rosa Designs quilting and connected!

The new Texas home of Villa Rosa Designs –

A new East Texas location is opening in October.  The location is a partnership between Pat of Villa Rosa Designs and Catherine of Running Doe Quilts.  Running Doe Quilt Shop is expanding there – more machines, more fabric and notions, more classes.  Running Doe’s new shop will be renamed Rose City Sewing.  The location will have all of the Villa Rosa patterns available, along with close-out Villa Rosa fabrics.  Great things are in store!

Wholesale Operations –

Austin, TX is still home to Villa Rosa Designs administration and print shop.  Leann Fryer handles operations, web design, programming, wholesale ordering, and special orders.  Wholesale orders for quilt shops can be placed on VillaRosaWholesale.com.

Pattern Shipping –

Central Missouri houses the patterns.  Eric Aitken fills pattern orders – wholesale and retail.  Nancy Aitken heads our art department from there.

With all these moves, Villa Rosa Designs continues to be scattered over 3 states.  Centralizing contacts – phone and emails – will be a challenge we hope to simplify.

Contacts –

3 Aunts Quilt Shop – Molly Cook, Heidi Cook
3auntsquiltshop@gmail.com
530-509-5133   530-798-8506   530-755-6467
3AuntsQuiltShop.com
12438 Loma Rica Dr., Ste. A
Grass Valley CA 95945

Villa Rosa Designs – Pat Fryer
pat@villarosadesigns.com
888-867-8458   209-678-8731
VillaRosaDesigns.com

Villa Rosa Wholesale – Leann Fryer
leann@villarosadesigns.com
512-527-4964

Runing Doe Quilts
Rose City Sewing
catherine@runningdoequilts.com
903-933-2420
RunningDoeQuilts.com
Coming soon – Rose City Sewing
3401 G E Drive
Tyler TX 75701

Villa Rosa Pattern Shipping
Eric Aitken
orders@villarosadesigns.com

Villa Rosa Art Department
Nancy Aitken
nancy@villarosadesigns.com

So stay tuned – new and exciting things are coming!

See you Thursday for another great VRD quilt tutorial.

Until then –

Sew. Laugh. Repeat.

Always,

Tricia @ VRD

Rose Cards · Tips and Tricks · Tutorials

NEW VRD Rose Card Patterns for September and VRD Cinnamon Stix Quilt Tutorial

rosecards4 Comments

Hello Quilty Friends!

Happy Thursday to you!

I hope you are enjoying this collection of VRD quilt tutorials to inspire you to leap back into quilting this fall. May these tutorials nudge you into making a quilt for someone special or maybe just for yourself.

We’ve got lots to do today, so let’s get moving.

First up, it’s the Thursday after the first Friday of the month, and you know what that means – NEW PATTERNS! Talk about fall inspiration!!!

Here’s the new collection of 5 VRD Rose Cards for September. Aren’t they super???

A collage of quilt pattern cards for September 2025, featuring designs titled Awestruck, Edwina, Pumpkin Parade, Besties, and Viroqua, each with vibrant colors and unique patterns.

Get the set of 5 print patterns HERE

(Patterns are also available individually both as print and digital versions)

Awestruck by Molly uses 5″ squares and finishes at 44″ x 60″. There are kits still available HERE featuring Tula’s True Colors collection while they last. Totally loving the name!

Melissa wows us with her Pumpkin Parade throw quilt. It uses yardage (or your stash!) and finishes at 45″ x 56″. We still have a few kits left HERE featuring Riley Blake Seasonal fabrics, so grab one before they’re gone.

Pat is back this month with her latest Tim Holtz Palette quilt pattern, Edwina, featuring the Indigo Palette. Edwina finishes at 45″ x 60″ and is fat quarter friendly. Kits are still available, but going fast, so get yours HERE.

Besties is my new throw-sized quilt pattern this month. It’s fat quarter friendly and finishes at 48″ x 64″. We have kits featuring Anna Maria’s Iconic collection (see below) still available HERE.

Colorful patchwork quilt featuring various floral patterns and vibrant colors arranged in a grid layout.

Besties in the Iconic Collection

Viroqua is Rachelle’s latest smashing mod pattern. It finishes at 42″ x 48″ and uses half yards and yardage (stash friendly!). There are kits still available HERE featuring Windham’s Sketchbook 21 collection (see below).

A patchwork quilt top featuring various fabric patterns arranged in a geometric design with triangles and squares, showcasing a mix of colors and textures.

Viroqua in the Sketchbook 21 collection (please disregard the 2 mistakes where we turned the HSTs the wrong way – it’s getting fixed as we speak)

Last, but certainly not least is this month’s new table runner, Beachcomber. I’m sorry I missed the deadline boat last month with this fun runner, but I think it’s not too late to have just a wee bit more summer before it’s officially autumn on September 22nd.

You can really use just about any fabric collection or your stash for this fun and clever runner. Beachcomber finishes at 18″ x 54″ and uses yardage. Autumn? Halloween? Thanksgiving? Christmas? And the list goes on. Have you ever thought about making a 2 sided runner with 2 different seasons….here’s your chance!

A digital mockup of the Beachcomber quilt pattern designed by Tricia Lynn Maloney, featuring a colorful quilt laid out on a sandy beach with ocean waves in the background.

Get your digital Beachcomber pattern HERE or your print pattern HERE.

Now we’ve covered all of the new September patterns, which one will you make first?

OH! One last little thing about the new patterns – Melissa’s new Pumpkin Parade throw quilt is a fabulous companion to our best-selling Pumpkin Hollow table runner.

A quilted table runner featuring orange pumpkins on a white background with a checked pattern, accompanied by autumn leaves, titled 'Pumpkin Hollow' designed by Tricia Lynn Maloney for Villa Rosa Designs.

Get your Pumpkin Hollow digital pattern HERE or print pattern HERE.

All right, moving on, let’s dive into this week’s quilt tutorial – Cinnamon Stix.

VRD Cinnamon Stix Quilt Tutorial

Cinnamon Stix is a great pattern for a favorite fabric collection. You can use a stripe or even a seasonal/novelty fabric in the long strips, so it’s really versatile. Then simply add your coordinating fabrics for the Stix, a sashing, and border. Cinnamon Stix is fat quarter friendly and finishes at a nice 46″ x 63″.

A vibrant quilt titled 'Cinnamon Stix' featuring horizontal stripes of various fabrics in warm autumn colors and patterns, framed by a green border.

Get your Cinnamon Stix digital pattern HERE or your print pattern HERE.

I promised you a few weeks ago that I was going to have another quilt featuring Hoffman’s Rodeo Dreams digital collection – well, here it is! Today we’re using the border stripe in the collection along with fun coordinates, including a few batiks.

A variety of fabric swatches in red, blue, and neutral tones arranged on a sewing table, featuring a western-themed border print with cowboys and horses, alongside a quilting pattern titled 'Cinnamon Stix'.

First up, we’re going to cut out the Stix for the 3 pieced Stix rows.

A rotary cutter and acrylic ruler on a cutting mat with the 'Cinnamon Stix' quilt pattern card by Heidi Cook.

Once we’ve gotten all of the Stix cut, we’re going to slap them up on the design wall so we can arrange and rearrange them until we’re happy with the fabric placement.

Heads up – because the Stix are cut different widths, each row might look a bit different, depending on how you arrange your Stix.

Fabric squares arranged on a design wall in a patchwork pattern, featuring red, white, and blue colors.

Now we’re happy with how the Stix rows look, so it’s time to sew them together. I like to sew them into pairs, then sew the pairs into quads, and so on until all the pieces are stitched together into a row. Then repeat for the next 2 rows.

Close-up of a sewing machine stitching layers of fabric together, featuring a mixture of light beige and patterned blue fabric.

Okay, all the Stix are sewn together into 3 rows. Lookin’ good!

Three rows of colorful quilt fabric blocks arranged on a design wall, featuring blue, red, and cream tones.

Next let’s work on prepping and cutting the Rodeo border stripe fabric. My pal (and cousin), Robin, is helping me out with this tutorial today – we’re working on it in her sewing room.

A person cutting fabric on a cutting mat with a rotary cutter, featuring printed rodeo scenes and decorative fabric borders.
Hey Robin!

Once the stripe is cut, we’re going to work on cutting the narrow sashing, which is this gorgeous blue 885 Dot batik. LOVE IT!

A rotary cutter is placed on a cutting mat with strips of navy blue fabric featuring white dot patterns, alongside a clear acrylic ruler for measuring.

Let’s sew the sashing to both sides of our pieced Stix rows.

A sewing machine stitching together several pieces of fabric, including a patterned pink fabric and solid blue fabric, arranged on a sewing table.

Now we’re going to lay out the sashed Stix rows with the stripe. My tip is to find the center of the sashed Stix row and the center of the border stripe. Then match and pin the centers together and pin outward towards the ends to keep the quilt nice and square. We’re ready to sew the rows together. And then we need to add sashing all the way around as our first border.

Close-up of a quilt with red, white, and blue fabric sections alongside a border stripe featuring cowboys on horseback.
Close-up of a sewing machine stitching together pieced quilt blocks on a patterned fabric surface, featuring red, blue, and white fabrics.

Yay! The center of the quilt is finished. Easy peasy!

A quilt featuring western-themed fabric panels depicting riders on horses and dogs, arranged in alternating striped sections of blue, red, and patterned fabric, displayed against a light-grey backdrop.

Okay, time to cut the final border, which is a wonderful red bandana print from the Rodeo Dreams collection. Then we’re going to sew it to the quilt. Yay!

A person cutting red bandana fabric with a rotary cutter on a cutting mat using a ruler for measurements.

And here it is – the finished Cinnamon Stix quilt top in Rodeo Dreams. Isn’t it really fun???

A colorful quilt featuring cowboy and rodeo-themed fabric, arranged in vertical stripes with red borders, displayed against a light backdrop.

Here it is outside for a straight-on shot. It was really breezy so we ended up taking the photo in front of one of Robin’s hubby’s farm toys so it blocked the wind, instead of in front of the old barn (our first choice). Thank you Mary Lee and Robin for holding the quilt and fighting the wind for me. Perfect!

Two people holding a finished quilt featuring horse and cowboy patterns against a construction vehicle background.

I bet you’re already thinking about border stripes in your stash (or something new at your local quilt shop) to use in this fun and fast VRD pattern. We’d love to see your Cinnamon Stix quilts on our VRD Facebook page.

Now that the top (or flimsy) is done, it’s time to layer it with batting and backing, quilt it, bind it, and lastly add a label. Eventually…..

Stay tuned next week for another great VRD tutorial.

Until then –

Sew. Laugh. Repeat.

Always,

Tricia @ VRD

Rose Cards · Tips and Tricks · Tutorials · villa rosa designs

VRD Midnight Pathway Quilt Tutorial, High British Tea, and a Quilt Exhibit/Museum Tour

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Hello Quilty Friends!

Happy Thursday to you!

I hope you enjoyed last week’s tutorial, Morning Tea, with Molly. It was wonderful that she could stop by the blog and visit with you. Things have been super busy over there at the VRD shop in Grass Valley, CA, so she just hasn’t had a lot of extra time to hang out with us on the blog. What a great quilt she made, too, huh? Blue and white Australian fabrics – wow! If you missed last week’s Morning Tea tutorial, you can find it HERE.

High British Tea and a Quilt Exhibit/Tour

Last Friday, I was delighted to attend a High British Tea and Quilt Program/Tour at the Gibson House Manor Museum in Jamestown, PA. I was invited by my sister’s aunt-in-law (is this even a word???), Anita, to attend as her guest. Anita is not only a quilter, she also volunteers at the Museum.

The Gibson House Manor has had a very interesting history, indeed. It was built by a local doctor, William Gibson in the 1850’s. It is also known as the Mark Twain house because Mark Twain actually stayed there after the Civil War. He liked the house so much, he even included it in one of his stories! But even more interesting, it was a vital stop on the underground railroad with hidden secret rooms and so much more! You can visit the website HERE for more information.

Here’s the museum – isn’t it gorgeous???

The exterior of the Gibson House Manor Museum, featuring a red brick facade, large windows, and surrounding greenery.

Lucky me – not only was the new quilt exhibit debuting, the curator was giving a tour of the quilts, AND it was the monthly High British Tea day. What fun!

Here’s a few photos of the exhibit, showing some of the quilts on display.

A quilt displayed on a wall featuring a pattern with red and blue diamond shapes on a white background, framed with a pink border.
A quilt with red stars and yellow leaf patterns draped over a bed, with a brown patterned border and a dark blue wall in the background.
A colorful quilt featuring a pattern of interlocking shapes in pink, yellow, and blue, displayed against a softly colored wall.
A quilt displayed on a wall featuring a geometric pattern with blue and beige fabrics, showcasing various triangles and squares.
A quilt displayed on a white wall featuring a pattern of red, cream, and green squares with a stitched design.
A blue and white quilt hanging on a wall, featuring a diamond and star pattern with geometric shapes.

You can see this lovely exhibit (and the museum!) until October. It’s called Quilted Layers: Piecing Together History and it is curated by Jill Mezaros. You can make reservations on the website to see the exhibit. While you’re there, you might want to take the Underground Railroad tour and maybe have High British Tea, which is usually the last Friday of the month. Yum!

Now let’s get started on this week’s quilt tutorial to help you restart your quilting this fall.

VRD Midnight Pathway Quilt Tutorial

Midnight Pathway is another great VRD pattern by our own Molly Cook. It finishes at a big 52″ x 72″ and makes a good-sized throw quilt. Want it bigger? Simply add a border.

To me, this pattern has a more masculine feel to it. It’s very straightforward without any extras. I think you’re going to like it!

A quilt titled 'Midnight Pathway' with dark blue and gray fabrics arranged in alternating horizontal strips, featuring intricate quilting patterns.

Don’t have this pattern yet? Then get your digital pattern HERE or your print pattern HERE.

Today we’re using a rich earthy fabric collection. This collection is called Into the Woods and is a Hoffman Fabrics digital fabric collection with companion batiks.

A collection of quilting fabrics laid out on a green cutting mat alongside a pattern card for the 'Midnight Pathway' quilt. The fabrics include various colors and patterns, while the card is clearly labeled with the quilt design details.

Sadly, this collection is an older one, so you might not be able to find it anymore. This time of year, though, you’re bound to find something with a fabulous autumn woodsy feel that would work equally well like the Jason Yenter collection Falling Leaves or maybe Deb Tucker’s Forest Flora collection.

The first thing we’re going to do is to cut a lot of strips from our prints.

Cutting fabric for the Midnight Pathway quilt tutorial, featuring a rotary cutter, ruler, and fabric swatches on a green cutting mat.
A cutting mat with various strips of fabric featuring a tree bark pattern, a rotary cutter, and a clear ruler used for quilting.

Then we’re going to cut more strips from our contrast fabric.

A rotary cutter and quilting ruler positioned on a green cutting mat, with strips of white fabric and a folded piece of fabric nearby.
A quilting workspace featuring a rotary cutter, a clear acrylic ruler, and cut fabric pieces laid out on a green cutting mat.

Once we’ve got all of our strips cut, we’re going to cut our strips into different sized pieces. It’s important to keep all the pieces from one strip together. I folded the smaller pieces inside the longer pieces so I wouldn’t lose them.

A collection of fabric strips in various patterns and colors, including light cream, earthy browns, and floral designs, arranged on a cutting mat alongside a rotary cutter and a ruler.

We’re heading to the sewing machine next so we can add contrast rectangles between the small and larger pieces of the strips. You could mix and match your pieces for a really scrappy look (or even shop out of your stash and scrap bins), but I’m sticking with the pattern and going to keep each original strip together.

As there are three different pieced strips, I’m going to sew the strips together in 3 sections, then I’ll sew all the sections together.

Close-up of a Janome sewing machine with fabric pieces and threading on the sewing table.
Close-up of fabric pieces being sewn together on a sewing machine, showing a mix of patterned and solid fabrics.
Fabric pieces and a pattern for the Midnight Pathway quilt arranged on a cutting mat.

I’m going to pin all the same pieced strips together to stay organized as I work on each group.

Two sets of fabric strips laid out against a patterned background, with contrasting elements visible.

Now that all my strips are pieced, the fun can begin! Time to arrange the strips on my flannel board. Because I have my strips already divided into 3 groups, I’m also going to work on sewing the pieced strips together into 3 sections.

You can really have some creative license with this design because you can arrange the strips any way you want! There are so many ways you can put these strips together, so make sure you play a little bit before you commit.

A patchwork quilt arranged with various fabric strips in earthy tones and patterns, displayed on a flannel board.

Okay, I’m happy with my first section, so I’m going to sew the pieced strips together – first into pairs, then into quads, then finally sewing the quads together into one section. This helps me to keep from mixing up the strips as I sew.

A partially completed quilt top featuring a variety of brown and blue fabric strips arranged in a modern design, displayed against a light-colored background.
A patchwork quilt top featuring a variety of earthy fabric strips arranged in horizontal rows, showcasing a mix of patterns and colors, including browns, creams, and soft greens.
A quilt top in progress featuring various fabric strips in earthy tones, including browns, creams, and nature-themed patterns, arranged in a modern striped design.

I added this piece of paper to the top left corner so I wouldn’t flip things all around as I went.

A close-up image of quilt fabric pieces showing a label that reads 'Top Section 1' with an arrow pointing up, indicating the arrangement. The fabric features earthy tones and patterns resembling autumn foliage.

Great! Time to move onto the second group of pieced strips. I’m going to continue using the same technique as I did with the first section (twosies and foursies) after I’ve decided how I want this section arranged.

A partially completed quilt top displayed on a design wall, featuring alternating strips of earthy fabrics in various shades of brown, cream, and teal, alongside printed fabric depicting a nature scene with deer.
A quilt top in progress featuring an alternating pattern of colorful fabric strips, with a mix of browns, greens, and patterned strips displaying foliage and deer.

Now onto the last section. Because the quilt top is getting so long, I’m pretty much standing on my head to arrange the last pieced strips. LOL! I can barely show you the entire quilt top now – my pressing counter is in the way and I’m running out of flannel board.

A partially completed quilt featuring a design of horizontal fabric strips in earthy tones including browns, greens, and creams, with a central vertical white section.
A quilt design featuring a variety of fabrics in earthy tones, arranged in horizontal strips, with white sections interspersed.

So I’m going to take the top outside for a photo so you can see the whole thing. And here it is! I really like how warm and cozy it looks and how any guy or gal would love it!

A patchwork quilt with alternating strips of earthy brown fabrics and light-colored fabric, laid out on green grass.

Now all I have to do is layer it with batting and backing (or fleece as I plan to do), quilt it, bind it, and put on a label. Ho hum…..I’ll be adding it to my mountain of projects that need finished, I’m afraid. Seriously, I have no idea how many flimsies (quilt tops) and layered quilts I have on my pile – so, what’s one more???

Fingers crossed I’ll get some time this winter to work on them. Of course, the more tutorials I do, the more flimsies I add to my teetering pile. What a delightful conundrum.

Bet you don’t have any WIPs or UFOs (works-in-progress or unfinished objects) in your sewing space, do you???

See you next week for another great tutorial and NEW September patterns!

Until then –

Sew. Laugh. Repeat.

Always,

Tricia @ VRD

Rose Cards · Tutorials · villa rosa designs

VRD Morning Tea Quilt Tutorial

rosecards5 Comments

Hello Quilty Friends!

Happy Thursday to you!

PSST!

Hey, it’s me, Molly!

Long time no see! I’m stealing the blog from Tricia this week – it’s been a while since I snuck in here and did a tutorial. Sorry it’s been so long, but things have been awfully busy at the VRD shop and I’ve been working hard to create new patterns for you, too.

I heard Tricia’s doing a bunch of tutorials to help everybody get back into quilting this fall, so I thought I’d add one to the mix – Morning Tea. Yup, another Tea quilt. LOL!

Anyway, let’s get back to today’s tutorial, Morning Tea.

VRD Morning Tea Quilt Tutorial

Here’s Morning Tea, designed by our very own VRD Rose Queen, Pat. It’s a fat quarter (18″ x 21″) friendly pattern plus you need to add a background fabric. And of course, it’s fast and fun!

A quilt design titled 'Morning Tea' featuring various shades of blue fabrics arranged in a patchwork pattern, with a light background and floral design at the top corner.

If you don’t have the pattern yet, you can get your print copy HERE or digital copy HERE

I wanted to play around with some of our Aboriginal fabrics in the VRD shop again and decided on this range of blues. Fun, huh? The squiggly light fabric towards the bottom of the photo is my background and the one in front if it is my binding.

A collection of Aboriginal fabrics in various colors and patterns, laid out on a green surface. The fabrics feature intricate designs, including circles and wavy lines, suitable for quilting projects.

Lucky you! We even have some kits left, and you can get yours HERE. Your kit comes with the fat quarters (FQs), background fabric, binding, and the pattern. I do have to say some of the fabrics have been discontinued but we did add some great replacements and they work perfectly too.

Let’s rock this quilt!

  1. First step is to divide your fat quarters into 2 piles. From the first group, we’re going to cut them into 2 different widths.
Two pieces of fabric with distinct Aboriginal designs, positioned on a green cutting mat with grid lines; one piece is wider and rectangular, and the other is a narrower strip.

2. From the remaining smaller group of FQs, you’ll cut the strips all the same width.

Two strips of fabric featuring a blue Aboriginal design, laid on a green cutting mat.

3. The background strips are all cut the same size by the width of the fabric, then we’re going to cut the long strips in half so our strips are the same length as our fat quarter strips. Genius!

Two strips of fabric with a squiggly pattern on a cutting mat, showcasing a quilting project.

4. Sew a background strip to each of the largest FQ strips. Next cut each of those strip sets into segments. I’m going to name these Unit A so we can keep everything straight as we go along.

An arrangement of two pieces of fabric on a green cutting mat, featuring one piece in a light color with dotted patterns and another in a dark color with vibrant Aboriginal-inspired designs.
Two fabric strips, one patterned in dark blue with circular designs and the other in white, placed on a green cutting mat with grid lines.

5. Sew the remaining background strips between the small and the medium FQ strips. Subcut them into segments. These strip sets, I’m naming Unit B.

Three pieces of fabric in various shades of blue, including a patterned piece, a light backdrop, and a textured fabric, displayed on a green cutting mat.
Two quilt fabric strips arranged on a cutting mat, featuring a mix of dark and light patterns, with a vibrant green fabric visible at the bottom.

6. Are you following along? Because now we are going to sew our A and B units into blocks. Taking 2 of unit A and 2 of unit B, sew together with As on the outside and Bs in the middle. You’ll need to flip the last 2 units.

A quilt block layout featuring the letters A and B in various blue shades, with some blocks flipped.
Close-up view of a quilt featuring vibrant Aboriginal fabric patterns in shades of blue, black, and white, with intricate designs and stitching.

7. You will now make a reversed block with 2 more of each A & B units, turning the last 2 units as shown.

A visual representation of a quilt block layout, featuring blue and white squares, labeled with letters 'A' and 'B' indicating different fabric units.
Close-up of a quilt featuring a variety of blue Aboriginal fabric patterns arranged in a patchwork design.

8. You should now have the same number of each block. Time to play! You can lay your quilt out just like the pattern or you can play around with the layout and create some fun variations.

Here’s the original layout.

And here’s some cool variations to try out.

I bet you can even come up with your own block arrangement, so have fun!

9. When you’ve decided how you want to arrange your blocks, it’s time to sew the blocks into rows and then sew the rows together into the quilt top.

For my Morning Tea quilt, I’m going to stick with the original layout. Totally loving how it turned out!

A quilt featuring a patchwork design with various shades of blue, turquoise, and white, arranged in a square pattern.

10. Next up – layer, quilt, bind, and label your quilt.

Don’t forget to post your quilts on our VRD Facebook page or tag us on Instagram, #villarosadesigns. We love seeing your creations!

Thanks for stopping by and sewing with me!

Next week, Tricia will be back with another great tutorial for you.

That’s it for me.

Until next time —

Sew. Laugh. Repeat.

Later,

Molly

Quilting Partners · Rose Cards · Tips and Tricks · Tutorials · villa rosa designs

VRD Tea With Mara Quilt Tutorial

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Hello Quilty Friends!

Happy Thursday to you!

After our super fun Let’s Design a Quilt series (if you missed it, please check out the right side bar on the blog to find all of the links for the series) wrapped up last week, I promised a new group of tutorials to jump-start your autumn quilting.

You know how this time of the year is filled with local fairs and such right before the kiddos go back to school? Well, this week we’re off to the rodeo! Yippee!

Four cowboys riding horses during a rodeo, raising their hands in excitement, with dust kicking up in the background and an audience visible in the stands.

Have you ever been to a rodeo? I have a vague memory of going when I was a kid. My Grandma (my Dad’s mom) was always crazy about horses and always had at least a couple on the farm (my Grandpa always had his cows). I spent a lot of time on the farm as a kid as my grandparents’ farm was just down the road from our house. I have lots of good memories on the farm from when I was a kid. Baby animals were probably my favorite. Of course, running through the fields at midnight in the summer chasing down stray cows or horses was always fun, too. Good times.

Let’s slap our cowgirl (or cowboy) hats on our heads, put on our boots, and get started!

VRD Tea With Mara Quilt Tutorial

Tea With Mara is designed by Deanne of Creative Sewlutions, one of our talented VRD designers. This quilt finishes at a generous 58″ x 72″ and it can handle those large prints we are so loathe to chop up. Use printed panel squares……or not down the center. Sew many options……..sew little time!

A colorful quilt titled 'Tea with Mara' featuring a patchwork design with floral and butterfly patterns, highlighting various shades of pink, blue, and purple.

Get your digital pattern HERE or your print pattern HERE

PSST! Don’t forget, patterns always ship free, so grab a few more while you’re perusing the VRD patterns at the online shop.

For today’s tutorial, I’m using fabric from our friends over at Hoffman. It’s a digital-printed collection called Rodeo Dreams. When I saw this collection, I loved it! Maybe because it brought back fun memories from my childhood? So I’m letting you know right now that you’ll be seeing a couple more tutorials featuring Rodeo Dreams.

Just a quick word of caution when using digitally-printed fabrics – start with a brand new needle because if your needle is dull, you run the risk of damaging the fabric and we certainly don’t want to do that.

A selection of quilting fabrics, including blue and red bandana prints, a brown print, and a fabric featuring cowboys on horseback, alongside a digital pattern for the "Tea With Mara" quilt tutorial.

The first fabric I’m going to cut is the running yardage of the rodeo vignettes. I’m very glad I have a ruler the same size as the required block size in the pattern so I can fussy cut the squares easily and accurately.

A cutting mat featuring a quilting ruler over fabric with a rodeo scene, alongside a tutorial card for the 'Tea with Mara' quilt pattern.

Having the right sized ruler makes it a lot easier to fussy cut these vignettes than trying to cut strips and then cutting the strips into squares. This type of fabric makes strips and squares kind of tricky because the vignettes aren’t all the same size nor do they line up in a perfect grid.

Love quilting rulers! Boy, they do make quilting so much easier, faster, and more accurate.

Mostly, I rely on my 6×24 and 6×12 rulers for cutting, but it’s always a great idea to have a collection of square rulers in the most common sizes, which are not only good for fussy cutting, but also for squaring up blocks.

A set of clear quilting rulers in various sizes, featuring measurement grids and markings, placed on a white background.
This basic ruler set includes rulers in common sizes

The only problem with fussy cutting is that your fabric will look like Swiss cheese when you get all done! LOL! Check mine out below. I can still fussy cut more pieces out of the fabric, but there is definitely more waste doing it this way than cutting strips into squares. Just something to think about if you’ve never fussy cut before.

A layout of quilting fabric featuring rodeo scenes, displayed on a flannel wall alongside various quilt blocks.

Now I’m finished making Swiss cheese, it’s time to cut the rest of my fabrics. Loving this red bandana print – it looks like the real thing (digitally printed, of course)!

A rotary cutter and quilting ruler positioned on a cutting mat, with a vibrant red bandana print fabric and a quilt pattern titled 'Tea with Mara' by Creative Sewlutions.

Here are all my fabrics cut and ready to sew.

A collection of quilting fabrics including a red bandana print, a blue bandana print, a brown fabric, and a fabric featuring a cowboy chasing a calf, with a quilt pattern titled 'Tea with Mara' visible.

But before I start sewing, I’m going to lay out all of the pieces on my flannel wall. I want to make sure I like the placement of the rodeo vignettes before I commit to their positions permanently.

Quilt blocks arranged on a flannel wall, featuring red, blue, and brown fabrics with a rodeo theme and floral patterns.

I really like the nice big pieces in this quilt, even if I have to layer pieces on the floor because the quilt is going to be longer than my flannel wall. It’s going together surprisingly fast, though.

Of course, you don’t have to fussy cut your fabrics like I did – you could use any fabric you wanted for the center squares. Or you could even scrap this quilt up and use some of your stash. Such a versatile pattern – I could totally picture this quilt in a great collection of fall or harvest fabrics! Hmmmmmmmm….

You could even add a 6″ finished border, which would make the quilt a big 70″ x 84″!

Now I’ve got all my pieces up on the flannel wall. I switched a couple of the rodeo vignettes around, but other than that, I think it’s ready to sew. I like how it looks.

A colorful quilt layout featuring horse and rodeo-themed fabric squares, with red, blue, white, and brown patterned blocks arranged in a grid pattern on a design wall. A cutting mat and quilting ruler are visible in the foreground, along with a pattern card labeled 'Tea With Mara.'

Yippee-ki-yi-yay! Let’s sew this little dogie together! I really like how the fabrics alternate in placement from side to side – it definitely helps to keep your eyes moving around the quilt. The red and blue bandana fabrics really make this quilt in addition to the rodeo vignette squares. LOVE IT!

A quilt with alternating squares of red, white, blue, and brown fabric, featuring images of rodeo scenes.

And here it is outside on the clothesline. All I need is a horse or 2 grazing in the backyard, right? I’ll be binding this quilt with the dark blue batik you see in the fabric and pattern photo way up at the beginning of this tutorial. I think it will frame the quilt nicely.

A colorful quilt with red, blue, brown, and white squares, featuring rodeo-themed prints, hanging on a clothesline in a grassy field.

Now to get this quilt top layered, quilted, bound, and labeled…….some day, anyway. Right now I’m going to add it to my teetering pile of flimsies and UFOs. I’m hoping to make a good-sized dent in that pile this fall and winter. It’s just been way too hot this summer to machine quilt and do binding.

Here’s to autumn with its warm days and cool nights. And the brilliant colors of the season…. I can’t wait!

See you next week for another great tutorial!

Until then –

Sew. Laugh. Repeat.

Always,

Tricia @ VRD

2025 Let's Design a Quit Together Series · Quilt Play · Quilting Partners · Tips and Tricks

Let’s Design a Quilt: The Drunkard’s Path Block

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Hello Quilty Friends!

Happy Thursday to you!

What’s shakin’? Me, just sitting here thinking about which quilt block we’re going to feature today to wrap up our Design a Quilt series. I’m kind of bummed that today’s the final post in this series, but it is true that all good things must come to an end. That makes sense, because, if they didn’t then we would never have the opportunity to find new good things.

I’ve also been thinking about how you, dear readers, can utilize what we’ve covered in this series. The biggest thing that occurs to me, of course, is designing your own quilts using common quilt blocks. Common quilt block designs (like Nine Patch, Irish Chain, Four Patch, Sawtooth Star, etc., etc.) would most likely be considered in the public domain.

Want to find public domain quilt block designs? Just Google it! Pretty much all quilt block designs (and everything else in print) from publications before 1923 are considered public domain. Another idea is to look up quilt block history to see if the blocks were used before 1923. You can also invest in a quilt block reference or 2.

My favorite reference is Barbara Brackman’s Encyclopedia of Pieced Quilt Patterns.

Cover of the book 'Encyclopedia of Pieced Quilt Patterns' compiled by Barbara Brackman, featuring various quilt block designs.

For those of you who may not have heard of Barbara Brackman – she is probably the most well-known quilt historian in the USA, if not the world. Her book is meticulously researched and includes a reference section with original publications for the blocks in the book. Believe me, you will never run out of inspiration – there are over 4000 blocks in the book!

Another oldie but goodie block reference is The Romance of the Patchwork Quilt in America by Carrie A. Hall and Rose G. Kretsinger. This book was published in 1935 and is actually in the public domain itself. It includes A LOT of old pieced and appliqued quilt blocks and quilts along with historical notes. You might be able to find a used copy as its out of print, or I’ve included a link to an e-book version above.

Cover of 'The Romance of the Patchwork Quilt in America' featuring floral designs and decorative borders.

What does all this mean, really?

If you want to sell quilts, the best way to do that is to design your own instead of using someone’s copyright-protected pattern, which, as we’ve previously explored, has the potential to cause you legal issues down the road.

Want to be a quilt designer?

Create/sell your own patterns?

Design quilts for quilt magazines?

Write a quilt book?

Easy peasy, use public domain/common quilt blocks to create your own designs. Then your designs would be copyright protected, too.

Huh. Kind of mind-blowing, isn’t it? That doing something so simple – and FUN! – can become your own copyright-protected work.

Just something for you to think about….

Let’s move on to today’s block: Drunkard’s Path.

Let’s Design a Quilt: The Drunkard’s Path Block

Here is a basic Drunkard’s Path block unit.

A basic Drunkard's Path quilt block unit featuring a red semicircle on a white background.

The Drunkard’s Path block has a very interesting and rich history with roots in ancient Egypt. The block was popular with the Underground Railroad and the Women’s Temperance movement in the US. For a more and detailed history, please check out this article on the AccuQuilt blog: A History of the Drunkard’s Path Quilt Patterns.

Today, we are going to explore some of the interesting ways you can arrange this humble block unit, add sashing or not, and using color to tweak the design.

Before we can design a Drunkard’s Path quilt, we need to explore some of the many many different Drunkard’s Path variations. Believe me, these ideas are just the tip of the iceberg.

Here are a few books to explore more Drunkard’s Path designs.

Cover of the book '65 Drunkard's Path Quilt Designs' by Pepper Cory, featuring multiple quilt designs in various colors and patterns.
Get the book HERE
Book cover of 'A New Spin on Drunkard's Path' by John Kubiniec, featuring a quilt design in red and white with a pattern of curved shapes and geometric accents.

Get the book HERE

Here are different ways to arrange the units in a 2 x 2 layout. Which one is your favorite?

A Drunkard's Path quilt block unit featuring a grid layout with red semicircles on a white background.
A Drunkard's Path quilt block featuring a layout of red curves on a white background arranged in a 2x2 grid.
A quilt block design featuring a large red circle on a white background, arranged in a four-square layout.

Okay, let’s try a 3 x 3 grid.

A Drunkard's Path quilt block featuring a layout of red and white curved sections arranged in a 3x3 grid.
A Drunkard's Path quilt block design featuring a pattern of red and white curved shapes arranged in a 3x3 grid.
A Drunkard's Path quilt block design featuring a 2x2 grid with alternating red and white curved shapes.

Now let’s see what a 4 x 4 grid looks like.

A quilt block design featuring a 2 x 2 grid of large red circles on a white background.
A quilt block design featuring a repeating Drunkard's Path pattern, consisting of alternating red and white sections arranged in a grid layout.
A quilt block design featuring alternating red and white curved segments arranged in a 2x2 grid pattern, creating a wave-like effect.
A quilt block design featuring a repeating Drunkard's Path pattern with alternating red and white curves.
A quilt block design featuring a grid pattern with large red circles on a white background.

So I think you get the idea about the endless possibilities of the Drunkard’s Path block unit. Why don’t you try a 5 x 5 grid or a 6 by 6 grid to see what you can create?

Now let’s play with the color arrangement by swapping reds and whites in order to create new and different designs from the ones above.

A Drunkard's Path quilt block design featuring red and white curved shapes arranged in a grid pattern.
A quilt block design featuring a Drunkard's Path layout with alternating red and white sections, showcasing four circular shapes in each quadrant.
A Drunkard's Path quilt block featuring red and white fabrics in a four-square layout with curved designs.
Drunkard's Path quilt block design featuring alternating red and white sections arranged in a circular pattern.
A Drunkard's Path quilt block design featuring alternating red and white curved shapes arranged in a 3x3 grid.
Quadrant quilt block featuring a Drunkard's Path design with alternating red and white sections.

Let’s add more colors to our blocks, shall we? That way we can get even more interesting variations. You can see how adding more color can change a block design or even add a secondary design. Never underestimate the power of adding more color.

A geometric quilt block design featuring a mix of red circles, black shapes, and white backgrounds with a central gray square.
A Drunkard's Path quilt block design featuring a bold black and white layout with a prominent red circle at the center.
A colorful Drunkard's Path quilt block featuring a blue center surrounded by red circles, with alternating white and blue shapes creating a dynamic pattern.
Abstract quilt block design featuring red and black shapes arranged in a circular and square pattern.
A Drunkard's Path quilt block design featuring a blue semicircle on a red and white background, arranged in a 2x2 grid.
A quilt block design featuring a pattern of red circles on a black and white grid.

Okay, now it’s time to create quilt designs using some of the variations above! Let’s start with this bird variation.

A quilt block design featuring a Drunkard's Path pattern with red and white curved sections arranged in a 2x2 layout.

I like this bird quilt arrangement very much, but I don’t love how all the birds are facing the same way.

A quilt design featuring a repeating Drunkard's Path block pattern, alternating between red and white colors.

Let’s turn the birds in different directions. Hmmm. I only see a small difference here. Let’s keep going.

A digital quilt design featuring the Drunkard's Path block in a repeating pattern of red and white colors.

Better with sashing and sashing squares, but I’m still not too excited by it.

A quilt design featuring a repeated Drunkard's Path block pattern in red and white colors arranged in a grid layout.

Okay, let’s remove the sashing and turn the birds some more to see what happens. AHA! Yes, this is more like it.

A quilt design featuring a Drunkard's Path block arrangement with alternating red and white shapes, creating a dynamic pattern.

I think we can call this a finished design. Let’s add some fabric. It would definitely make a bold 2 color quilt as long as you have strong contrast between the colors like the red and white example above. But let’s add more than 2 colors.

Yup, this one rocks. I’m using fabrics from QT’s American Spirit collection. I took a chance and flip flopped the fabrics in the centers and it really sets this design off.

A quilt design featuring the Drunkard's Path block, arranged in a repeating pattern with red, blue, and cream fabrics, creating a visually appealing layout.

Now let’s try a different Drunkard’s Path block variation from above.

A quilt block design featuring a circular blue shape in the top left and bottom right sections, against a backdrop of alternating red and white squares.

I like this interesting block arrangement, especially with the checkerboard behind the blue circles. Very 3-D. But I bet we can tweak it to change it from an okay quilt to a WOW quilt.

A quilt design featuring a checkered pattern with red and white squares and blue circles in the center.

Just a quick turn of some blocks and we get this design with lots of movement. Kind of fun, huh?

A quilt design featuring a repeating pattern of red, white, and blue blocks with circular shapes in blue and white against a red background.

Let’s add some fabric to this one. Can’t wait to see it! Here’s a selection of yummy Hoffman batiks. This super mod design has a lot going for it!

A quilt design featuring a repeating pattern of pink circles on a black and white grid background, with a copyright notice for Tricia Lynn Maloney, Orphan Quilt Designs.

Let’s play with another block.

A quilt block design featuring a central gray square surrounded by red circles and black curved shapes on a white background.

All right, let’s see what this block looks like in a quilt. Gosh, I’m really liking this one. It reminds of a tile floor. But I think we can tweak it a bit to make it outstanding.

A colorful quilt pattern featuring alternating blocks with red circles and black shapes on a white background, arranged in a grid format.

YES! This is the finished design. Adding sashing and sashing squares was just the tweak I needed, which added a wonderful secondary design.

A colorful quilt design featuring a repeated Drunkard's Path block layout with black, red, gray, and white colors.

Yippee! Time to add fabric! I think this design is spectacular!

A quilt design featuring pink floral blocks and circular motifs on a dark background.

Let’s do one more!

A graphic illustration of a Drunkard's Path quilt block design featuring a red circle, black and white geometric shapes.

Let’s see how this variation plays in a quilt. I really like this design – it makes me think of Halloween bats flying in front of a full moon. But I think we can tweak it a bit more.

A quilt design featuring a repeating pattern of the Drunkard's Path block, showcasing red, black, white, and gray colors arranged in a grid layout.

Let’s try sashing again. Sometimes this is the way to go and sometimes it isn’t. This one improves with sashing, definitely! I love the diagonal movement the design has now. What do you think?

A geometric quilt design featuring alternating black, white, and red blocks with curved patterns, arranged in a checkerboard layout.

Only thing left to do is to add FABRIC! I’m using assorted Hoffman batiks again and I played up the Halloween moon idea by making the background grey like twilight. Totally loving this!

A quilt design featuring a repeating pattern of Drunkard's Path blocks in gray and dark blue with orange accents, arranged in a grid layout.

Sadly, that wraps up our 5 part Let’s Design a Quilt series. I have had SEW much fun with this series. I hope you did too. I can envision adding more to this series down the road. Maybe I will focus on on-point quilt designs….

If you missed any posts in the series, you can find them all right here:

Playing with Nine Patch Blocks

Playing with the Spool Block

Playing with the Courthouse Steps Block

Playing with the Sawtooth Star Block

Playing with the Farmer’s Daughter Block

See you next week – time for some new VRD tutorials to jumpstart your Autumn quilting when the kiddos go back to school.

Until then –

Sew. Laugh. Design. Repeat.

Always,

Tricia @ VRD